SEVENTH LECTURE
THE DREAM

Manifest Dream Content and Latent Dream Thought

WE have not studied the problem of errors in vain. Thanks to our efforts in this field, under the conditions known to you, we have evolved two different things, a conception of the elements of the dream and a technique for dream interpretation. The conception of the dream element goes to show something unreal, a substitute for something else, unknown to the dreamer, similar to the tendency of errors, a substitute for something the dreamer knows but cannot approach. We hope to transfer the same conception to the whole dream, which consists of just such elements. Our method consists of calling up, by means of free associations, other substitute formations in addition to these elements, from which we divine what is hidden.

Let me ask you to permit a slight change in our nomenclature which will greatly increase the flexibility of our vocabulary. Instead of hidden, unapproachable, unreal, let us give a truer description and say inaccessible or unknown to the consciousness of the dreamer. By this we mean only what the connection with the lost word or with the interfering intention of the error can suggest to you, namely, unconscious for the time being. Naturally in contrast to this we may term conscious the elements of the dream itself and the substitute formations just gained by association. As yet there is absolutely no theoretical construction implied in this nomenclature. The use of the word unconscious as a suitable and intelligible descriptive epithet is above criticism.

If we transfer our conception from a single element to the entire dream, we find that the dream as a whole is a distorted substitute for something else, something unconscious. To discover this unconscious thing is the task of dream interpretation. From this, three important rules, which we must observe in the work of dream interpretation, are straightway derived:

1. What the dream seems to say, whether it be sensible or absurd, clear or confused is not our concern, since it can under no condition be that unconscious content we are seeking. Later we shall have to observe an obvious limitation of this rule. 2. The awakening of substitute formations for each element shall be the sole object of our work. We shall not reflect on these, test their suitability or trouble how far they lead away from the element of the dream. 3. We shall wait until the hidden unconscious we are seeking appears of itself, as the missing word Monaco in the experiment which we have described.

Now we can understand, too, how unimportant it is how much, how little, above all, how accurately or how indifferently the dream is remembered. For the dream which is remembered is not the real one, but a distorted substitute, which is to help us approach the real dream by awakening other substitute formations and by making the unconscious in the dream conscious. Therefore if our recollection of the dream was faulty, it has simply brought about a further distortion of this substitute, a distortion which cannot, however, be unmotivated.

One can interpret one's own dreams as well as those of others. One learns even more from these, for the process yields more proof. If we try this, we observe that something impedes the work. Haphazard ideas arise, but we do not let them have their way. Tendencies to test and to choose make themselves felt. As an idea occurs, we say to ourselves "No, that does not fit, that does not belong here"; of a second "that is too senseless"; of a third, "this is entirely beside the point"; and one can easily observe how the ideas are stifled and suppressed by these objections, even before they have become entirely clear. On the one hand, therefore, too much importance is attached to the dream elements themselves; on the other, the result of free association is vitiated by the process of selection. If you are not interpreting the dream alone, if you allow someone else to interpret it for you, you will soon discover another motive which induces you to make this forbidden choice. At times you say to yourself, "No, this idea is too unpleasant, I either will not or cannot divulge this."

Clearly these objections are a menace to the success of our work. We must guard against them, in our own case by the firm resolve not to give way to them; and in the interpretation of the dreams of others by making the hard and fast rule for them, never to omit any idea from their account, even if one of the following four objections should arise: that is, if it should seem too unimportant, absurd, too irrelevant or too embarrassing to relate. The dreamer promises to obey this rule, but it is annoying to see how poorly he keeps his promise at times. At first we account for this by supposing that in spite of the authoritative assurance which has been given to the dreamer, he is not impressed with the importance of free association, and plan perhaps to win his theoretic approval by giving him papers to read or by sending him to lectures which are to make him a disciple of our views concerning free association. But we are deterred from such blunders by the observation that, in one's own case, where convictions may certainly be trusted, the same critical objections arise against certain ideas, and can only be suppressed subsequently, upon second thought, as it were.

Instead of becoming vexed at the disobedience of the dreamer, these experiences can be turned to account in teaching something new, something which is the more important the less we are prepared for it. We understand that the task of interpreting dreams is carried on against a certain resistance which manifests itself by these critical objections. This resistance is independent of the theoretical conviction of the dreamer. Even more is apparent. We discover that such a critical objection is never justified. On the contrary, those ideas which we are so anxious to suppress, prove without exception to be the most important, the most decisive, in the search for the unconscious. It is even a mark of distinction if an idea is accompanied by such an objection.

This resistance is something entirely new, a phenomenon which we have found as a result of our hypotheses although it was not originally included in them. We are not too pleasantly surprised by this new factor in our problem. We suspect that it will not make our work any easier. It might even tempt us to abandon our entire work in connection with the dream. Such an unimportant thing as the dream and in addition such difficulties instead of a smooth technique! But from another point of view, these same difficulties may prove fascinating, and suggest that the work is worth the trouble. Whenever we try to penetrate to the hidden unconscious, starting out from the substitute which the dream element represents, we meet with resistance. Hence, we are justified in supposing that something of weight must be hidden behind the substitute. What other reason could there be for the difficulties which are maintained for purposes of concealment? If a child does not want to open his clenched fist, he is certainly hiding something he ought not to have.

Just as soon as we bring the dynamic representation of resistance into our consideration of the case, we must realize that this factor is something quantitatively variable. There may be greater or lesser resistances and we are prepared to see these differences in the course of our work. We may perhaps connect this with another experience found in the work of dream interpretation. For sometimes only one or two ideas serve to carry us from the dream element to its unconscious aspect, while at other times long chains of associations and the suppression of many critical objections are necessary. We shall note that these variations are connected with the variable force of resistance. This observation is probably correct. If resistance is slight, then the substitute is not far removed from the unconscious, but strong resistance carries with it a great distortion of the unconscious and in addition a long journey back to it.

Perhaps the time has come to take a dream and try out our method to see if our faith in it shall be confirmed. But which dream shall we choose? You cannot imagine how hard it is for me to decide, and at this point I cannot explain the source of the difficulty. Of course, there must be dreams which, as a whole, have suffered slight distortion, and it would be best to start with one of these. But which dreams are the least distorted? Those which are sensible and not confused, of which I have already given you two examples? This would be a gross misunderstanding. Testing shows that these dreams have suffered by distortion to an exceptionally high degree. But if I take the first best dream, regardless of certain necessary conditions, you would probably be very much disappointed. Perhaps we should have to note such an abundance of ideas in connection with single elements of dream that it would be absolutely impossible to review the work in perspective. If we write the dream out and confront it with the written account of all the ideas which arise in connection with it, these may easily amount to a reiteration of the text of the dream. It would therefore seem most practical to choose for analysis several short dreams of which each one can at least reveal or confirm something. This is what we shall decide upon, provided experience should not point out where we shall really find slightly distorted dreams.

But I know of another way to simplify matters, one which, moreover, lies in our path. Instead of attempting the interpretation of entire dreams, we shall limit ourselves to single dream elements and by observing a series of examples we shall see how these are explained by the application of our method.

1. A lady relates that as a child she often dreamt "that God had a pointed paper hat on his head." How do you expect to understand that without the help of the dreamer? Why, it sounds quite absurd. It is no longer absurd when the lady testifies that as a child she was frequently made to wear such a hat at the table, because she could not help stealing glances at the plates of her brothers and sisters to see if one of them had gotten more than she. The hat was therefore supposed to act as a sort of blinder. This explanation was moreover historic, and given without the least difficulty. The meaning of this fragment and of the whole brief dream, is clear with the help of a further idea of the dreamer. "Since I had heard that God was all-knowing and all-seeing," she said, "the dream can only mean that I know everything and see everything just as God does, even when they try to prevent me." This example is perhaps too simple.

2. A sceptical patient has a longer dream, in which certain people happen to tell her about my book concerning laughter and praise it highly. Then something is mentioned about a certain "'canal,' perhaps another book in which 'canal' occurs, or something else with the word 'canal' … she doesn't know … it is all confused."

Now you will be inclined to think that the element "canal" will evade interpretation because it is so vague. You are right as to the supposed difficulty, but it is not difficult because it is vague, but rather it is vague for a different reason, the same reason which also makes the interpretation difficult. The dreamer can think of nothing concerning the word canal, I naturally can think of nothing. A little while later, as a matter of fact on the next day, she tells me that something occurred to her that may perhaps be related to it, a joke that she has heard. On a ship between Dover and Calais a well-known author is conversing with an Englishman, who quoted the following proverb in a certain connection: "Du sublime au ridicule, il n'y a qu'un pas."²⁴ The author answers, "Oui, le pas de Calais,"²⁵ with which he wishes to say that he finds France sublime and England ridiculous. But the "Pas de Calais" is really a canal, namely, the English Channel. Do I think that this idea has anything to do with the dream? Certainly, I believe that it really gives the solution to the puzzling dream fragments. Or can you doubt that this joke was already present in the dream, as the unconscious factor of the element, "canal." Can you take it for granted that it was subsequently added to it? The idea testifies to the scepticism which is concealed behind her obtrusive admiration, and the resistance is probably the common reason for both phenomena, for the fact that the idea came so hesitatingly and that the decisive element of the dream turned out to be so vague. Kindly observe at this point the relation of the dream element to its unconscious factor. It is like a small part of the unconscious, like an allusion to it; through its isolation it became quite unintelligible.

3. A patient dreams, in the course of a longer dream: "Around a table of peculiar shape several members of his family are sitting, etc." In connection with this table, it occurs to him that he saw such a piece of furniture during a visit to a certain family. Then his thoughts continue: In this family a peculiar relation had existed between father and son, and soon he adds to this that as a matter of fact the same relation exists between himself and his father. The table is therefore taken up into the dream to designate this parallel.

This dreamer had for a long time been familiar with the claims of dream interpretation. Otherwise he might have taken exception to the fact that so trivial a detail as the shape of a table should be taken as the basis of the investigation. As a matter of fact we judge nothing in the dream as accidental or indifferent, and we expect to reach our conclusion by the explanation of just such trivial and unmotivated details. Perhaps you will be surprised that the dream work should arouse the thought "we are in exactly the same position as they are," just by the choice of the table. But even this becomes clear when you learn that the name of the family in question is Tischler. By permitting his own family to sit at such a table, he intends to express that they too are Tischler. Please note how, in relating such a dream interpretation, one must of necessity become indiscreet. Here you have arrived at one of the difficulties in the choice of examples that I indicated before. I could easily have substituted another example for this one, but would probably have avoided this indiscretion at the cost of committing another one in its place.

The time has come to introduce two new terms, which we could have used long ago. We shall call that which the dream relates, the manifest content of the dream; that which is hidden, which we can only reach by the analysis of ideas we shall call latent dream thoughts. We may now consider the connection between the manifest dream content and the latent dream thoughts as they are revealed in these examples. Many different connections can exist. In examples 1 and 2 the manifest content is also a constituent part of the latent thought, but only a very small part of it. A small piece of a great composite psychic structure in the unconscious dream thought has penetrated into the manifest dream, like a fragment of it, or in other cases, like an allusion to it, like a catchword or an abbreviation in the telegraphic code. The interpretation must mould this fragment, or indication, into a whole, as was done most successfully in example 2. One sort of distortion of which the dream mechanism consists is therefore substitution by means of a fragment or an allusion. In the third, moreover, we must recognize another relation which we shall see more clearly and distinctly expressed in the following examples:

4. The dreamer "pulls a certain woman of his acquaintance from behind a bed." He finds the meaning of this dream element himself by his first association. It means: This woman "has a pull" with him.²⁶

5. Another man dreams that "his brother is in a closet." The first association substitutes clothes-press for closet, and the second gives the meaning: his brother is close-pressed for money.²⁷

6. The dreamer "climbs a mountain from the top of which he has an extraordinarily distant view." This sounds quite sensible; perhaps there is nothing about it that needs interpretation, and it is simply necessary to find out which reminiscence this dream touches upon and why it was recalled. But you are mistaken; it is evident that this dream requires interpretation as well as any other which is confused. For no previous mountain climbing of his own occurs to the dreamer, but he remembers that an acquaintance of his is publishing a "Rundschau," which deals with our relation to the furthermost parts of the earth. The latent dream thought is therefore in this case an identification of the dreamer with the "Rundschauer."

Here you find a new type of connection between the manifest content and the latent dream element. The former is not so much a distortion of the latter as a representation of it, a plastic concrete perversion that is based on the sound of the word. However, it is for this very reason again a distortion, for we have long ago forgotten from which concrete picture the word has arisen, and therefore do not recognize it by the image which is substituted for it. If you consider that the manifest dream consists most often of visual images, and less frequently of thoughts and words, you can imagine that a very particular significance in dream formation is attached to this sort of relation. You can also see that in this manner it becomes possible to create substitute formations for a great number of abstract thoughts in the manifest dream, substitutions that serve the purpose of further concealment all the same. This is the technique of our picture puzzle. What the origin is of the semblance of wit which accompanies such representations is a particular question which we need not touch upon at this time.

A fourth type of relation between the manifest and the latent dream cannot be dealt with until its cue in the technique has been given. Even then I shall not have given you a complete enumeration, but it will be sufficient for our purpose.

Have you the courage to venture upon the interpretation of an entire dream? Let us see if we are well enough equipped for this undertaking. Of course, I shall not choose one of the most obscure, but one nevertheless that shows in clear outline the general characteristics of a dream.

A young woman who has been married for many years dreams: "She is sitting in the theatre with her husband; one side of the orchestra is entirely unoccupied. Her husband tells her that Elise L. and her bridegroom had also wished to come, but had only been able to procure poor seats, three for