Mr. Searle frowned in silence and his companion gave him a tap on the stomach. “Line those ribs a bit first!” He blushed crimson; his eyes filled with tears. “You ARE a coarse brute,” he said. The scene quite harrowed me, but I was prevented from seeing it through by the reappearance of the landlord on behalf of number 12. He represented to me that I ought in justice to him to come and see how tidy they HAD made it. Half an hour afterwards I was rattling along in a hansom toward Covent Garden, where I heard Madame Bosio in The Barber of Seville. On my return from the opera I went into the coffee-room; it had occurred to me I might catch there another glimpse of Mr. Searle. I was not disappointed. I found him seated before the fire with his head sunk on his breast: he slept, dreaming perhaps of Abijah Simmons. I watched him for some moments. His closed eyes, in the dim lamplight, looked even more helpless and resigned, and I seemed to see the fine grain of his nature in his unconscious mask. They say fortune comes while we sleep, and, standing there, I felt really tender enough—though otherwise most unqualified—to be poor Mr. Searle’s fortune. As I walked away I noted in one of the little prandial pews I have described the melancholy waiter, whose whiskered chin also reposed on the bulge of his shirt-front. I lingered a moment beside the old inn-yard in which, upon a time, the coaches and post-chaises found space to turn and disgorge. Above the dusky shaft of the enclosing galleries, where lounging lodgers and crumpled chambermaids and all the picturesque domesticity of a rattling tavern must have leaned on their elbows for many a year, I made out the far-off lurid twinkle of the London constellations. At the foot of the stairs, enshrined in the glittering niche of her well-appointed bar, the landlady sat napping like some solemn idol amid votive brass and plate.

The next morning, not finding the subject of my benevolent curiosity in the coffee-room, I learned from the waiter that he had ordered breakfast in bed. Into this asylum I was not yet prepared to pursue him. I spent the morning in the streets, partly under pressure of business, but catching all kinds of romantic impressions by the way. To the searching American eye there is no tint of association with which the great grimy face of London doesn’t flush. As the afternoon approached, however, I began to yearn for some site more gracefully classic than what surrounded me, and, thinking over the excursions recommended to the ingenuous stranger, decided to take the train to Hampton Court. The day was the more propitious that it yielded just that dim subaqueous light which sleeps so fondly upon the English landscape.

At the end of an hour I found myself wandering through the apartments of the great palace. They follow each other in infinite succession, with no great variety of interest or aspect, but with persistent pomp and a fine specific effect. They are exactly of their various times. You pass from painted and panelled bedchambers and closets, anterooms, drawing-rooms, council-rooms, through king’s suite, queen’s suite, prince’s suite, until you feel yourself move through the appointed hours and stages of some rigid monarchical day. On one side are the old monumental upholsteries, the big cold tarnished beds and canopies, with the circumference of disapparelled royalty symbolised by a gilded balustrade, and the great carved and yawning chimney-places where dukes-in-waiting may have warmed their weary heels; on the other, in deep recesses, rise the immense windows, the framed and draped embrasures where the sovereign whispered and favourites smiled, looking out on terraced gardens and misty park. The brown walls are dimly illumined by innumerable portraits of courtiers and captains, more especially with various members of the Batavian entourage of William of Orange, the restorer of the palace; with good store too of the lily-bosomed models of Lely and Kneller. The whole tone of this processional interior is singularly stale and sad. The tints of all things have both faded and darkened—you taste the chill of the place as you walk from room to room. It was still early in the day and in the season, and I flattered myself that I was the only visitor. This complacency, however, dropped at sight of a person standing motionless before a simpering countess of Sir Peter Lely’s creation. On hearing my footstep this victim of an evaporated spell turned his head and I recognised my fellow lodger of the Red Lion. I was apparently recognised as well; he looked as if he could scarce wait for me to be kind to him, and in fact didn’t wait. Seeing I had a catalogue he asked the name of the portrait. On my satisfying him he appealed, rather timidly, as to my opinion of the lady.

“Well,” said I, not quite timidly enough perhaps, “I confess she strikes me as no great matter.”

He remained silent and was evidently a little abashed. As we strolled away he stole a sidelong glance of farewell at his leering shepherdess. To speak with him face to face was to feel keenly that he was no less interesting than infirm. We talked of our inn, of London, of the palace; he uttered his mind freely, but seemed to struggle with a weight of depression. It was an honest mind enough, with no great cultivation but with a certain natural love of excellent things. I foresaw that I should find him quite to the manner born—to ours; full of glimpses and responses, of deserts and desolations. His perceptions would be fine and his opinions pathetic; I should moreover take refuge from his sense of proportion in his sense of humour, and then refuge from THAT, ah me!—in what? On my telling him that I was a fellow citizen he stopped short, deeply touched, and, silently passing his arm into my own, suffered me to lead him through the other apartments and down into the gardens. A large gravelled platform stretches itself before the basement of the palace, taking the afternoon sun. Parts of the great structure are reserved for private use and habitation, occupied by state-pensioners, reduced gentlewomen in receipt of the Queen’s bounty and other deserving persons. Many of the apartments have their dependent gardens, and here and there, between the verdure-coated walls, you catch a glimpse of these somewhat stuffy bowers. My companion and I measured more than once this long expanse, looking down on the floral figures of the rest of the affair and on the stoutly-woven tapestry of creeping plants that muffle the foundations of the huge red pile. I thought of the various images of old-world gentility which, early and late, must have strolled in front of it and felt the protection and security of the place. We peeped through an antique grating into one of the mossy cages and saw an old lady with a black mantilla on her head, a decanter of water in one hand and a crutch in the other, come forth, followed by three little dogs and a cat, to sprinkle a plant. She would probably have had an opinion on the virtue of Queen Caroline. Feeling these things together made us quickly, made us extraordinarily, intimate. My companion seemed to ache with his impression; he scowled, all gently, as if it gave him pain. I proposed at last that we should dine somewhere on the spot and take a late train to town. We made our way out of the gardens into the adjoining village, where we entered an inn which I pronounced, very sincerely, exactly what we wanted. Mr. Searle had approached our board as shyly as if it had been a cold bath; but, gradually warming to his work, he declared at the end of half an hour that for the first time in a month he enjoyed his victuals.

“I’m afraid you’re rather out of health,” I risked.

“Yes, sir—I’m an incurable.”

The little village of Hampton Court stands clustered about the entrance of Bushey Park, and after we had dined we lounged along into the celebrated avenue of horse-chestnuts. There is a rare emotion, familiar to every intelligent traveller, in which the mind seems to swallow the sum total of its impressions at a gulp. You take in the whole place, whatever it be. You feel England, you feel Italy, and the sensation involves for the moment a kind of thrill. I had known it from time to time in Italy and had opened my soul to it as to the spirit of the Lord. Since my landing in England I had been waiting for it to arrive. A bottle of tolerable Burgundy, at dinner, had perhaps unlocked to it the gates of sense; it arrived now with irresistible force. Just the scene around me was the England of one’s early reveries. Over against us, amid the ripeness of its gardens, the dark red residence, with its formal facings and its vacant windows, seemed to make the past definite and massive; the little village, nestling between park and palace, around a patch of turfy common, with its taverns of figurative names, its ivy-towered church, its mossy roofs, looked like the property of a feudal lord. It was in this dark composite light that I had read the British classics; it was this mild moist air that had blown from the pages of the poets; while I seemed to feel the buried generations in the dense and elastic sod. And that I must have testified in some form or other to what I have called my thrill I gather, remembering it, from a remark of my companion’s.

“You’ve the advantage over me in coming to all this with an educated eye. You already know what old things can be. I’ve never known it but by report. I’ve always fancied I should like it. In a small way at home, of course, I did try to stand by my idea of it. I must be a conservative by nature. People at home used to call me a cockney and a fribble. But it wasn’t true,” he went on; “if it had been I should have made my way over here long ago: before—before—” He paused, and his head dropped sadly on his breast.

The bottle of Burgundy had loosened his tongue; I had but to choose my time for learning his story. Something told me that I had gained his confidence and that, so far as attention and attitude might go, I was “in” for responsibilities. But somehow I didn’t dread them. “Before you lost your health,” I suggested.

“Before I lost my health,” he answered. “And my property—the little I had. And my ambition. And any power to take myself seriously.”

“Come!” I cried. “You shall recover everything. This tonic English climate will wind you up in a month. And THEN see how you’ll take yourself—and how I shall take you!”

“Oh,” he gratefully smiled, “I may turn to dust in your hands! I should like,” he presently pursued, “to be an old genteel pensioner, lodged over there in the palace and spending my days in maundering about these vistas. I should go every morning, at the hour when it gets the sun, into that long gallery where all those pretty women of Lely’s are hung—I know you despise them!—and stroll up and down and say something kind to them. Poor precious forsaken creatures! So flattered and courted in their day, so neglected now! Offering up their shoulders and ringlets and smiles to that musty deadly silence!”

I laid my hand on my friend’s shoulder. “Oh sir, you’re all right!”

Just at this moment there came cantering down the shallow glade of the avenue a young girl on a fine black horse—one of those little budding gentlewomen, perfectly mounted and equipped, who form to alien eyes one of the prettiest incidents of English scenery. She had distanced her servant and, as she came abreast of us, turned slightly in her saddle and glanced back at him. In the movement she dropped the hunting-crop with which she was armed; whereupon she reined up and looked shyly at us and at the implement. “This is something better than a Lely,” I said. Searle hastened forward, picked up the crop and, with a particular courtesy that became him, handed it back to the rider. Fluttered and blushing she reached forward, took it with a quick sweet sound, and the next moment was bounding over the quiet turf. Searle stood watching her; the servant, as he passed us, touched his hat. When my friend turned toward me again I saw that he too was blushing. “Oh sir, you’re all right,” I repeated.

At a short distance from where we had stopped was an old stone bench. We went and sat down on it and, as the sun began to sink, watched the light mist powder itself with gold. “We ought to be thinking of the train back to London, I suppose,” I at last said.

“Oh hang the train!” sighed my companion.

“Willingly. There could be no better spot than this to feel the English evening stand still.” So we lingered, and the twilight hung about us, strangely clear in spite of the thickness of the air. As we sat there came into view an apparition unmistakeable from afar as an immemorial vagrant—the disowned, in his own rich way, of all the English ages. As he approached us he slackened pace and finally halted, touching his cap. He was a man of middle age, clad in a greasy bonnet with false-looking ear-locks depending from its sides. Round his neck was a grimy red scarf, tucked into his waistcoat; his coat and trousers had a remote affinity with those of a reduced hostler. In one hand he had a stick; on his arm he bore a tattered basket, with a handful of withered vegetables at the bottom. His face was pale haggard and degraded beyond description—as base as a counterfeit coin, yet as modelled somehow as a tragic mask. He too, like everything else, had a history. From what height had he fallen, from what depth had he risen? He was the perfect symbol of generated constituted baseness; and I felt before him in presence of a great artist or actor.

“For God’s sake, gentlemen,” he said in the raucous tone of weather-beaten poverty, the tone of chronic sore-throat exacerbated by perpetual gin, “for God’s sake, gentlemen, have pity on a poor fern-collector!”—turning up his stale daisies. “Food hasn’t passed my lips, gentlemen, for the last three days.” We gaped at him and at each other, and to our imagination his appeal had almost the force of a command. “I wonder if half-a-crown would help?” I privately wailed. And our fasting botanist went limping away through the park with the grace of controlled stupefaction still further enriching his outline.

“I feel as if I had seen my Doppelganger,” said Searle. “He reminds me of myself. What am I but a mere figure in the landscape, a wandering minstrel or picker of daisies?”

“What are you ‘anyway,’ my friend?” I thereupon took occasion to ask. “Who are you? kindly tell me.”

The colour rose again to his pale face and I feared I had offended him. He poked a moment at the sod with the point of his umbrella before answering. “Who am I?” he said at last. “My name is Clement Searle. I was born in New York, and that’s the beginning and the end of me.”

“Ah not the end!” I made bold to plead.

“Then it’s because I HAVE no end—any more than an ill-written book. I just stop anywhere; which means I’m a failure,” the poor man all lucidly and unreservedly pursued: “a failure, as hopeless and helpless, sir, as any that ever swallowed up the slender investments of the widow and the orphan. I don’t pay five cents on the dollar. What I might have been—once!—there’s nothing left to show. I was rotten before I was ripe. To begin with, certainly, I wasn’t a fountain of wisdom. All the more reason for a definite channel—for having a little character and purpose. But I hadn’t even a little. I had nothing but nice tastes, as they call them, and fine sympathies and sentiments. Take a turn through New York to-day and you’ll find the tattered remnants of these things dangling on every bush and fluttering in every breeze; the men to whom I lent money, the women to whom I made love, the friends I trusted, the follies I invented, the poisonous fumes of pleasure amid which nothing was worth a thought but the manhood they stifled! It was my fault that I believed in pleasure here below. I believe in it still, but as I believe in the immortality of the soul. The soul is immortal, certainly—if you’ve got one; but most people haven’t. Pleasure would be right if it were pleasure straight through; but it never is. My taste was to be the best in the world; well, perhaps it was. I had a little money; it went the way of my little wit. Here in my pocket I have the scant dregs of it. I should tell you I was the biggest kind of ass. Just now that description would flatter me; it would assume there’s something left of me. But the ghost of a donkey—what’s that? I think,” he went on with a charming turn and as if striking off his real explanation, “I should have been all right in a world arranged on different lines. Before heaven, sir—whoever you are—I’m in practice so absurdly tender-hearted that I can afford to say it: I entered upon life a perfect gentleman. I had the love of old forms and pleasant rites, and I found them nowhere—found a world all hard lines and harsh lights, without shade, without composition, as they say of pictures, without the lovely mystery of colour. To furnish colour I melted down the very substance of my own soul. I went about with my brush, touching up and toning down; a very pretty chiaroscuro you’ll find in my track! Sitting here in this old park, in this old country, I feel that I hover on the misty verge of what might have been! I should have been born here and not there; here my makeshift distinctions would have found things they’d have been true of. How it was I never got free is more than I can say. It might have cut the knot, but the knot was too tight. I was always out of health or in debt or somehow desperately dangling. Besides, I had a horror of the great black sickening sea. A year ago I was reminded of the existence of an old claim to an English estate, which has danced before the eyes of my family, at odd moments, any time these eighty years. I confess it’s a bit of a muddle and a tangle, and am by no means sure that to this hour I’ve got the hang of it. You look as if you had a clear head: some other time, if you consent, we’ll have a go at it, such as it is, together. Poverty was staring me in the face; I sat down and tried to commit the ‘points’ of our case to memory, as I used to get nine-times-nine by heart as a boy. I dreamed of it for six months, half-expecting to wake up some fine morning and hear through a latticed casement the cawing of an English rookery. A couple of months ago there came out to England on business of his own a man who once got me out of a dreadful mess (not that I had hurt anyone but myself), a legal practitioner in our courts, a very rough diamond, but with a great deal of FLAIR, as they say in New York. It was with him yesterday you saw me dining. He undertook, as he called it, to ‘nose round’ and see if anything could be made of our questionable but possible show. The matter had never seriously been taken up. A month later I got a letter from Simmons assuring me that it seemed a very good show indeed and that he should be greatly surprised if I were unable to do something. This was the greatest push I had ever got in my life; I took a deliberate step, for the first time; I sailed for England. I’ve been here three days: they’ve seemed three months. After keeping me waiting for thirty-six hours my legal adviser makes his appearance last night and states to me, with his mouth full of mutton, that I haven’t a leg to stand on, that my claim is moonshine, and that I must do penance and take a ticket for six more days of purgatory with his presence thrown in. My friend, my friend—shall I say I was disappointed? I’m already resigned. I didn’t really believe I had any case. I felt in my deeper consciousness that it was the crowning illusion of a life of illusions. Well, it was a pretty one. Poor legal adviser!—I forgive him with all my heart. But for him I shouldn’t be sitting in this place, in this air, under these impressions. This is a world I could have got on with beautifully. There’s an immense charm in its having been kept for the last. After it nothing else would have been tolerable. I shall now have a month of it, I hope, which won’t be long enough for it to “go back on me. There’s one thing!”—and here, pausing, he laid his hand on mine; I rose and stood before him—“I wish it were possible you should be with me to the end.”