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In the fifties, when I was a young fellow of twenty or thereabouts, I was personally acquainted with Oliver Ormerod, the author of "A Rachde Felley's Visit to th' Greyt Eggshibishun." He was a smart, dapper, hard-headed Lancashire business man, of medium height, inclining to be stout; clean and bright in appearance, and gentlemanly in his manners. At that time he had written and published his "Rachde Felley," but though we often conversed on the characteristics of the people of East and South Lancashire – a subject with which he was well familiar – he never mentioned to me the circumstance of his being the author of the amusing sketch, which was published anonymously. I rather think that it was but few even of his intimate friends in his native town of Rochdale who knew or suspected at first that he was the author of that clever and amusing brochure.

Possibly he feared that to have associated his name with the work would have injured him in his business. For, however erroneous the notion may be, it was at one time held that business and the occasional excursion into the by-paths of literature were incompatible. His case, I am glad to say, was an instance in point refuting the too common belief that the practice of one's pen in vagrant literary work – outside business pure and simple – is a drawback to success, for his record as a man of business was one of the best.

Of the sterling excellence of Oliver Ormerod's little work, "Th' Rachde Felley" there cannot be two opinions. It is original in its conception and in the way it is carried out; full of humour, and racy of the soil of Lancashire. The popularity of the book was immediate and great. It rapidly went through several editions, and it has since had many imitators. Its success led Mr Ormerod to write a second similar work, giving the "Rachde Felley's Okeawnt o wat he and his Mistris seede un yerd wi' gooin to th' Greyte Eggshibishun e London e 1862." This, like most other sequels, is not equal to the original, though if it had been the first to appear it would still have been noteworthy.

The following from "A Rachde Felley" is a good example of his humour:

"Aw seed a plaze koed Hyde Park Cornur, whure th' Duke o' Wellington lives, him as lethurt Boneypart; 'e's gettin an owd felley neaw. Aw bin towd as one neet, when 'e wor at a party as th' Queen gan, as th' owd felley dropt asleep in his cheer, an when the Queen seed 'im, hoo went an tikelt his face whol 'e wakent. Eh! heaw aw shud o' stayrt iv hoo'd o dun it bi me. Th' owd chap drest knots off Boney, dident 'e? But aw'm off wi' feightin; aw'm o fur Kobden an' thame as wantin' fur to do away wi' it otogethur, fur ther wod'nt be hauve as mony kilt i' ther wur no feightin. O'er anent th' Duke's heawse, at th' top o' wot they koen Constitution Hill, aw seed a kast iron likeness ov 'im oppo horseback, as big as loife an bigger. He'd a cloak on an' a rowlur pin i' one hond, saime as wimmen usen wen they maen mowfins. Aw' nevur noed afore wat 'e wor koed th' Iron Duke for.

"At tis present toime it started o' raynin', an' so aw thrutch'd mi road as fast as aw cud goo in a greyt creawd o' foke, an' as aw wor gooin' on, a homnibus koome past, an' a chap as stoode at th' bak soide on't bekont on me fur to get in. Thinks aw to mesel 'e's a gud naturt chap; aw gues 'e sees as aw'm gettin mi sunday clewus deetud. 'E koed o' th' droiver fur to stop, an' ax'd me iv aw wur fur th' Greyt Eggshibishun, an' aw sed, ah, an' wi' that 'e towd me fur to get in, an' in aw geet. We soon koome to th' Krystil Palus. Eh! wat a rook o' foke ther wor theere, aw never seed nawt loike it afore, never! Aw geet eawt o' th' homnibus, an' aw sed to th' felley as leet me ride: Aw'm very mich obleeght to yo aw'm shure, an' aw con but thank yo, an' aw wur turnin' reawnd fur to goo into th' Palus, wen 'e turn'd on me as savidge as iv he'd a hetten me, an' ax'd me fur forepenze. Forepenze, aw sed, what for? An' 'e made onsur, for ridin', to be shure, Sur. Waw, aw sed, didn't theaw koe on me fur to get in? But o' as aw cud say wor o' no mak o' use watsumever, an' th' powsement sed as iv aw didn't pay theere an' then, he'd koe a poleese as wor at th' other side o' th' road, an', bi th' mon, wen aw yerd that, aw deawn wi' mi brass in a minnit. Aw seed as aw wor ta'en in; same toime, it wor a deyle bettur fur to sattle wi' th' powsedurt, nur get into th' New Bailey so fur fro whome. Thinks aw ti mesel', iv aw'm done ogen i' this rode aw'm a Dutchmun."

Ormerod, like that other genial humorist, Artemus Ward, affected a peculiar spelling, or rather mis-spelling, of his words, which, in my opinion, was a mistake. There was no necessity for this. It does not enhance the humour of his sketches in any special degree, but only renders him more difficult to read. Dialectical spelling need not necessarily be bad English.

As a writer of Lancashire stories, Waugh is unsurpassed. His pages overflow with a humour which is irresistible and almost cloys by its exuberance. But even about his drollest characters there is a pathetic tenderness which touches the heart. It is not easy, for example, to read some parts of "Besom Ben" and "The Old Fiddler" without a lump in one's throat, so much akin are laughter and tears in the hands of this master. If it were not that his themes are principally the work-a-day Lancashire folk, and that the dialect limits and muffles his fame, Waugh would be ranked (as he is ranked by those who know him) as one of the first humorists of the century.

Waugh is incomparable in his curious ideas and touches and turns of expression, ludicrous enough many of them, but all rich in Lancashire humour and well calculated to excite the risible faculty. Speaking of a toper in one of his sketches he says:

"Owd Jack's throttle wur as drufty as a lime brunner's clog."

Again: "Some folk are never content; if they'd o' th' world gan to 'em, they'd yammer for th' lower shop to put their rubbish in!"

Oatmeal he calls "porritch powder."

Again: "Rondle o' th' Nab had a cat that squinted – it catched two mice at one go."

Addressing his donkey, Besom Ben said: "Iv thae'd been reet done to, thae met ha' bin a carriage horse bi neaw!"

"Robin o' Sceawter's feyther went by th' name o' 'Coud an' Hungry'; he're a quarryman by trade; a long, hard, brown-looking felley, wi' 'een like gig-lamps, an' yure as strung as a horse's mane. He looked as if he'd bin made out o' owd dur-latches an' reawsty nails. Robin th' carrier is his owdest lad; an' he favours a chap at's bin brought up o' yirth-bobs an' scaplins."

These are of course the merest example of the many curious sayings and comparisons that are lavishly scattered through Waugh's pages.

Ben Brierley was an adept at telling a short Lancashire story. In giving expression to the drollest figures of speech he maintained a mock gravity which greatly enhanced the presentment, whilst the peculiar puckering of the corners of his mouth and the merry twinkle in his eye told how thoroughly he entered into the spirit of the characters he portrayed. His "Ab' o' th' Yate" in London bubbles over with humour, and it is a true, if somewhat grotesque, account of what would be likely to arrest the attention of a denizen of that out-of-the-way village of "Walmsley Fowt" on a visit to the great metropolis.

Some years ago I attended a meeting held at Blackley where Ben gave a number of racy Lancashire anecdotes, told in his own inimitable way. I may quote one or two of these which are not given in the collected edition of his writings.

"Long Jammie wur a brid stuffer, an' it used to be his boast ut he'd every fithert animal, or like it, ut ever flew on wing, or hung on a wall. He'd everything fro' a hummabee to a flying jackass, an' he'd ha' a pair o' thoose last if Billy o' Bobs would alleaw hissel' to be stuffed."

"Theau'rt one thing short," Billy said one day as he're looking reaund Jammie's Musaum, as he co'd his collection.

"What's that?" Jammie ax'd.

"It's a very skase brid," Billy said, "Co'd a sond brid."

"Ay, it mun be skase or else I should ha' had a speciment i' my musaum," Jammie said. "But what is it like?"

"It's like o' th' bit-bat gender," Billy said. "It's a yead like a cat, and feet like a duck, an' when it flies it uses its feet like paddles to guide itsel'."

"But why dun they co' it a sond brid?"

"Well, theau sees, it's a native o' th' Great Desert o' Sara, an' when it's windy, it flies tail first to keep th' sond eaut o' its een."

Billy Kay had had a lot of his hens stown, an' he never could find eawt who th' thief wur. He'd set a trap, but someheaw it didno' act. Shus heaw, it never catch't nowt.

Bill had a parrot ut wur a bit gan to leavin' th' cage an' potterin' abeaut th' hencote when th' hens wur eaut. But as it had bin brought up to a soart o' alehouse life, it wanted company. It had learnt to crow so natural ut th' owd cock wur curious to know what breed it belonged to. So he invited Pol to spend a neet wi' him an' th' family, an' gie' th' cote a rooser. Th' parrot went, and they'd a merry time on't. It wur late when they went to roost, an' they'd hardly had a wink o' sleep when Pol yerd summat oppen th' cote dur. Then ther a hont lifted to the peearch, an' one after another o' th' hens wur snigged off, till it coome to th' owd cock. Pol thowt it wur gettin' warm, so hoo says to th' owd rooster, "Hutch up, owd lad, it's your turn next!" Ther no moore hens stown!

"Owd Neddy Fitton's Visit to the Earl o' Derby" is one of the finest sketches in the vernacular; giving, as it does, a realistic picture of the old-time Lancashire farmer. It is bright with humour, not wanting in pathetic touches, and with that warm human interest that lends charm and distinction to the homeliest story.

Miss Lahee, the writer, was Irish both by birth and up-bringing. Coming to Rochdale, where she lived for many years, the character of the Lancashire people and their idiom won her sympathy, and she studied both to such purpose as to produce not only the story in question, but a number of other sketches and stories in the dialect. It is no disparagement to these latter to say that none of them is equal to her sketch of "Neddy Fitton." This has long been popular in the county Palatine, and its intrinsic merit is such that it deserves a still wider circle of readers.

Lancashire has from time immemorial been famous for its mathematicians, botanists, and naturalists among the humbler ranks, and Crabtree as an Astronomer has his niche in the temple of fame. There was another worthy of rather a different stamp who professed acquaintance with that sublime science, Astronomy, though his credentials will hardly be considered sufficient to justify the claim. Jim Walton was a well-known character, at one time living at Levenshulme. Modest enough when sober, when he had imbibed a few glasses of beer Jim professed to be great in the mysteries of "ass-tronomy." The names of the planets, their positions and motions in the heavens were as familiar to him as the dominoes on the tap-room table, and he knew all the different groups of stars and their relative positions. One night Jim was drinking in the village "Pub" with a number of boon companions, topers like himself – and the conversation, as was usual when he was present, got on to the stars and other heavenly bodies, on which Jim expatiated at length. A mischievous doubt, however, was expressed by one of the company, whether, after all, Jim really knew as much about astronomy as he professed to do. So, to maintain his reputation by proving his knowledge, Jim made a bet of glasses round with his opponent that the moon would rise at a quarter past nine o'clock that night.

Accordingly, about ten minutes before the time named, the company all staggered out into the backyard to see the moon rise as predicted.

"Now then, chaps, look here!" cried Jim, "Let's have a fair understondin'. Recolect, it's on th' owd original moon 'at awm betting, noan o' yer d – d new ones!"

Needless to say this was a poser for their bemuddled brains, and with sundry expletives at Jim and the qualification he had announced, they all staggered back to their places in the more comfortable tap-room.

Jim's idea of "th' owd original moon," and his thorough contempt for quarter and half moons, strikes us as irresistibly funny. We can imagine the new, vague light that would dawn on the minds of the half-fuddled roysterers as he announced his reservation in favour of the whole or none.

However prejudiced, as a rule, the British workman may be against the introduction of labour-saving appliances in the way of automatic machinery, circumstances sometimes arise when he can fully appreciate their value and advantages. This will appear by the following characteristic anecdote: —

An Oldham chap, who, for some misdemeanour, had found his way into Preston House of Correction, was put on to the tread-mill. After working at it for some time till his back and legs ached with the unwonted exercise, he at length exclaimed:

"Biguy! if this devil had been i' Owdham, they'd a had it turned bi pawer afore now!"

Another good story of an "Owdham" man is the following: At one of the Old Trafford County Cricket matches we overheard a conversation that took place between two Owdhamers. A pickpocket, plying his avocation, had been caught in the act of taking a purse, and quite a commotion was created in that corner of the field as the thief was collared by a detective and hauled away to the police station. Says the Oldham man to his friend who was seated next him:

"Sharp as thoose chaps are, they'd have a job to ta' my brass. Aw'll tell thi what aw do, Jack, when aw comes to a place o' this sooart; aw sticks mi brass reet down at th' bottom o' mi treawsers pocket, and then aw puts abeaut hauf a pint o' nuts at top on't; it tae's some scrawpin out, aw can tell thi, when tha does that!"

Pigeon fancying and flying is an absorbing pursuit with many of the Wigan colliers. Men otherwise ignorant (save of their daily work in the mine), are profoundly versed in the different breeds and capabilities of the birds. The training of them to fly long distances on their return to their lofts and within a comparatively brief space of time, is a passion which absorbs all their thoughts.

One such enthusiastic pigeon flyer was lying sick unto death, with no prospect of recovery. The parson paid him a visit and endeavoured to turn his thoughts to his approaching end. The casual mention by the parson of heaven and the angels interested the dying man. He had seen angels depicted in the picture books with wings on their shoulders. An idea struck him and he enquired:

"Will aw ha' wings, parson, when aw get to heaven?"

"Yes, indeed," replied the parson, willing to humour and console him as best he might.

"An' will yo ha' wings too when yo get theer?"

"Oh yes, I'll have wings too, we'll both have wings."

"Well, aw tell thi what," said the dying pigeon fancier, his eye brightening as he spoke, "Aw tell thi what, parson, when tha comes up yon, aw'll flee yo for a sovereign!" A striking example of the ruling passion strong in death!

It is well known that an admiration for dogs of a high quality, not less than for pigeons, is a weakness of the Lancashire collier, who will spend a small fortune to gratify his taste in this direction. A Tyldesley collier had a favourite bull-pup. This canine fancier with his dog and a friend were out for a ramble in the fields, and to make a short cut to get into the lane, his friend began scrambling through a hole in the hedge. The dog, unable, it may be presumed, to resist the sudden temptation, seized the calf of the disappearing leg with a grip which caused the owner of the said leg to shriek with pain. Despite his frantic wriggles and yells the brute held fast, and its master, appreciating the situation, clapped his hands in enthusiastic admiration, at the same time calling out to his beleaguered companion:

"Thole it, Bill! Thole it, mon! Thole it! It'll be th' makin' o' th' pup!"

Another such on returning home and finding that the day's milk had disappeared from the milk basin, angrily enquired what had become of it, and receiving for answer from his better-half that she had "gan it to th' childer for supper!" exclaimed: "Childer, be hang'd! thae should ha' gan it to th' bull pup!"

Some years ago there appeared in Punch sundry sketches of incidents in the mining districts. These may not all be true in the sense that the occurrences represented actually took place. But there is a spirit of truth in them, in that they illustrate a phase of the rudeness that often accompanies untutored tastes and undesirable habits.

The appearance of a stranger in the mining village, especially if he happens to wear a black cloth coat, is sometimes resented by the denizens of the place.

The new curate, a meek-looking individual, had arrived, and passing the corner of a street where a group of colliers had assembled, one of them asked:

"Bill, who's yon mon staring about him like a lost cat?"

"Nay, I doan't know," replied the other, "a stranger belike."

"Stranger, is he?" responded the first, "then hey've a hauve brick at 'im!"

The same, accosting one of his flock resting on a gate, and wishing to make himself agreeable, tried to open a conversation with the remark:

"A fine morning, my friend," was pulled up with the reply:

"Did aw say it war'nt? – dun yo' want to hargue?"

It is surprising how a person of regular habits feels the lack of any little comforts and companionships to which he has been accustomed. A Lancashire collier had lost a favourite dog by death, that, on Saturday afternoons or Sundays, he had been in the habit of taking with him for a stroll. An acquaintance sitting on a gate saw the bereaved collier coming along the road trundling a wheelbarrow.

"What's up wi' thee, Bob – what ar' t' doin' wi' th' wheelbarrow, and on good Sunday too?"

"Well, thae sees," replied Bob, "aw've lost mi dog, an' a fellow feels gradely lonesome bout company, so aw've brought mi wheelbarrow out for a bit of a ramble."

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