CHAPTER III
HOW O’NEILL LEARNED TO PRONOUNCE

“I never could quite understand,” said Bart van Dam, the big Cape giant, who had carried off Boyton the week before, “how O’Neill managed, out of such an extraordinary book, to pick up anything of the pronunciation. For, as a matter of fact, he does get quite close to some of the sounds; and I can nearly always guess what he is trying to say.

“When he is talking about that interesting Rotterdam street, the Boompjes, he doesn’t make the first part rhyme with the English word loom, and then add cheese, a thing I have heard Britishers do who should have known better. And actually, I have noticed he can distinguish goed, groot, goot. That’s promising.

THE GOAT THAT RAN ROUND THE ROOF

“Some of my British friends at the Cape, even after I graduated on English Literature and History, used kindly to drop Dutch words into their conversation, either to make it easy for me, or to keep up my spirits, so to speak. Oh never a talk of over five minutes, but little familiar terms like taal, zolder, maar, and so on, would begin to be showered in, here and there. One of these linguists had taken me into his own back garden, (he was very fond of animals of all kinds and we had gone out to inspect those he had) when he began to explain the new improvements on his premises.

We got into a deep discussion on the right way of draining a flat roof. “Come here”, said he, at last. “Look up there, and you’ll see a goat of mine running all round the open space!”

“Goat!” I exclaimed; “it’ll fall!”

“Nonsense”, he said, “not unless lightning strikes it. Firm as a rock! Now, isn’t that the right sort of goat to carry the water off?”

He thought he had said goot in Dutch!

Well now, Jack’s beyond that. Who had been coaching him?

A HAS A BROAD SOUND

Naturally I turned up Boyton on pronunciation the very first thing at home – and the mystery was solved! I was amazed. Boyton excels in teaching the sounds. Here is an extract or two from his

REMARKS ON THE DUTCH PRONUNCIATION.

There you have some of the Rules! They won’t lead you far wrong, in any case. Then, to crown all, for fear the diligent reader wouldn’t have caught the point yet, Boyton goes back to his favourite “Doctrine of the Native.” Here it is:

The Editor places the learner on his guard against receiving wrong references, and directs him to an Instructor, or Native, whose Dialect it is, for the sound peculiar to each letter.

NATIVES

Bravo, Boyton!

Three kinds of Natives he recommends the beginner to consult. He has them arranged in a sort of ascending scale —the Civilized, the Intelligent and the Polite.

The two former classes will help you with the pronunciation, or with Het.

From the latter you get idioms.

CHAPTER IV
AN INTERLUDE AND AN APPLICATION

“So our friend Jack had to ask always for the sounds of the words. That would be right good for him,” said Bart, “and should have made his talk intelligible.”

“Well of course it did,” said O’Neill. “They always understood the words I used. It was the applications I made that hampered them.

“I had great trouble with a chatty old gentleman in the tram one morning going down to Scheveningen. It was just seven – I was hurrying to get an early dip, and he seemed bent on the same errand.

Attracted by my blazer and towel he opened conversation about sea-bathing, and then proceeded to discourse on the beauties of the landscape. He seemed chilled by the poverty of my adjectives, though I worked them vigorously.

A LOFTY CANOPY OF GREEN

“Deze weg vin je zeker wel mooi?” he said at last, looking up at the arched green overhead. “Of houd U niet van de natuur?”

“Ja, zeker wel!” I hastened to assure him. “Ik houd er erg van – Het is prachtig! Net een tunnel van geboomte – van loofgroen.”

Then observing the pleasure my encomiums gave him, I ventured on something a little more lofty and poetic. My landlady had occasionally talked about a “canopy,” which, so far as I had understood her, I took to mean the vast cupola of hangings over the old-fashioned bed in my lodging. She used to say that the canopy was new and beautiful, and needed constant dusting.

I had always agreed to this, but never dreamt of hunting up a word that to all intents and purposes seemed the same as in English.

“Indrukwekkend schoon,” I added. “Wij zitten, als het ware, onder een canopey (that was my landlady’s pronunciation) van bladeren.”

“Een kanapé, mijnheer?”

“Ja,” said I, “een verheven canopy, niet waar?

Wij zeilen onder een groene canopy – verbazend – magnifique!”

BENT U EEN DICHTER?

“Hoe bedoelt U dat?” said the old gentleman more and more puzzled, and determined to find out my meaning.

“Wij zitten hier, niet waar?” I began slowly; then pointing to the roof of green over our heads, I explained: “dat alles vormt een prachtige canopy boven ons heen. Zeker wel?”

“Ik geloof het niet”, said the chatty old gentleman. “De tram gelijkt ook niet op een kanapé; of meent U dat?”

“De tram niet,” I exclaimed, “maar de boomen; kijk; het gebladerte, het geboomte en de hooge dak dat ze maken – dat alles zoo schitterend groen, dat is, mijns bedunkens, niets dan een canopy, uitgehangen zoo te spreken, over ons heen, in uitgestrekte schoonheid.”

The old gentleman surely was a little dull. He said, “Ik begrijp niet goed wat u zegt. Waar is de canapé? Of bedoelt U soms een badstoel – op het strand?”

“Nee”, I answered with a deprecating smile; “Ik sprak maar poetisch. Verheven”, I added with a wave of my towel towards the greenery overhead.

“Hé,” said he with friendly interest, “bent U een dichter? Ik had U voor een schilder gehouden,” he explained with a glance at my blazer.

THE CLOTURE

“Ik – een dichter!” I returned modestly. “Neen; niet erg. Op een kleine schaal, misschien.” On a small scale, I meant to say; but I must have mangled the sch badly, for he didn’t catch the point, and I heard him mutter: “Een sjaal! een sjaal, EN een kanapé!!”

“Ja zeker, mijnheer,” I reasoned; “U ziet het zelf voor U – daar onder de boomen – dat IS hier een canopy – ”

“Pardon”, he interrupted, “dat is niet waar. Dat zijn gewone houten banken,” he persisted argumentatively. “En wat bedoelt U met een sjaal?”

How pertinacious the old gentleman was! He stuck to me like a leech. I couldn’t shake him off; and we were still far off the Kurhaus.

It was clearly a case for Boyton’s conversational method.

AN INTERLUDE AND AN APPLICATION

“Mejuffrouw!” I said firmly, leaning towards him, “Ik ken Uwe edelmoedigheid genoeg. Maar” – and here I added two nice little local idioms from the rich stores of my memory – “maar – U komt pas te kijken.”

That told him he wasn’t looking at the matter in true philosophic perspective.

But this I followed up, in a more authoritative way, with the assurance that I didn’t at all agree with him. “Waarempeltjes,” I whispered with elaborate distinctness, “ik heb het land aan je!”

The chatty old gentleman got off at the next halte.

CHAPTER V
THE ‘COMPENDIOUS GUIDE’ ON DUTCH SYNTAX

Boyton’s monograph on pronunciation is his finest piece of work. He never quite reaches that level elsewhere; and, if he is destined after a hundred and fifty years to achieve a name, it had better rest on his ‘Doctrine of the Native’ than on his Syntax.

So van Dam assured us, when our little party met in his room the week before Christmas.

We had all been busy; but busy or not, the Cape men found time to skim over Boyton’s entertaining paragraphs, as, indeed, we guessed, from the frequent guffaws and readings that reached us from time to time through the closed doors. To night we had accepted an invitation to supper, before the holidays; and we were to hear his views on O’Neill’s ‘Guide, Philosopher and Friend’, Boyton, – in other words the ‘Wegwijzer tot de nederduitsche taal’. Long since Jack had, indeed, got other and more modern manuals of Dutch, so that he was supposed to look now with a certain contempt on his former monitor: but the “compendious guide” had laid the basis of his erudition, and he had still a sneaking regard for its honest old pages.

NO DEFINITE RULES

What we wanted, indeed, was stories from Jack himself: but we had exhausted the more dramatic of these; and to get the fine aroma of the others – there were still many others – we thought some acquaintance with the compendium’s syntax was essential.

Van Dam had undertaken to put us up to any niceties he had been struck with.

The first thing he told us was that Boyton had no clear ideas of any sort, and never laid down any definite rule. This lent him a certain diffidence in regard to most points, – a diffidence which in the case of HET became positive fright. At the first mention of de, het, and an adjective, he gives as much encouragement as he can.

ALL NOUNS TO WHICH HET IS PREFIXED ARE NEUTER

It is not much.

An insurmountable Difficulty for the Englischman is the right use of the Particles, especially het. Sufficient rules cannot be given, E. g. het mooie kind: eene sterke vrouw, een zwart schip.

This is certain, that all Nouns, to which the Particles, het, dat, or dit, are added are of the Neuter Gender; on this account, the e final, in the Adjectives, when joined with such words, is, generally, rejected.

Even this rule admits of an exception. E. G. It is never said: een snel vogel: de groote paard. But it is correct to say, if the meaning admits it, een groote man. (also groot.) A native may be consulted with advantage.

When Boyton is labouring under strong emotion, the effect is always to increase the number of commas, colons, and other stops.

His agitation may also be traced in the way he harks back to any fundamental rule that he has already discussed ad nauseam.

DEN IS NOT A PURE NOMINATIVE

It is quite pathetic to note how he urges on his readers to reserve their dezen and dien and den for the accusative.

It is good Dutch to say: ik zag dien braven man gisteren, I saw that honest man yesterday; but it is very bad Dutch, – whatever custom may have introduced in some places; to say– dien braven man heeft het gezegd.

Take some gems at random.

N.B. Prepositions are that part of speech, which are so called because they are, commonly, put before the words, which are subsequent to them, as onder and ondanks.

N.B. Most Adverbs may be distinguished from adjectives by this rule: If a substantive is added after them, they will make nonsense; whereas, being joined to an Adjective or a Verb, they will make good sense.

“What I admire most,” said van Dam handing back The Work to O’Neill, “is the elasticity of the rules. He says, for instance, that you can render I know by ik weet, and on the whole he is inclined to recommend that way of it. But he never commits himself.

“It must be also admitted that there are other authors of good standing who employ the Subjunctive form where we might expect the Indicative and who say IK WETE, I know.”

IK GRAUW, IK KEF, EN IK KWEEL

That’s one of his rules!

As a matter of fact there is no finality about anything in these pages. O’Neill, you were in training for a poet when you took up this book. I confess I should have liked to hear you going over your fifteen classes of irregular verbs, on the model (say) of ik grauw, ik kef en ik kweel, or even of ik krijsch, ik piep en ik lieg.

There is a rich profusion of tenses too in Boyton. He needn’t have apologized for being too simple when he furnishes you with four ordinary optatives and four future optatives.”

A BOYTON TO THE RESCUE

“You may jest as you like about Boyton”, interrupted Jack; “but I tell you it’s a book that has points. Do you know it once helped me to save a lady’s life?”

“Save a lady’s life!” said the Professor and the Philosopher in one breath. “We’ll withdraw all we’ve said, if you’ll prove to us, now, that the ‘Compendious Guide’ was ever the least good to any human being.”

“Tell your adventure in your own way, O’Neill,” a boyish voice chimed in; “and shame the cynics.”

We all glared at the First-year’s man – who was making himself very much at home for a lad of his tender years – but as he had nothing more to say, we let him off with a look, and turned to the lethargic story-teller.