He fetched a cloth, rolled the articles in it very tightly, and pinned them up; then he made out ticket and duplicate, handling his pen with facile flourish, and having blotted the little piece of card on a box of sand (a custom which survives in this conservative profession), he threw it to the customer. Lastly, he counted out one shilling and fivepenee halfpenny. The coins were sandy, greasy, and of scratched surface.

Pennyloaf sped homewards. She lived in Shooter's Gardens, a picturesque locality which demolition and rebuilding have of late transformed. It was a winding alley, with paving raised a foot above the level of the street whence was its main approach. To enter from the obscurer end, you descended a flight of steps, under a low archway, in a court itself not easily discovered. From without, only a glimpse of the Gardens was obtainable; the houses curved out of sight after the first few yards, and left surmise to busy itself with the characteristics of the hidden portion. A stranger bold enough to explore would have discovered that the Gardens had a blind offshoot, known simply as 'The Court.' Needless to burden description with further detail; the slum was like any other slum; filth, rottenness, evil odours, possessed these dens of superfluous mankind and made them gruesome to the peering imagination. The inhabitants of course felt nothing of the sort; a room in Shooter's Gardens was the only kind of home that most of them knew or desired. The majority preferred it, on all grounds, to that offered them in a block of model lodgings not very far away; here was independence, that is to say, the liberty to be as vile as they pleased. How they came to love vileness, well, that is quite another matter, and shall not for the present concern us.

Pennyloaf ran into the jaws of this black horror with the indifference of habit; it had never occurred to her that the Gardens were fearful in the night's gloom, nor even that better lighting would have been a convenience. Did it happen that she awoke from her first sleep with the ring of ghastly shrieking in her ears, that was an incident of too common occurrence to cause her more than a brief curiosity; she could wait till the morning to hear who had half-killed whom. Four days ago it was her own mother's turn to be pounded into insensibility; her father (a journeyman baker, often working nineteen hours out of the twenty-four, which probably did not improve his temper), maddened by his wife's persistent drunkenness, was stopped just on the safe side of murder. To the amazement and indignation of the Gardens, Mrs. Candy prosecuted her sovereign lord; the case had been heard to-day, and Candy had been east in a fine. The money was paid, and the baker went his way, remarking that his family were to 'expect him back when they saw him.' Mrs. Candy, on her return, was hooted through all the length of the Gardens, a demonstration of public feeling probably rather of base than of worthy significance.

As Pennyloaf drew near to the house, a wild, discordant voice suddenly broke forth somewhere in the darkness, singing in a high key, 'All ye works of the Lord, bless ye the Lord, praise Him and magnify Him for ever!' It was Mad Jack, who had his dwelling in the Court, and at all hours was wont to practise the psalmody which made him notorious throughout Clerkenwell. A burst of laughter followed from a group of men and boys gathered near the archway. Unheeding, the girl passed in at an open door and felt her way up a staircase; the air was noisome, notwithstanding a fierce draught which swept down the stairs. She entered a room lighted by a small metal lamp hanging on the wall—a precaution of Pennyloaf's own contrivance. There was no bed, but one mattress lay with a few rags of bed-clothing spread upon it, and two others were rolled up in a corner. This chamber accommodated, under ordinary circumstances, four persons: Mr. and Mrs. Candy, Pennyloaf, and a son named Stephen, whose years were eighteen. (Stephen pursued the occupation of a potman; his hours were from eight in the morning till midnight on week-days, and on Sunday the time during which a public-house is permitted to be open; once a month he was allowed freedom after six o'clock.) Against the window was hung an old shawl pierced with many rents. By the fire sat Mrs. Candy; she leaned forward, her head, which was bound in linen swathes, resting upon her hands.

'What have you got?' she asked, in the thick voice of a drunkard, without moving.

'Eighteenpence; it's all they'd give me.'

The woman cursed in her throat, but exhibited no anger with Pennyloaf.

'Go an' get some tea an' milk,' she said, after a pause. 'There is sugar. An' bring seven o' coals; there's only a dust.'

She pointed to a deal box which stood by the hearth. Pennyloaf went out again.

Over the fireplace, the stained wall bore certain singular ornaments. These were five coloured cards, such as are signed by one who takes a pledge of total abstinence; each presented the signature, 'Maria Candy,' and it was noticeable that at each progressive date the handwriting had become more unsteady. Yes, five times had Maria Candy promised, with the help of God, to abstain,' &c. &c.; each time she was in earnest. But it appeared that the help of God availed little against the views of one Mrs. Green, who kept the beer-shop in Rosoman Street, once Mrs. Peckover's, and who could on no account afford to lose so good a customer. For many years that house, licensed for the sale of non-spirituous liquors, had been working Mrs. Candy's ruin; not a particle of her frame but was vitiated by the drugs retailed there under the approving smile of civilisation. Spirits would have been harmless in comparison. The advantage of Mrs. Green's ale was that the very first half-pint gave conscience its bemuddling sop; for a penny you forgot all the cares of existence; for threepence you became a yelling maniac.

Poor, poor creature. She was sober to-night, sitting over the fire with her face battered into shapelessness; and now that her fury had had its way, she bitterly repented invoking the help of the law against her husband. What use? what use? Perhaps he had now abandoned her for good, and it was certain that the fear of him was the only thing that ever checked her on the ruinous road she would so willingly have quitted. But for the harm to himself, the only pity was he had not taken her life outright. She knew all the hatefulness of her existence; she knew also that only the grave would rescue her from it. The struggle was too unequal between Mrs. Candy with her appeal to Providence, and Mrs. Green with the forces of civilisation at her back.

Pennyloaf speedily returned with a ha'p'orth of milk, a pennyworth of tea, and seven pounds (also price one penny) of coals in an apron. It was very seldom indeed that the Candys had more of anything in their room than would last them for the current day. There being no kettle, water was put on to boil in a tin saucepan; the tea was made in a jug. Pennyloaf had always been a good girl to her mother; she tended her as well as she could to-night; but there was no word of affection from either. Kindly speech was stifled by the atmosphere of Shooter's Gardens.

Having drunk her tea, Mrs. Candy lay down, as she was, on the already extended mattress, and drew the ragged coverings about her. In half an hour she slept.

Pennyloaf then put on her hat and jacket again and left the house. She walked away from the denser regions of Clerkenwell, came to Sadler's Wells Theatre (gloomy in its profitless recollection of the last worthy manager that London knew), and there turned into Myddelton Passage. It is a narrow paved walk between brick walls seven feet high; on the one hand lies the New River Head, on the other are small gardens behind Myddelton Square. The branches of a few trees hang over; there are doors, seemingly never opened, belonging one to each garden; a couple of gas-lamps shed feeble light. Pennyloaf paced the length of the Passage several times, meeting no one. Then a policeman came along with echoing tread, and eyed her suspiciously. She had to wait more than a quarter of an hour before Bob Hewett made his appearance. Greeting her with a nod and a laugh, he took up a leaning position against the wall, and began to put questions concerning the state of things at her home.

'And what'll your mother do if the old man don't give her nothing to live on?' he inquired, when he had listened good-naturedly to the recital of domestic difficulties.

'Don't knew,' replied the girl, shaking her head, the habitual surprise of her countenance becoming a blank interrogation of destiny.

Bob kept kicking the wall, first with one heel, then with the other. He whistled a few bars of the last song he had learnt at the music-hall.

'Say, Penny,' he remarked at length, with something of shamefacedness, 'there's a namesake of mine here as I shan't miss, if you can do any good with it.'

He held a shilling towards her under his hand. Pennyloaf turned away, casting down her eyes and looking troubled.

'We can get on for a bit,' she said indistinctly.

Bob returned the coin to his pocket. He whistled again for a moment, then asked abruptly:

'Say! have you seen Clem again?'

'No,' replied the girl, examining him with sudden acuteness. 'What about her?'

'Nothing much. She's got her back up a bit, that's all.'

'About me?' Pennyloaf asked anxiously.

Bob nodded. As he was making some further remarks on the subject, a man's figure appeared at a little distance, and almost immediately withdrew again round a winding of the Passage. A moment after there sounded from that direction a shrill whistle. Bob and the girl regarded each other.

'Who was that?' said the former suspiciously. 'I half believe it was Jeck Bartley. If Jeck is up to any of his larks, I'll make him remember it. You wait here a minute!'

He walked at a sharp pace towards the suspected quarter. Scarcely had he gone half a dozen yards, when there came running from the other end of the Passage a girl whom Pennyloaf at once recognised. It was Clem Peckover; with some friend's assistance she had evidently tracked the couple and was now springing out of ambush. She rushed upon Pennyloaf, who for very alarm could not flee, and attacked her with clenched fists. A scream of terror and pain caused Bob to turn and run back. Pennyloaf could not even ward off the blows that descended upon her head; she was pinned against the wall, her hat was torn away, her hair began to fly in disorder. But Bob effected a speedy rescue. He gripped Clem's muscular arms, and forced them behind her back as if he meant to dismember her. Even then it was with no slight effort that he restrained the girl's fury.

'You run off 'ome!' he shouted to Pennyloaf. 'If she tries this on again, I'll murder her!'

Pennyloaf's hysterical cries and the frantic invectives of her assailant made the Passage ring. Again Bob roared to the former to be off, and was at length obeyed. When Pennyloaf was out of sight he released Clem. Her twisted arms caused her such pain that she threw herself against the wall, mingling maledictions with groans. Bob burst into scornful laughter.

Clem went home vowing vengeance. In the nether world this trifling dissension might have been expected to bear its crop of violent language and straightway pass into oblivion; but Miss Peckover's malevolence was of no common stamp, and the scene of to-night originated a feud which in the end concerned many more people than those immediately interested.