CHRISTOPHER NORTH

Plutarch, when about to enter upon the crowded lives of Alexander and Caesar, declares his purpose and sets forth the true nature and province of biography in these words:—"It must be borne in mind that my design is not to write histories, but lives. And the most glorious exploits do not always furnish us with the clearest discoveries of virtue or vice in men. Sometimes a matter of less moment, an expression or a jest, informs us better of their characters and inclinations than the most famous sieges, the greatest armaments, or the bloodiest battles whatsoever. Therefore, as portrait-painters are more exact in the lines and features of the face, in which character is seen, than in the other parts of the body, so I must be allowed to give my more particular attention to the marks and indications of the souls of men, and while I endeavor by these to portray their lives, may be free to leave more weighty matters and great battles to be treated of by others."

That these general principles of biography are correct, and that Plutarch, by adhering to them, succeeded, beyond all others, in making his heroes realities, men of flesh and blood, whom we see and know like those about us, in whom we feel the warmest interest, and from whom we derive lessons of deep wisdom, as from our own experience,—all this could best be shown by the enduring popularity of his "Lives," and the seal of approval set upon them by critics of the most opposite schools. What a long array of names might be presented of those who have given their testimony to the wondrous fascination of this undying Greek!—names of the great and wise through many long centuries, men differing in age, country, religion, language, and occupation. For ages he has charmed youth, instructed manhood, and solaced graybeards. His heroes have become household words throughout the world. He has been equally familiar with court, with camp, and with cottage. He has been the companion of the soldier, the text-book of the philosopher, and the vade-mecum of kings and statesmen. And his name even now, after the lapse of so many generations, is fresher than ever.

Yet Lord Macaulay could not refrain from a sneer at Plutarch as a pedant who thought himself a great philosopher and a great politician. Pedant he may have been; philosopher and politician he may not have been; but he was, nevertheless, the prince of biographers. Macaulay has praised Boswell's "Life of Johnson" as the best biography ever written. But was not Boswell a pedant? Was he a philosopher? Macaulay himself has penned many biographies. Most of them are quite above the pedantry of small facts. Instead, they are crammed with deep philosophy, with abstractions, and with the balancing of antithetical qualities. They are bloodless frameworks, without life or humanity,—bundles of peculiarities skilfully grouped, and ticketed with such and such a name. No one sees a man within. As biographies they will not be remembered, but as instances of labored learning, of careful special pleading, and of brilliant rhetoric. Elsewhere, however, he has descended from philosophy, and not been above the pedantry of detail. And he has given us, in consequence, charming lives,—successful, in fact, just so far as he has followed in the footsteps of the old Greek. Yet who would for a moment compare his Pitt, his Goldsmith, or his William IV., as biography, with Plutarch's Alcibiades, or Cato the Censor? We remember the fact that Goldsmith sometimes wore a peach-blossom suit, but we see Cato in his toga.

Very many works have been written, purporting to be "The Life and Times" of this or that man. Where a man has occupied a large historic place, has been moulded by his times, and has moulded in turn the coming years, such works are well enough as history. As biography they are failures. The Times get the upper hand, and thrust down the Life. Without the Life, such works would be better, too, as history; for man and the world are two different things, and their respective provinces cannot, without confusion, be thrown into one. Now every leading man bears a twofold character. He is man, and something more: he is a power in history. Whatever concerns him as man,—his humanity, his individuality, his personal qualities, his character and inclinations, "the marks and indications of the soul," as Plutarch phrases it,—all this, and hardly more than this, is matter for biography, and for that alone. But so far as he is a representative man, standing for communities, for nations, for the world of his time,—so far as he is an historic force, making and solving, in some degree, large human problems,—so far as he is the organ chosen by destiny to aid in the development of his race,—just so far he is a maker of history, and therefore its proper subject, and its alone. Napoleon was not only a man, but he was Europe for some twenty years. Louis XIV was the Europe of half a century. There should be lives of such men, for they were akin to their fellows: histories, too, should be theirs, for they were allied to Nature, and fate, and law. They jested; and Biography, smiling, seized her tablets. They embodied a people; and Clio, pondering, opened the long scrolls of time.

All biography has been said to be eulogistic in its nature. This is well enough. But it is not well, when the author, high on daring stilts, overlooks the little matters just about him, and, rapidly running his eye over the wastes that stretch from Dan to Beersheba, prates of the fields that lie along the distant horizon. Nor is it well, when he forgets his hero, and writes himself,—when he constantly thrusts upon us philosophy, abstractions, and the like,—when he has a pet theory to sustain through thick and thin,—when narrative becomes disquisition, memoir is criticism, life is bloodless, and the man is a puppet whose strings he jerks freakishly. There may be something good in all this; but it is all quite out of place: it is simply not biography. The foundation of most biographical sins is, perhaps, ambition,—an ambition to do something more or something other than the subject demands, and to pitch the strain in too high a key. Hence we have usually found the memoirs of comparatively insignificant men to be better reading, and more fertile in suggestion, than those of what are called great men. Not that the real life, as he lived it, of a man of mediocrity has in itself more seeds of thought than that of a hero. Far otherwise. But his written life has often greater lessons of wisdom for us, precisely because it is generally found to give us more of the individual, and more of our common humanity,—which is the very thing we want. There is less of pretext to pour this one small drop into the broad ocean, and then treat us to a vague essay on salt-water. What is it, for instance, that gives to Southey's "Life of Nelson" its great excellence? There have been many other works on the same subject, larger, fuller, and more carefully studied. But these will perish, while that will be cherished by all the generations to come. It is because the author kept throughout precisely on a level with his subject. He was conscious, on every page, that he was writing of one man,—that nothing was trivial which could throw light on this man, and nothing important which did not tend directly to the same end. Nelson was made to speak, not only in his own words, but in the many little ways and actions which best show the stuff one is made of. There is no essay, nothing strictly didactic. Facts are given: inferences are left entirely with the reader. Few books are more wearisome than those which are thoroughly exhaustive, which point a moral and adorn a tale on every page. Imagination and thought must sit supine, despairing of new conquests. Their work has all been done before.

Christopher North—Heaven be praised!—was not an "historic force." He was a good many things, but not that. And so it was always pleasant to read him and about him. He was so completely vital and individual, that nothing that concerned him ever lacked in human interest. The world has known him for a long time, and has lost nothing by the acquaintance. Latterly it has come to know him better than before in his character of citizen, son, husband, and father; and it has come to the sage conclusion that even as a family-man he was not quite so bad, after all. It is a great relief to know at last that Christopher was throughout consistent,—that the child was father to the man. One of his first exploits was fishing with a bent pin. Another was to preach a little sermon on a naughty fish. The "application," though brief, was earnest. To the infant expounder, the subject of his discourse doubtless appeared in the guise of a piscatorial Cockney. After many other the like foreshadowings, and after draining dry his native village, he went, when twelve years of age, to Glasgow University. Professor Jardine, who then held the chair of Logic, was fully alive to the rare promise of his pupil, and said of him subsequently,—"He lived in my family during the whole course of his studies at Glasgow, and the general superintendence of his education was committed to me; and it is but justice to him to declare, that during my long experience I never had a pupil who discovered more genius, more ardor, or more active and persevering diligence." But his ardor was not limited to philosophy and the humanities; his powers required a larger field than the curriculum. He walked, ran, wrestled, boxed, boated, fished, wrote poetry, played the flute, danced, kept a careful diary, and read largely. Even at this early age, he felt the merit of the then unappreciated Wordsworth, and, on the appearance of the "Lyrical Ballads," wrote the author a letter expressive of his admiration.

In 1803, Wilson, now eighteen, was transferred to Oxford as a Gentleman Commoner of Magdalen. And surely never lighted on the Oxford orb so glorious a vision, or such a bewildering phenomenon. He was, indeed,

"Rara avis in terris, nigroque simillima cygno."

There, as elsewhere, his life was an extraordinary one. His immense vitality forced him to seek expression in every possible direction. The outlets which sufficed for ordinary souls were insignificant conduits for the great floods pent up within his breast; and he surged forth mightily at every point, carrying all before him. His tastes and sympathies were all-embracing. His creed and his practice were alike catholic. All was fish that came to his net. He sat at the feet of muscular Gamaliels, and campaigned with veterans of the classics. He hobnobbed with prize-fighters, and was the choice spirit in the ethereal feasts of poets. He was king of the ring, and facile princeps in the Greek chorus. He could "talk horse" with any jockey in the land; yet who like him could utter tender poetry and deep philosophy? He had no rival in following the hounds, or scouring the country in breakneck races; and none so careered over every field of learning. He angled in brooks and books, and landed many a stout prize. He would pick up here and there a "fly in amber," and add it to his stores. He was the easy victor in every foot-race, and took the Newdigate prize for poetry, in 1806. He burned the midnight oil, and looked through ruddy wine at the small hours chasing each other over the dial. For hours, almost whole days, he would sit silent at the helm of his boat on the Isis, his rapt eye peopling the vacant air with unutterable visions. He swam like a dolphin, rode like a Centaur, and De Quincey called him the best unprofessional male dancer he had ever seen. Three times he was vanquished by a huge shoemaker,—so the story goes,—champion of the "Town": at the fourth meeting, the Gentleman Commoner proved himself the better man, knocked his antagonist out of time, and gave him twenty pounds. Another professor of the manly art of self-defence, who had ventured to confront the young Titan, and was unexpectedly laid low, said in astonishment,—"You can be only one of the two: you are either Jack Wilson or the Devil." He proved himself to be the former, by not proclaiming, "Voe victis!" and by taking his prize of war to the nearest alehouse, and then and there filling him with porter. Sotheby said it was worth a journey from London to hear him translate a Greek chorus; and, at a later day, the brawny Cumberland men called him "a varra bad un to lick."

Never were such "constitutionals" known, even at old Oxford. He would wander away alone, sometimes for many days, tramping over the country leagues and leagues away, making the earth tremble with his heavy tread, and distancing everything with his long, untiring stride. Then, on his return, he would be the prince of good-fellows once more, and fascinate the merry revellers with the witchery of his tongue. Even when a boy, he had won a bet by walking six miles in two minutes less than an hour. He once dined in Grosvenor Square, and made his appearance at Oxford at an early hour the next morning, having walked the fifty-eight miles at a tremendous pace. In his vacations, he walked over all the Lake region of England, the North of Scotland, and the greater part of Wales. On finishing his course at Oxford, he went on foot to Edinburgh,—more than three hundred miles. He was equally remarkable as a leaper, surpassing all competitors. He once jumped across the Cherwell—twenty-three feet clear—with a run of only a few yards. This is, we believe, the greatest feat of the kind on record. General Washington, it is known, had great powers in this way; but the greatest distance ever leaped by him, if we remember right, was but twenty-one feet.

The many vagaries into which he was led, and the innumerable odd pranks he played, would be sufficient, in the case of any one else, to prove that he was not a reading man. But not so with Wilson. One of his contemporaries at Oxford thus described him:—"Wilson read hard, lived hard, but never ran into vulgar or vicious dissipation. He talked well, and loved to talk. Such gushes of poetic eloquence as I have heard from his lips,—I doubt whether Jeremy Taylor himself, could he speak as well as he wrote, could have kept up with him. Every one anticipated his doing well, whatever profession he might adopt, and when he left us, old Oxford seemed as if a shadow had fallen upon its beauty." Wilson himself confessed that he yielded, for a short time, to "unbridled dissipation," seeking solace for the agony he experienced from the conduct of his stern mother, who ruthlessly nipped in the bud his affection for a bonny lass at Dychmont. He might have used the very words of Gibbon, whose father nipped, in a similar way, his attachment for Mademoiselle Susan Curchod, afterward Madame Necker:—"After a painful struggle, I yielded to my fate: I sighed as a lover, I obeyed as a son; my wound was insensibly healed by time, absence, and the habits of a new life." It is difficult to conceive of Gibbon's wound as a deep one, or of his struggle as painful. But Wilson, whose affections were far stronger, suffered much. He almost made up his mind to run away to Timbuctoo, with Mungo Park; and his deep gloom showed how the iron had entered his soul. But time and absence and new habits healed his wound, as well as Gibbon's, without a journey to Africa.

We mentioned above that Wilson carried off the Newdigate prize for the best poem, in 1806. His subject was, "Painting, Poetry, and Architecture." He professed, in general, to put a very low estimate on college prize-poems, and rated his own so low that he would not allow it to be published with his subsequent poems. But in the "Noctes Ambrosianae" for October, 1825, he was not above saying a good word in favor of these much-berated effusions, as follows:—

"North. It is the fashion to undervalue Oxford and Cambridge prize-poems; but it is a stupid fashion. Many of them are most beautiful. Heber's 'Palestine!' A flight, as upon angel's wing, over the Holy Land! How fine the opening!

[We omit the lines quoted,—the well-known beginning of the poem.]

"Tickler. More than one of Wrangham's prize-poems are excellent;

Richard's 'Aboriginal Brutus' is a powerful and picturesque performance;

Chinnery's 'Dying Gladiator' magnificent; and Milman's 'Apollo Belvedere' splendid, beautiful, and majestic.

"North. Macaulay and Praed have written very good prize-poems. These two young gentlemen ought to make a figure in the world."

Heber was a contemporary and friend of Wilson at Oxford; as was also Lockhart, among others. The distant See of Calcutta interrupted the intercourse of the former, in after-life, while Maga and party bound the latter still closer to his old college-friend. One of Wilson's college-mates has given an odd anecdote descriptive of his appearance at their social gatherings:—

"I shall never forget his figure, sitting with a long earthen pipe, a great tie-wig on. Those wigs had descended, I fancy, from the days of Addison, (who had been a member of our college,) and were worn by us all, (in order, I presume, to preserve our hair and dress, from tobacco-smoke,) when smoking commenced after supper; and a strange appearance we made in them."