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And therefore the words which Elizabeth only by an effort restrained, as she crossed the prison-threshold, could come from her now by effort only. If she had found him drooping, despairing, utterly cast down,—no hinderance then to a full utterance of the heroic purpose which death alone could dampen or defeat! But now some strength seemed in himself—and liberty would give him to others, of whom he could not think as quietly as he could think of her. Could she, then, better afford to weep than to rejoice with him?

Before he had pushed away the table and its contents, before time constrained her to speak, she said,—

"I promised you something, Mr. Manuel. You remember what. I may go tomorrow. So tell me,—how shall I serve you best? Tell me now; something may happen; and I wish my work to be clear."

The prisoner started from the table at these words. He hastily approached the quiet speaker, his face brightened not more by hope than by wondering admiration.

"What do you mean?—tomorrow? I am waiting, Elizabeth."

"Colonel Farel and his lady are going home. He has leave of absence. I have spoken to my father and mother. I have told my mother everything. She knows that I am going to visit your relations as well as hers. Tell me how I shall find them. Tell me what I must do. You shall have freedom, if woman can ask or man can give it."

She had advanced a single step towards him, in thus speaking. She stood now with hands folded, quiet, waiting his answer.

"Noble girl!" he began; then he paused. Full of reverence was his gaze.

"Do not praise,—direct me," she said, hurriedly. "I know what I shall say. But to whom shall I say it?—Yes, I will find her whom you love. I will carry balm across the sea to heal her breaking heart. I will join together whom,"—here for an instant she hesitated, then began again,—"whom God has joined, whom man dared separate. Direct me, Sir."

And there she stood, waiting. Who sighing beholds her? No pusillanimity there; but on the very heights of danger, which none other than the bravest could have gained, dauntless and safe, let her stand and fight her battle. So strong, yet so defenceless, so conspicuous for purpose and position there, the arrows rain upon her, —yet not one is poisoned to the power of hurting her sacred life. Listen, Elizabeth, while he speaks of her! Deeply can his voice grave every word of direction; not one wilt thou lose! Chosen of the few from among the many called, go, woman to love, and hero to endure, —yea, if thou must, as gentle and dauntless martyr, to die before the stronghold thou wouldst summon to surrender!

Later in the day the prisoner heard Elizabeth singing, as not rarely he heard her,—for, knowing that the sound of her voice was pleasant to him, and that its cheerfulness cheered him, she had the habit of frequenting with her songs that part of the house in which his room was. The prisoner heard her singing later in the day, and thanked her for the grace, but did not catch the words whose sound swept past him. It was an ancient hymn she sang,—one that she often sang; and that she sang it this day of all days, I copy here the first verse:—

 
  "Sing, my tongue, the glorious battle,
    With completed victory rife,
  And above the Cross's trophy
    Tell the triumph of the strife,
  How the world's Redeemer conquered
    By surrendering of his life."
 
* * * * *

The Drummer's Daughter has crossed the sea,—has landed on the shores of Fatherland. She has even parted from her fellow-voyagers at the station whence the coach shall take her on to Chalons, that venerable town and well-beloved, where the lives whence her own sprung were born and blended. She is in the land of wonders, of meadows, vineyards, gardens, lakes, and rivers, and of cattle feeding on a thousand hills,—among the graves of millions of men, among the works of heroes and of martyrs, in the land of mighty towns, of palaces, of masters, and of slaves, where a great king is building the great palace which shall witness, centuries hence, the dire humiliation of his race.

Of all the crowds and companies that hurry to and fro from one end of the land to the other, Elizabeth seeks only two persons. It is not to her father's native town that she is drawn by the superior attraction. She passes Chalons in the moonlight. When the coach stops at the inn-door for a change of horses, she keeps her place, —she acts not with the quicker beating of her heart. She looks about her as they drive through the silent streets,—out on the moonlit landscape when they have passed the borders of the town; she sees the church-towers, and the old buildings, and the river whose windings she has heard described so often by the voices that once talked of love all along its borders. Chalons is dear to her; she looks back with tearful longing when the driver hurries on his horses as they pass into the open country. But she has no right to wait on her own pleasure,—to verify her parents' calculations when they talk together, by the fireside in Foray, of her journeying through Fatherland.

No,—each sunrise appoints him one more day of imprisonment and exile! Every sunset leaves him to one more night of cruel dreams which morning shall deride! And while this can be said, what has Chalons, or any other spot on earth, that it should lure her into rest?

The higher powers sometimes convey their messages and do their work after a prosaic fashion. It was no uncommon thing for a young girl in neat raiment to stand waiting admittance before the door of the Château Desperiers. Hospitality was called upon in those days not so often, perhaps, as benevolence; and for its charity the chateau had a reputation far and wide; the expectation of the poor perished only in fruition there.

Into the library of this ancient mansion Elizabeth Montier was ushered by the old gray servant. There she might wait the return of his mistress; at what hour the return should be anticipated he could not undertake to say. His counsel to the stranger was, that she had better return at a later hour; but when Elizabeth said it was impossible, that she had come from a great distance to see the lady of the place, and must await her return there, he led her without further parley to the library, and left her.

And from its lofty windows, at her leisure, she might now look down upon the prospect Prisoner Manuel had described. When she crossed the threshold of that room, she knew where she was; left alone, she looked around her. There he once had stood; there he had parted from Madeline Desperiers; from that last interview he had gone forth to long captivity! She stood by the lofty, narrow windows, to see what he had seen when standing before them,—that town the ancient Desperiers laid out for his tenants in the ancient days,—the church, the pond, the park,—the garden, so vast, and so astonishing for beauty, the gazer scarce believed her eyes. And she remembered beds of flowers under a prison-wall, and who that day looked on them.

He had said that the mistress of this grand domain was a soldier's daughter. He had said that she was a grand lady. A soldier's daughter had come here to hold an interview with her! A drummer's daughter, a girl from out the barracks and the prison of Foray, was here!—A strange light, so strange that it seemed not natural, broke from these reflections of Elizabeth, and illuminated the library. It fell on the great bookcases that were filled from floor to ceiling with books which cost a fortune, on the great easy-chairs black with age, on picture and on bust, on the old writing-stand, the more modern centre-table piled with newspapers and pamphlets, on the curious clock that told the hours with a "silverey voice." It fell, too, on a portrait that did not often greet the gaze even of such as found access into that room,—a portrait of him for whose sake she was here, having compassed land and sea.

When she first saw the picture, she was sitting in one of the chairs beside the table,—her eyes had taken cognizance of everything but that,—and of that became aware so strangely that she could not at first persuade herself of the nature of the mystery that took such hold of her and possessed her so wholly. A proud and glorious vision, it rose up before her, emerging from the shadows of the alcove where it stood. This was not Manuel, not the wan prisoner of Foray,—but her heart needed none to tell her it was the hero who had loved the lady of this château in the splendor of his manhood. She saw it, and saw nothing more,—the prescience of her soul was satisfied. As he was, she beheld him now;—was it safe for her to sit there gazing at that likeness?

The old servant, who now and then walked up and down the hall, perceiving that the stranger was sitting quiet, with her eyes generally in one direction, was satisfied that she should prove so patient with this long delay in his mistress's return. He knew not what occupied her eyes or thoughts,—fancied, may-be, that she was numbering the books of the library, or engaged in some equally diverting occupation.

At last came Madeline.

Learning from the servant in the hall that a young person waited her return, and had waited half the day, with a patience that was evidently proof against time, the lady proceeded at once to the library.

Elizabeth, who heard the arrival, and the approach, arose and stood, waiting the meeting. In her hand she held a paper scroll, the drawing of Foray, which she had brought to aid her in this interview.

It was, indeed, a royal person upon whom the eyes of the Drummer's Daughter fell,—a person whose dignity and grace held at a distance even those whom they attracted. Nothing short of reverence could have dictated the movement of any noble mind that had to do with her. She was the Sister of Mercy, whom the whole country round about knew for the most righteous Desperiers of them all. The noble line was ending nobly in her pure and lofty and most gracious womanhood. She was the star of society, if the "sweet influences" might only be bound,—no comet, no fiery splendor of intellect or passion, but a pure light that would still shine through all paling, and enter with its own distinct ray into the last absorption.

She approached to meet her guest with a kind and frank expression of regret that she should have been kept waiting so long.

Beholding her, remembering him, strong even through her sense of impotence, Elizabeth unrolled the pencilling of Foray. The moment during which she was thus occupied passed in silence; then she looked up and spoke, with the coldness in which her embarrassment and emotion sought disguise.

"I came here with a message,—on an errand," said she; "and I have come so far, that, finding myself really in this house, I did not like to leave it again till I had seen the lady I sought. I knew that it would give you pain, if you could know the whole."

"Tell me the whole," was the reply, spoken with evident and encouraging approval of the stranger's mode of address; and the lady sat down in the great chair on one side of the table. "Be seated; tell me your wish."

"It is to serve you," said Elizabeth, a little proudly. "I have not come to ask favor for myself or mine. I came across the sea for you and him."

She spoke now with vehemence, and as she spoke glanced at the portrait in the alcove. Quickly the eyes of Madeline Desperiers followed hers. How had this stranger managed to discover what was so securely hidden from the observation of ordinary eyes? She did not even suspect the light which had illumined that dim recess, and made it brighter to the gazer than the bright garden even.

"This is Foray," said Elizabeth, exposing now the token that would instantly make all plain and equal between them. "I should have sent it to you, Madam, when I wrote; but there was more to be done,—and so I came. I am Elizabeth Montier. I am a soldier's daughter; so, he said, are you."

The lady's answer was not at first by speech. She arose, swiftly as light moves she moved, and brought her guest up to the window of the shadowy room. Well she scanned the face of Elizabeth.

"Truth," she murmured. "It was you that wrote. You are Truth. You speak it. Blessings on you! Blessings descend upon you from all the saints and heroes who have moved and suffered here! Do you come from him,—Stephen Cordier?"

How proudly and how tenderly she spoke that name! To hear her soothed the heart of Elizabeth Montier,—soothed her, and made her strong.

"Is that his name?" she asked, pointing to the portrait. "We call him Manuel." She paused a moment, but not for an answer. Before Madeline could speak, she went on,—

"If you can hear me, I will tell you of him, and why I am here."

"Tell me all. I can bear to hear anything that you can endure to tell.

You are his friend. I claim you for mine, too. You came to find me.

Speak."

This was the utterance of a calm self-knowledge. By what she had endured, the woman knew what she could yet endure.

Without pause Elizabeth now spoke. Without interruption the lady listened,—listened while this young stranger told the life of the past months, in which he was concerned,—of the garden where she worked and he walked,—of her father, the musician,—of their old home near the barracks, and the new home in the prison,—of the day when he first told her of his country and his love,—how for him she had written the letter, repeating oftentimes in the narration the very words he had used,—of his gestures, his looks;—she was thoughtful of all.

How strangely intelligent in all her communication! Ah, if it was eager love that hearkened, it was thoughtful love that spoke!

The story, as she told it, was brief; but the voice never faltered in telling the tale, and the eyes of Elizabeth, with constant scrutiny, were upon her listener. She was satisfied, when, having said all, she paused, and had now no further fear for her own heart's integrity or of the listener's constancy.

A long silence followed her speech. At length said Mlle. Desperiers,—

"I see it all. You are God's messenger from that other world. I have believed too little. You are truer and wiser than I. Lead me, dear child! Shall we go to Foray? I will sail with you tomorrow, if you say so. Better a prison, with him, than all this freedom, so alone."

"He must be set free, first," said Elizabeth. The manner of her speaking, her look as well as her tone, might almost have been taken for a rebuke. Madeline might pardon that.

"I have said so," she answered, mildly. "I have tried to move heaven and earth. I was but a feeble woman. Still it is a consolation to know that I have done everything my wit or my love could devise, and not stopped at what looked like extravagance or indelicacy. What further, Elizabeth? The man who is now in power, and through whom alone the king can be reached, will grant him liberty"—

"He will?"

"At a price that would take away its value from him."

"What is that price?"

"My life. He wants me for his wife,—a purchase, you perceive."

Elizabeth Montier did not heed the scorn and bitterness of these words, as Mlle. Desperiers spoke them. The blood in her veins seemed turning to fire,—it swept through her body and brain like the flood of a volcano,—and she thought, she who knew the prisoner's life, and all that captivity was to him,—

"Coward and selfish, that will not instantly give up her life for his!"

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