"No; we had our occupations; for we had the attendance on the court days—a business of as much formality, as if the fate of mankind depended on it. Then we had the attendance on the opera at night, a matter nearly as tiresome. The post from England reached Naples but once a-week, and scarcely once a month conveyed any intelligence that was worth the postage. But, if politics were out of the question, we had negotiation in abundance; for we carried on the whole diplomacy of the opera-house in London, engaged primo tenores, and settled the rival claims of prima donnas; gave our critical opinions on the merits of dancers worthy of appearing before the British cognoscenti; and dispatched poets, ballet-masters, and scene-painters, to our managers, with an activity worthy of the purest patriotism. What think you of the bar?"

"I have no head for its study; and no heart for its employment."

"It leads more rapidly to rank than any other profession under the sun; profit beyond counting, and a peerage. Those are no bad things."

"Both capital, if one could be secure of them. But they take too much time for me. I never was born to sit on the woolsack. No; if I were to follow my own inclination, I should be a soldier."

I have already said that I have been, throughout life, a kind of believer in omens. I have seen such a multitude of things decided by some curious coincidence, some passing occurrence, some of those odd trifles for which it is impossible to account, but which occur at the instant when the mind is wavering on the balance; that I feel no wonder at the old superstitions of guessing our destiny from the shooting of a star, or the flight of birds. While we were rambling onward, discussing the merits and demerits of the profession of arms, we heard the winding of the mail-guard's horn. I sprang the fence, and waited in the road to enquire the last news from the metropolis. It was momentous—the Revolution had effectually broken out. Paris was in an uproar. The king's guards had taken up arms for the people. The Bastile was stormed!

If I had hesitated before, this news decided me; not that I pretend to have even dreamed of the tremendous changes which were to be produced in the world by that convulsion. But it struck me as the beginning of a time, when the lazy quietude of years was about to be broken up, and room made for all who were inclined to exert themselves. Before we had reached the level lawns and trim parterres which showed us the lights of the family festivity, I had settled all the difficulties which might impede the career of less fortunate individuals; time and chance were managed with the adroitness of a projector; and if Bellona had been one of the Nine Muses, my speculations could not have been more poetical. Somewhat to my surprise, they received no check from my venerable tutor; quite the contrary. The singular sympathy with which he listened to my most daring and dashing conceptions, would have betrayed his early history if I had still the knowledge to acquire. His very looks, as he listened to my rodomontades, recurred to me, when I read, many years after, Scott's fine description of his soldier-monk in the Lay of the Last Minstrel:—

 
"Again on the knight look'd the churchman old,
And again he sigh'd heavily,
For he had himself been a warrior bold,
And fought in Spain and Italy.
And he thought on the days that were long gone by,
When his limbs were strong, and his courage was high."
 

The news from France produced a sensation throughout England totally indescribable at the present day. Every tongue and every heart was full of it. It offered something for every mind of the million to seize on. Like a waterspout, such as I have seen sweeping over the bosom of the Atlantic, half-descending from the skies, and half-ascending from the deep; every second man whom one met gave it credit for a different origin, some looking at the upper portion and some at the lower; while, in the mean time, the huge phenomenon was blackening, gathering, and rushing onward, threatening to turn all above into darkness and all below into storm. It made the grand subject of parliamentary eloquence, and parliament was never more eloquent; it filled the speeches of the factious, it was hailed by the shouts of the multitude, and it disturbed the fireside with fear and hope, with wishing and wonder. It must be acknowledged that a vast quantity of this excitement was absolute folly; but, at the same time, there was a sincerity in the folly which redeemed it from ridicule. Nothing could be more evident than that this French patriotism was as theatrical, in the countless majority of instances, as the loves and sorrows of its stage. Yet, however the speeches might be got by heart, or the frippery and actors hired, the drame was powerfully performed; and all Europe sat by, giving it the tribute of its tears and its terrors. Even we of England, with all our more sober recollections that the heroes were ragamuffins, and the heroism imaginary, gave ourselves up to the illusion. I shall not say that I was wiser than the rest of mankind. I liked excitement, wherever it was to be found. The barriers to distinction were still too firmly closed against the youngest son of an embarrassed family, not to suggest many a wish for whatever chance might burst the gate, or blow up the rampart; and my first effort in political life was a harangue to the rabble of the next borough, conceived in the most Gallic style. Yet this act of absurdity had the effect of forwarding my views more rapidly than if I had become an aristocratic Demosthenes. My speech was so much applauded by the mob, that they began to put its theories in practice, though with rather more vigour than I had dreamed of. There were riots, and even some attempts at the seizure of arms; and the noble duke, our neighbour, had received a threatening letter, which sent him at full gallop to the Home Secretary. A note, by no means too gentle in its tone, was instantly despatched to my noble brother, enquiring why he did not contrive to keep the minor branches of his family in better order, and threatening him with the withdrawal of the county patronage. My demand of a commission in the Guards was no longer answered by the head of our house with astonishment at the loftiness of my expectations, and statements of the utter emptiness of the family exchequer. The result of his brief correspondence with Downing Street was a letter, notifying that his majesty was pleased to accept my services in the Coldstream.

I was enraptured, and my brother was enraptured, for we had both gained our objects. I had got rid of him and ennui. He had got rid of me, and the displeasure of the grand dispensers of place and pension. No time was lost in forwarding me to make my bow at the Horse Guards; and my noble brother lost as little time in making me put my hand to a paper, in which, for prompt payment, I relinquished one half of my legacy. But what cared I for money? I had obtained a profession in which money was contemptible, the only purse the military chest, and the only prize, like Nelson's, a peerage or Westminster Abbey. The ferment did not cool within the week, and within that period I had taken leave of half the county, been wished laurels and aiguillettes by a hundred or a thousand of the fairest of our country belles; and been wished a thousand miles off by the wise matrons, to whom the sight of a "younger son without house or land" is a nuisance, a kite among their family pigeons.

At that moment, however, all their dovecots were secure. I should not have spent a sigh on the Venus de Medicis had she sprung from her pedestal to enchant me. The world was open before me; and trite and trifling objects were no more to occupy my time. I felt like one who, after wandering all day through the depths of an American forest, suddenly reaches its border, and sees before him the boundless prairie, with its boundlessness still more striking, from the absence of any distinct object on which the eye could rest. What were horses, dogs, and country dinners, to the world of London and of life which now came in full, and, I will own it, extravagant vision before me? The ideas which I conceived of men and things, of my own fortunes, and the fortunate exercise of my own powers, were of an order which, in my calmer days, have often made me smile; yet what is the whole early life of man but a predisposition to fever? and I was then throbbing on the fiery verge of the disease.

I shall say but little of my first sensations on reaching London. My eyes and ears were in full activity. But the impression upon all who enter this mightiest of capitals for the first time, is nearly the same. Its perpetual multitude, its incessant movement, its variety of occupations, sights and sounds, the echo of the whole vast and sleepless machinery of national existence, have been a thousand times the subject of description, and always of wonder. Yet, I must acknowledge, that its first sight repelled me. I had lived in field and forest, my society had been among my fellows in rank; I had lived in magnificent halls, and been surrounded by bowing attendants; and now, with my mind full of the calm magnificence of English noble life, I felt myself flung into the midst of a numberless, miscellaneous, noisy rabble, all rushing on regardless of every thing but themselves, pouring through endless lines of dingy houses; and I nothing, an atom in the confusion, a grain of dust on the great chariot wheel of society, a lonely and obscure struggler in the mighty current of human life, which rolled along the sullen channels of the most cheerless, however it might be the largest, of capitals.

For the first week, I was absolutely unable to collect my thoughts. All that I learned was, to make my way through the principal thoroughfares, and know the names of her chief buildings. In later days, I took a more practical view of matters, and regarded them only as places in which the business of the hour was to be done. But in my first view, something of the romance and revival of my forest walks clung to me. I remember that, when I first saw the Horse Guards, to which, of course, one of my earliest visits was paid, I found no slight difficulty in thinking of it as only a remarkably clownish mass of brick and stone, crowded with clerks. To me it was the very palace of war; the spot from which the thunderbolts of England were launched; the centre and the stronghold of that irresistible influence with which England sways and moulds mankind. The India House was another of my reveries. I could not think of it as but a huge pile in a vulgar outlet of the city, as a place of porters and messengers loitering in gloomy corridors, of busy clerks for ever scribbling in nooks unvisited by the sun, or even of portly directors, congregating in halls encrusted with the cobwebs of centuries. To my eyes it was invested with the mystery and dignity of Orientalism. I thought of the powers by which rajahs were raised and overthrown, of the mandates which spread war and restored peace over regions wide as Europe, and a thousand times more brilliant. I had rambling visions of armies of elephants, superb cavalry, and chieftains covered with gold and diamonds. As I traversed the dusky halls, I thought of the will which pronounced the fate of kingdoms, the fallen glories of Aurengzebe, the broken sceptre of the Mahratta, and the crushed tiara of Mysore. Round me was the moving power of an empire, the noblest that the East has ever seen, and which, in the act of assuming additional greatness, by a contradiction to all the laws of extended conquest, was hourly assuming additional stability.

And yet, and yet, are not those the true views, after all? Are the effects to be forgotten in the instruments, or is it not the result which forms the character of the whole? Are we to think of the dagger which strikes the master of a throne, as only the steel in the hand of an assassin, or as the summoner to civil war and the subversion of thrones? Is the pen which pours political frenzy through the hearts of living millions, or sheds the splendours of poetry over millions still to come, to be valued only as the feather of a bird? Or is the press itself to be remembered only as a dexterous combination of springs and screws; or to be bowed down to as the steward of all the hidden treasures of mind—as the breaker of intellectual chains, the avenger of injured rights, the moral Hercules that goes forth turning the wilderness to fertility, and smiting the monsters of the world?

But among the wonders of the time, there was one which struck me with prodigious force, which has remained on my recollection to this hour, and which still survives with undiminished vividness. It was the acting of Siddons.

The stage is now almost undone. The absurd liberalism of the day has given every corner of London a theatre, and has degraded the character of the stage in all. By scattering the ability which still exists, it has stripped the great theatres of the very means of representing dramatic excellence; while, by adopting popular contrivances to obtain temporary success, they have driven away dramatic genius in contempt or in despair. Our stage is now condemned to be fed like a felon from the dungeons, and, like the felon, to feel a stigma in every morsel which it puts between its lips. It must stoop to French frivolity, or German extravagance, and be glad to exist upon either. Yet, why should not higher names come to its aid? Why should not the State relieve the difficulties of a great institution, which might be made to repay its assistance a thousand-fold? Is there nothing that could be withdrawn from the waste of our civil lists, or the pomp of public establishments, to reunite, to purify, and even to exalt the stage? The people will have theatres. Good or evil, noble or degraded, the stage will be demanded by the people. Is it a thing indifferent to our rulers, to supply them with this powerful and universal excitement in its highest degree of moral influence, or in its lowest degree of impurity; to bring before them, with all the attractions of the drama, the memory of heroes and sages, patriots and martyrs, or leave them to rake for the indulgence of eye and ear in the very kennels of crime?

"They order those things better in France."

Unquestionably. The care of Government there protects the national taste, and prevents the theatres from looking for subsistence to the history of the highway. The vices which now haunt theatres are no more necessary to their nature, than to the senate or the palace. Why should not the State interpose to prevent the sale of poison on the stage, as in the streets? Why should it not offer prizes and honours for great tragedies and comedies, as soon as it would for a voyage to the Arctic or Antarctic? But is dramatic genius dead in England? What, in England! where nothing dies—where every faculty of the heart and understanding is in the most perpetual activity—where the noblest impulses are perpetually pushing forward to the noblest ends—where human nature moves in all its vigour, from hour to hour, without disguise—where the whole anatomy of the moral frame is visible, and all its weakness, and all its wonders, are the daily spectacle of all mankind!

In giving these opinions of the powers of the stage, need I guard them by saying, that I contemplate a higher spirit than the drama even of Shakspeare has ever displayed—one which, to the vigour of his characters, and the splendours of his poetry, should add a moral of which his time was scarcely conscious? My idea would approach more nearly the objects of the great Greek dramas, in which the first sympathies of the people were appealed to by the most powerful recollections of historic virtue; their national victories over the Persian, the lofty conceptions of their Olympus, the glories of their national power, and the prospects of their imperishable renown. I contemplate nothing of the weakness, locality, or license, of our old drama. I think only of a rich and lofty combination of characters above the level of our time, thoughts belonging to that elevation, feelings more generous, vivid, and majestic, and exploits uniting the soaring spirit of old romance with the sustained strength of modern energy; Greece in her brightest days of intellectual lustre, Rome in her most heroic days of patriotism, and England in those days which are yet to come, and which shall fill up her inheritance of glory.

Siddons was then witching the world—witching, in its more solemn sense; for though her smile was exquisite, she might have sat for the picture of a Sybil or a Pythoness. The stage had never seen her equal, and will probably never see another so completely formed to command all its influences. Yet her beauty, her acting, even her movement, were characteristic, and their character was noble melancholy. I never saw so mournful a countenance combined with so much beauty. Her voice, though grand, was melancholy—her step, though superb, was melancholy; her very smile was melancholy; and yet there was so much of living intellect in her expression, such vast variety of passion in her look and gesture; she so deeply awoke the feelings, or so awfully impressed the mind; thus it was impossible to escape the spell, while she moved upon the stage.

In this language there is not the slightest exaggeration. I have seen a whole audience burst into tears at a single tone of her voice. Her natural conception was so fine, that the merest commonplace often received a living spirit from her lips. I have seen a single glance from her powerful eye hush an audience—I have seen her acting sometimes even startle and bewilder the actors beside her. There is perhaps a genius for every art, and hers was the genius of the stage—a faculty of instant communication between the speaker and the hearer, some unaccountable sympathy, the power to create which belongs to but one in millions, and which, where it exists, lifts its possessor to the height of the Art at once, and constitutes perfection.

It may be presumed that I saw this extraordinary being whenever it was possible. But her chef-d'œuvre, in my eyes, was the "wife of Macbeth." The character seemed made for her, by something of that instinct which in olden times combined the poet and the prophet in one. It had the ardour and boldness mingled with the solemnity and mystery that belonged to the character of her beauty.