NERO

Claudius Cæsar Nero was son of Caius Domitius Ænobarbus and Agrippina, the daughter of Germanicus and wife of the Emperor Claudius, after the death of her first husband. He was adopted by the Emperor Claudius, A.D. 50, and when he was murdered by his wife, four years after, Nero succeeded him on the throne. He possessed excellent talents, and was carefully educated by Seneca and Burrhus. The beginning of his reign was marked by acts of the greatest kindness and condescension, by affability, complaisance and popularity. The object of his administration seemed to be the good of his people; and when he was desired to sign his name for the execution of a malefactor, he exclaimed, "I wish to heaven I could not write!" He appeared to be an enemy to flattery, and when the senate had liberally commended the wisdom of his government, Nero desired them to keep their praises till he deserved them.

But these promising virtues were soon discovered to be artificial, and Nero displayed the real propensities of his nature. He delivered himself from the sway of his mother, and at last ordered her to be assassinated. This unnatural act of barbarity shocked some of the Romans; but Nero had his devoted adherents; and when he declared that he had taken away his mother's life to save himself from ruin, the senate applauded his measures, and the people signified their approbation. Even Burrhus and Seneca, Nero's advisers, either counselled or justified his conduct. Many of his courtiers shared the unhappy fate of Agrippina, and Nero sacrificed to his fury or caprice all such as obstructed his pleasures, or stood in the way of his inclinations.

In the night he generally sallied out from his palace, to visit the meanest taverns and the scenes of debauchery in which Rome abounded. In his nocturnal riots he was fond of insulting the people in the streets, and on one occasion, an attempt to offer violence to the wife of a Roman senator nearly cost him his life. He also turned actor, and publicly appeared on the Roman stage, in the meanest characters. He had an absurd passion to excel in music, and to conquer the disadvantages of a hoarse, rough voice, he moderated his meals, and often passed the day without eating.

The celebrity of the Olympic games having attracted his notice, he passed into Greece, and presented himself as a candidate for the public honors. He was defeated in wrestling, but the flattery of the spectators adjudged him the victory, and Nero returned to Rome with all the pomp and splendor of an eastern conqueror, drawn in the chariot of Augustus, and attended by a band of musicians, actors, and stage dancers from every part of the empire.

These private and public amusements of the emperor were comparatively innocent; his character was injured, but not the lives of the people. His conduct, however, soon became more censurable; he was guilty of various acts which cannot be even named with decency. The cruelty of his nature was displayed in the sacrifice of his wives Octavia and Poppæa; and the celebrated writers, Seneca, Lucan, Petronius, &c., became the victims of his wantonness. The Christians did not escape his barbarity. He had heard of the burning of Troy, and as he wished to renew that dismal scene, he caused Rome to be set on fire in different places. The conflagration became soon universal, and during nine successive days the fire was unextinguished. All was desolation; nothing was heard but the lamentations of mothers whose children had perished in the flames, the groans of the dying, and the continual fall of palaces and buildings.

Nero was the only one who enjoyed the general consternation. He placed himself on a high tower and he sang on his lyre the destruction of Troy; a dreadful scene which his barbarity had realized before his eyes. He attempted to avert the public odium from his head, by a feigned commiseration of the sufferings of his subjects, and by charging the fire upon the Christians. He caused great numbers of them to be seized and put to death. Some were covered with the skins of wild beasts, and killed by dogs set upon them; others were crucified; others were smeared with pitch and burned, at night, in the imperial gardens, for the amusement of the people!

Nero began to repair the streets and the public buildings at his own expense. He built himself a celebrated palace, which he called his golden house. It was profusely adorned with gold and precious stones, and with whatever was rare and exquisite. It contained spacious fields, artificial lakes, woods, gardens, orchards, and every device that could exhibit beauty and grandeur. The entrance to this edifice would admit a colossal image of the emperor, one hundred and twenty feet high; the galleries were each a mile long, and the whole was covered with gold. The roofs of the dining halls represented the firmament, in motion as well as in figure, and continually turned round, night and day, showering all sorts of perfumes and sweet waters. When this grand edifice, which, according to Pliny, extended all round the city, was finished, Nero said that he could now lodge like a man!

His profusion was not less remarkable in all his other actions. When he went fishing, his nets were made with gold and silk. He never appeared twice in the same garment, and when he undertook a voyage, there were thousands of servants to take care of his wardrobe. His continued debauchery, cruelty, and extravagance at last roused the resentment of the people. Many conspiracies were formed against him, but they were generally discovered, and such as were accessory, suffered the greatest punishments. One of the most dangerous plots against Nero's life was that of Piso, from which he was delivered by the confession of a slave. The conspiracy of Galba proved more successful; for the conspirator, when he was informed that his design was known to Nero, declared himself emperor. The unpopularity of Nero favored his cause; he was acknowledged by the whole Roman empire, and the senate condemned the tyrant, that sat on the throne, to be dragged, naked, through the streets of Rome, whipped to death, and afterwards to be thrown from the Tarpeian rock, like the meanest malefactor. This, however, was not done, for Nero, by a voluntary death, prevented the execution of the sentence. He killed himself, A. D. 68, in the thirty-second year of his age, after a reign of thirteen years and eight months.

Rome was filled with acclamations at the intelligence of this event, and the citizens, more strongly to indicate their joy, wore caps such as were generally used by slaves who had received their freedom. Their vengeance was not only exercised against the statues of the deceased tyrant, but his friends were the objects of the public resentment, and many were crushed to pieces in such a violent manner, that one of the senators, amid the universal joy, said that he was afraid they should soon have cause to wish for Nero. The tyrant, as he expired, begged that his head might not be cut off from his body and exposed to the insolence of an enraged populace, but that the whole might be burned on a funeral pile. His request was granted, and his obsequies were performed with the usual ceremonies.

Though his death seemed to be the source of universal gladness, yet many of his favorites lamented his fall, and were grieved to see that their pleasures and amusements were terminated by the death of the patron of debauchery and extravagance. Even the king of Parthia sent ambassadors to Rome to condole with the Romans, and to beg that they would honor and revere the memory of Nero. His statues were also crowned with garlands of flowers, and many believed that he was not dead, but that he would soon make his appearance and take a due vengeance upon his enemies. It will be sufficient to observe, in finishing the character of this tyrannical emperor and detestable man, that the name of Nero is, even now, the common designation of a barbarous and unfeeling oppressor.

LUCIUS ANNÆUS SENECA

This individual, whose "Morals" are so familiar to us, was born at Corduba, in Spain, six years before Christ. His father was a rhetorician of some celebrity, and a portion of his works has come down to our time. While Lucius was yet a child, he removed from Corduba to Rome, which henceforward became his residence. The son, possessing very promising talents, received the greatest care and attention in respect to his education. He was taught eloquence by his father, and took lessons in philosophy from the most celebrated masters. According to the custom of those who sought to excel in wisdom and knowledge, he travelled in Greece and Egypt, after completing his studies, and his work entitled Quæstiones Naturales showed that he made good use of his opportunities during this excursion; it also proves that he was master of the science of his time.

Young Seneca was fascinated with the philosophical speculations of the Stoics,⁵ to which sect he became devoted. He even adopted the austere modes of life they inculcated, and refused to eat the flesh of animals; but when the emperor, Tiberius,⁶ threatened to punish some Jews and Egyptians for abstaining from certain meats, at the suggestion of his father, he departed from this singularity. In compliance with his father's advice, who urged upon him the necessity of devoting himself to some kind of business, he adopted the profession of an advocate.

As a pleader, Seneca appeared to great advantage, and consequently excited the envy of Caligula, who aspired to the reputation of an orator. Apprehensive of the consequences, he changed his views, and became a candidate for the honors and offices of the state. He was made prætor, under Claudius, but, being charged with a shameful intrigue with a lady of rank, he was banished to Corsica. Though his guilt was not satisfactorily proved, he continued for five years in exile; during which period he wrote a treatise on Consolation. In this, he seems to draw contentment and peace from philosophical views, and one would fancy that he was elevated by these, above the evils of his condition. Yet, unhappily for his reputation in respect to consistency and sincerity, history tells us that, at this period, he was suing to the emperor in the most abject terms for restitution.

Claudius⁷ at length married Agrippina, and Seneca, being recalled, was made preceptor of Nero, the son of Agrippina, who was destined to become emperor. From the favorable traits of character displayed by the pupil of the philosopher in the early part of his career, it might seem that Seneca's instructions had exerted a good influence over him. But an impartial scrutiny of the events of that period has led to the probable conclusion that he was a pander to the worst of Nero's vices. It is certain that he acquired immense wealth in a short period of time, and it appears that this was obtained through the munificence of his royal patron. The latter was avaricious and mercenary, and was likely to part with his money only for such things as ministered to his voluptuous passions.

The possessions of Seneca were enormous. He had several gardens and villas in the country, and a magnificent palace in Rome. This was sumptuously furnished, and contained five hundred tables of cedar, with feet of ivory, and all of exquisite workmanship. His ready cash amounted to about twelve millions of dollars. It appears certain that such riches could not have been acquired by means of Seneca's precepts; and the inference of many of his contemporaries, as well as of posterity, has been, that the virtue which appears so lovely in his pages was but the decorous veil of avarice, vice, and crime.

For a period after his accession to the throne, Nero's conduct was deserving of praise; but he soon threw off all regard even to decency, and launched forth upon that career which has made his name a by-word and reproach for all after time. Seneca, being accused of having amassed immense wealth by improper means, became greatly alarmed; for he knew the tyrant so well as to foresee that, under color of this charge, he was very likely to sacrifice him, in order to obtain his property. Pretending, therefore, to be indifferent to riches, he begged the emperor to accept of his entire fortune, and permit him to spend the remainder of his days in the quiet pursuits of philosophy. The emperor, with deep dissimulation, refused this offer – no doubt intending in some other way to compass the ruin of Seneca.

Aware of his danger, the philosopher now kept himself at home for a long period, as if laboring under disease. Some time after, a conspiracy for the murder of Nero, headed by Piso, was detected. Several of the most noble of the Roman senators were concerned, and Seneca's name was mentioned as an accessory. Nero, doubtless glad of an opportunity to sacrifice him, now sent a command that he should destroy himself.

It has been a question whether Seneca was really concerned in the conspiracy of Piso. The proof brought against him was not indeed conclusive, but it is obvious that his position might lead him to desire the death of the tyrant, as the only means of safety to himself; and Seneca's character, unfortunately, is not such as to shield his memory against strong suspicion of participation in the alleged crime.

Seneca was at table, with his wife, Paulina, and two of his friends, when the messenger of Nero arrived. He heard the words which commanded him to take his own life, with philosophic firmness, and even with apparent joy. He observed that such a mandate might long have been expected from a man who had murdered his own mother and assassinated his best friends. He wished to dispose of his possessions as he pleased, but his request was refused. When he heard this, he turned to those around who were weeping at his fate, and told them, that, since he could not leave them what he believed his own, he would leave them at least his own life for an example – an innocent conduct, which they might imitate, and by which they might acquire immortal fame.

Against their tears and wailings, he exclaimed with firmness, and asked them whether they had not learned better to withstand the attacks of fortune and the violence of tyranny. As for his wife, he attempted to calm her emotions, and when she seemed resolved to die with him, he said he was glad to have his example followed with so much constancy. Their veins were opened at the same moment; but Nero, who was partial to Paulina, ordered the blood to be stopped, and her life was thus preserved.

Seneca's veins bled but slowly, and the conversation of his dying moments was collected by his friends, and preserved among his works. To hasten his death, he drank a dose of poison, but it had no effect, and therefore he ordered himself to be carried to a hot bath, to accelerate the operation of the draught, and to make the blood flow more freely. This was attended with no better success, and, as the soldiers were clamorous, he was carried into a stove, and suffocated by the steam. Thus he died, in the 66th year of the Christian era.

The death of Seneca has been loudly applauded, and has sometimes been pronounced sublime; but this is owing to an ignorance of the time, and inattention to Seneca's own doctrines. With the Stoics, death was nothing; "It is not an evil, but the absence of all evil." This was their creed. With such principles, there could be no fear of death, and consequently, we find that courage to die – if it be courage to encounter that which is not an evil – was common in Seneca's time. "At that period of languor and luxury," says M. Nisard, "of monstrous effeminacies, of appetites for which the world could hardly suffice – of perfumed baths, of easy and disorderly intrigues, there were daily men of all ranks, of all fortunes, of all ages, who released themselves from their evils by death. How was it possible for them to avoid suicide, with no other consolation than the philosophy of Seneca, and his theories on the delights of poverty?