IN one corner of the property of Hugh John's father stood an ancient castle – somewhat doubtfully of it, however, for it was claimed as public property by the adjoining abbey town, now much decayed and fallen from its high estate, but desirous of a new lease of life as a tourist and manufacturing centre. The castle and the abbey had for centuries been jealous neighbours, treacherous friends, embattled enemies according to the fluctuating power of those who possessed them. The lord of the castle harried the abbot and his brethren. The abbot promptly retaliated by launching, in the name of the Church, the dread ban of excommunication against the freebooter. The castle represented feudal rights, the abbey popular and ecclesiastical authority.
And so it was still. Mr. Picton Smith had, indeed, only bought the property a few years before the birth of our hero; but, among other encumbrances, he had taken over a lawsuit with the town concerning the castle, which for years had been dragging its slow length along. Edam Abbey was a show-place of world-wide repute, and the shillings of the tourist constituted a very important item in the finances of the overburdened municipality. If the Council and magistrates of the good town of Edam could add the Castle of Windy Standard to their attractions, the resultant additional sixpence a head would go far towards making up the ancient rental of the town parks, which now let for exactly half of their former value.
But Mr. Picton Smith was not minded thus tamely to hand over an ancient fortress, secured to him by deed and charter. He declared at once that he would resist the claims of the town by every means in his power. He would, however, refuse right-of-way to no respectable sightseer. The painter, all unchallenged, might set up his easel there, the poet meditate, even the casual wanderer in search of the picturesque and romantic, have free access to these gloomy and desolate halls. The townspeople would be at liberty to conduct their friends and visitors thither. But Mr. Smith was resolved that the ancient fortalice of the Windy Standard should not be made a vulgar show. Sandwich papers and ginger-beer bottles would not be permitted to profane the green sward of the courtyard, across which had so often ridden all the chivalry of the dead Lorraines.
"Those who want sixpenny shows will find plenty at Edam Fair," was Mr. Picton Smith's ultimatum. And when he had once committed himself, like most of his stalwart name, Mr. Smith had the reputation of being very set in his mind.
But in spite of this the town asserted its right-of-way through the courtyard. A footpath was said to have passed that way by which persons might go to and fro to kirk and market.
"I have no doubt a footpath passed through my dining-room a few centuries ago," said Mr. Smith, "but that does not compel me to keep my front and back doors open for all the rabble of Edam to come and go at their pleasure."
And forthwith he locked his lodge gates and bought the largest mastiff he could obtain. The castle stood on an island rather more than a mile long, a little below the mansion house. A wooden bridge led over the deeper, narrower, and more rapid branch of the Edam River from the direction of the abbey and town. Across the broader and shallower branch there could be traced, from the house of Windy Standard, the remains of an ancient causeway. This, in the place where the stream was to be crossed, had become a series of stepping-stones over which Hugh John and Priscilla could go at a run (without falling in and wetting themselves more than once in three or four times), but which still constituted an impregnable barrier to the short fat legs of Toady Lion – who usually stood on the shore and proclaimed his woes to the world at large till somebody carried him over and deposited him on the castle island.
Affairs were in this unsettled condition when, at twelve years of age, Hugh John ceased to be Hugh John, and became, without, however, losing his usual surname of Smith, one of the august and imperial race of the Buonapartes.
It was a clear June evening, the kind of night when the whole landscape seems to have been newly swept, washed down, and generally spring-cleaned. All nature spoke peace to Janet Sheepshanks, housekeeper, nurse, and general responsible female head of the house of Windy Standard, when a procession came towards her across the stepping-stones over the broad Edam water from the direction of the castle island. Never had such a disreputable sight presented itself to the eyes of Janet Sheepshanks. At once douce and severe, sharp-tongued and covertly affectionate, she represented the authority of a father who was frequently absent from them, and the memory of a dead mother which remained to the three children in widely different degrees. To Priscilla her mother was a loving being, gracious alike by the tender sympathy of her voice and by the magic of a touch which healed all childish troubles with the kiss of peace upon the place "to make it well." To Hugh John she had been a confidant to whom he could rush, eager and dishevelled, with the tale of the glorious defeat of some tin enemy (for even in those prehistoric days Hugh John had been a soldier), and who, smoothing back his ruffled hair, was prepared to join as eagerly as himself in all his tiny triumphs. But to Toady Lion, though he hushed the shrill persistence of his treble to a reverent murmur when he talked of "muvver," she was only an imagination, fostered mostly by Priscilla – his notion of motherhood being taken from his rough-handed loving Janet Sheepshanks; while the tomb in the village churchyard was a place to which he had no desire to accompany his mother, and from whose gloomy precincts he sought to escape as soon as possible.
BUT, meanwhile, Janet Sheepshanks stands at the end of the stepping-stones, and Janet is hardly a person to keep waiting anywhere near the house of Windy Standard.
Over the stepping-stones came as leader Priscilla Smith, her head thrown back, straining in every nerve with the excitement of carrying Sir Toady Lion, whose scratched legs and shoeless feet dangled over the stream. Immediately beneath her, and wading above the knee in the rush of the water, there staggered through the shallows Hugh John, supporting his sister with voice and hand – or, as he would have said, "boosting her up" whenever she swayed riverward with her burden, pushing her behind when she hesitated, and running before to offer his back as an additional stepping-stone when the spaces were wide between the boulders.
Janet Sheepshanks waited grimly for her charges on the bank, and her eyes seemed to deceive her, words to fail her, as the children came nearer. Never had such a sight been seen near the decent house of Windy Standard. Miss Priscilla and her pinafore were represented by a ragged tinkler's lass with a still more ragged frill about her neck. Her cheeks and hands were as variously scratched as if she had fallen into a whole thicket of brambles. Her face, too, was pale, and the tatooed places showed bright scarlet against the whiteness of her skin. She had lost a shoe, and her dress was ripped to the knee by a great ragged triangular tear, which flapped wet about her ankles as she walked.
Sir Toady Lion was somewhat less damaged, but still showed manifold signs of rough usage. His lace collar, the pride of Janet Sheepshanks' heart, was torn nearly off his shoulders, and now hung jagged and unsightly down his back. Several buttons of his well-ordered tunic were gone, and as to his person he was mud as far above the knees as could be seen without turning him upside down.
But Hugh John – words are vain to describe the plight of Hugh John. One eye was closed, and began to be discoloured, taking on above the cheekbone the shot green and purple of a half-ripe plum. His lip was cut, and a thin thread of scarlet stealing down his brow told of a broken head. What remained of his garments presented a ruin more complete, if less respectable, than the ancient castle of the Windy Standard. Neither shoe nor shoe-string, neither stocking nor collar, remained intact upon him. On his bare legs were the marks of cruel kicks, and for ease of transport he carried the débris of his jacket under his arm. He had not the remotest idea where his cap had gone to.
No wonder that Janet Sheepshanks awaited this sorry procession with a grim tightening of the lips, or that her hand quivered with the desire of punishment, even while her kind and motherly heart yearned to be busy repairing damages and binding up the wounded. Of this feeling, however, it was imperative that for the present, in the interests of discipline, she should show nothing.
It was upon Priscilla, as the eldest in years and senior responsible officer in charge, that Janet first turned the vials of her wrath.
"Eh, Priscilla Smith, but ye are a ba-a-ad, bad lassie. Ye should ha'e your bare back slashit wi' nettles! Where ha'e ye been, and what ha'e ye done to these twa bairns? Ye shall be marched straight to your father, and if he doesna gar ye loup when ye wad raither stand still, and claw where ye are no yeuky, he will no be doing his duty to the Almichty, and to your puir mither that's lang syne in her restin' grave in the kirk-yaird o' Edom."
By which fervent address in her native tongue, Janet meant that Mr. Smith would be decidedly spoiling the child if on this occasion he spared the rod. Janet could speak good enough formal English when she chose, for instance to her master on Sabbath, or to the minister on visitation days; but whenever she was excited she returned to that vigorous ancient Early English which some miscall a dialect, and of which she had a noble and efficient command.
To Janet's attack, Priscilla answered not a word either of explanation or apology. She recognised that the case had gone far beyond that. She only set Sir Toady Lion on his feet, and bent down to brush the mud from his tunic with her usual sisterly gesture. Janet Sheepshanks thrust her aside without ceremony.
"My wee man," she said, "what have they done to you?"
Toady Lion began volubly, and in his usual shrill piping voice, to make an accusation against certain bad boys who had "hit him," and "hurted him," and "kicked him." And now when at last he was safely delivered and lodged in the well-proven arms of Janet Sheepshanks his tears flowed apace, and made clean furrows down the woebegone grubbiness of his face.
Priscilla walked by Janet's side, white and silent, nerving herself for the coming interview. At ordinary times Janet Sheepshanks was terrible enough, and her word law in all the precincts of Windy Standard. But Priscilla knew that she must now face the anger of her father; and so, with this in prospect, the railing accusations of her old nurse scarcely so much as reached her ears.
Hugh John, stripped of all military pomp, limped behind – a short, dry, cheerless sob shaking him at intervals. But in reality this was more the protest of ineffectual anger than any concession to unmanly weakness.
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