"Oh, Phil," she said, "Eileen probably forgot that I was going out; it's a directors' luncheon at the exchange. Please tell Eileen that I can't wait for her; where is she?"
"Dressing, I suppose. Nina, I—"
"One moment, dear. I promised the children that you would lunch with them in the nursery. Do you mind? I did it to keep them quiet; I was weak enough to compromise between a fox hunt or fudge; so I said you'd lunch with them.. Will you?"
"Certainly. . . . And, Nina—what sort of a man is this George Fane?"
"Fane?"
"Yes—the chinless gentleman with gentle brown and protruding eyes and the expression of a tame brontosaurus."
"Why—how do you mean, Phil? What sort of man? He's a banker. He isn't very pretty, but he's popular."
"Oh, popular!" he nodded, as close to a sneer as he could ever get.
"He has a very popular wife, too; haven't you met Rosamund? People like him; he's about everywhere—very useful, very devoted to pretty women; but I'm really in a hurry, Phil. Won't you please explain to Eileen that I couldn't wait? You and she were almost an hour late. Now I must pick up my skirts and fly, or there'll be some indignant dowagers downtown. . . . Good-bye, dear. . . . And don't let the children eat too fast! Make Drina take thirty-six chews to every bite; and Winthrop is to have no bread if he has potatoes—" Her voice dwindled and died, away through the hall; the front door clanged.
He went to his quarters, drove out Austin's man, arranged his own fresh linen, took a sulky plunge; and, an unlighted cigarette between his teeth, completed his dressing in sullen introspection.
When he had tied his scarf and bitten his cigarette to pieces, he paced the room once or twice, squared his shoulders, breathed deeply, and, unbending his eyebrows, walked off to the nursery.
"Hello, you kids!" he said, with an effort. "I've come to luncheon. Very nice of you to want me, Drina."
"I wanted you, too!" said Billy; "I'm to sit beside you—"
"So am I," observed Drina, pushing Winthrop out of the chair and sliding in close to Selwyn. She had the cat, Kit-Ki, in her arms. Kit-Ki, divining nourishment, was purring loudly.
Josephine and Clemence, in pinafores and stickout skirts, sat wriggling, with Winthrop between them; the five dogs sat in a row behind; Katie and Bridget assumed the functions of Hibernian Hebes; and luncheon began with a clatter of spoons.
It being also the children's dinner—supper and bed occurring from five to six—meat figured on the card, and Kit-Ki's purring increased to an ecstatic and wheezy squeal, and her rigid tail, as she stood up on Drina's lap, was constantly brushing Selwyn's features.
"The cat is shedding, too," he remarked, as he dodged her caudal appendage for the twentieth time; "it will go in with the next spoonful, Drina, if you're not careful about opening your mouth."
"I love Kit-Ki," said Drina placidly. "I have written a poem to her—where is it?—hand it to me, Bridget."
And, laying down her fork and crossing her bare legs under the table, Drina took breath and read rapidly:
"Why
Do I love Kit-Ki
And run after
Her with laughter
And rub her fur
So she will purr?
Why do I know
That Kit-Ki loves me so?
I know it if
Her tail stands up stiff
And she beguiles
Me with smiles—"
"Huh!" said Billy, "cats don't smile!"
"They do. When they look pleasant they smile," said Drina, and continued reading from her own works:
"Be kind in all
You say and do
For God made Kit-Ki
The same as you.
"Yours truly,"ALEXANDRINA GERARD.
She looked doubtfully at Selwyn. "Is it all right to sign a poem? I believe that poets sign their works, don't they, Uncle Philip?"
"Certainly. Drina, I'll give you a dollar for that poem."
"You may have it, anyway," said Drina, generously; and, as an after-thought: "My birthday is next Wednesday."
"What a hint!" jeered Billy, casting a morsel at the dogs.
"It isn't a hint. It had nothing to do with my poem, and I'll write you several more, Uncle Philip," protested the child, cuddling against him, spoon in hand, and inadvertently decorating his sleeve with cranberry sauce.
Cat hairs and cranberry are a great deal for a man to endure, but he gave Drina a reassuring hug and a whisper, and leaned back to remove traces of the affectionate encounter just as Miss Erroll entered.
"Oh, Eileen! Eileen!" cried the children; "are you coming to luncheon with us?"
As Selwyn rose, she nodded, amused.
"I am rather hurt," she said. "I went down to luncheon, but as soon as I heard where you all were I marched straight up here to demand the reason of my ostracism."
"We thought you had gone with mother," explained Drina, looking about for a chair.
Selwyn brought it. "I was commissioned to say that Nina couldn't wait—dowagers and cakes and all that, you know. Won't you sit down? It's rather messy and the cat is the guest of honour."
"We have three guests of honour," said Drina; "you, Eileen, and Kit-Ki. Uncle Philip, mother has forbidden me to speak of it, so I shall tell her and be punished—but wouldn't it be splendid if Aunt Alixe were only here with us?"
Selwyn turned sharply, every atom of colour gone; and the child smiled up at him. "Wouldn't it?" she pleaded.
"Yes," he said, so quietly that something silenced the child. And Eileen, giving ostentatious and undivided attention to the dogs, was now enveloped by snooping, eager muzzles and frantically wagging tails.
"My lap is full of paws!" she exclaimed; "take them away, Katie! And oh!—my gown, my gown!—Billy, stop waving your tumbler around my face! If you spill that milk on me I shall ask your Uncle Philip to put you in the guard-house!"
"You're going to bolo us, aren't you, Uncle Philip?" inquired Billy. "It's my turn to be killed, you remember—"
"I have an idea," said Selwyn, "that Miss Erroll is going to play for you to sing."
They liked that. The infant Gerards were musically inclined, and nothing pleased them better than to lift their voices in unison. Besides, it always distressed Kit-Ki, and they never tired laughing to see the unhappy cat retreat before the first minor chord struck on the piano. More than that, the dogs always protested, noses pointed heavenward. It meant noise, which was always welcome in any form.
"Will you play, Miss Erroll?" inquired Selwyn.
Miss Erroll would play.
"Why do you always call her 'Miss Erroll'?" asked Billy. "Why don't you say 'Eileen'?"
Selwyn laughed. "I don't know, Billy; ask her; perhaps she knows."
Eileen laughed, too, delicately embarrassed and aware of his teasing smile. But Drina, always impressed by formality, said: "Uncle Philip isn't Eileen's uncle. People who are not relations say Miss and Mrs."
"Are faver and muvver relations?" asked Josephine timidly.
"Y-es—no!—I don't know," admitted Drina; "are they, Eileen?"
"Why, yes—that is—that is to say—" And turning to Selwyn: "What dreadful questions. Are they relations, Captain Selwyn? Of course they are!"
"They were not before they were married," he said, laughing.
"If you married Eileen," began Billy, "you'd call her Eileen, I suppose."
"Certainly," said Selwyn.
"Why don't you?"
"That is another thing you must ask her, my son."
"Well, then, Eileen—"
But Miss Erroll was already seated at the nursery piano, and his demands were drowned in a decisive chord which brought the children clustering around her, while their nurses ran among them untying bibs and scrubbing faces and fingers in fresh water.
They sang like seraphs, grouped around the piano, fingers linked behind their backs. First it was "The Vicar of Bray." Then—and the cat fled at the first chord—"Lochleven Castle":
"Put off, put off,
And row with speed
For now is the time and the hour of need."
Miss Erroll sang, too; her voice leading—a charmingly trained, but childlike voice, of no pretensions, as fresh and unspoiled as the girl herself.
There was an interval after "Castles in the Air"; Eileen sat, with her marvellously white hands resting on the keys, awaiting further suggestion.
"Sing that funny song, Uncle Philip!" pleaded Billy; "you know—the one about:
"She hit him with a shingle
Which made his breeches tingle
Because he pinched his little baby brother;
And he ran down the lane
With his pants full of pain.
Oh, a boy's best friend is his mother!"
"Billy!" gasped Miss Erroll.
Selwyn, mortified, said severely: "That is a very dreadful song, Billy—"
"But you taught it to me—"
Eileen swung around on the piano stool, but Selwyn had seized Billy and was promising to bolo him as soon as he wished.
And Eileen, surveying the scene from her perch, thought that Selwyn's years seemed to depend entirely upon his occupation, for he looked very boyish down there on his knees among the children; and she had not yet forgotten the sunken pallor of his features in the Park—no, nor her own question to him, still unanswered. For she had asked him who that woman was who had been so direct in her smiling salute. And he had not yet replied; probably never would; for she did not expect to ask him again.
Meanwhile the bolo-men were rushing the outposts to the outposts' intense satisfaction.
"Bang-bang!" repeated Winthrop; "I hit you, Uncle Philip. You are dead, you know!"
"Yes, but here comes another! Fire!" shouted Billy. "Save the flag! Hurrah! Pound on the piano, Eileen, and pretend it's cannon."
Chord after chord reverberated through the big sunny room, punctuated by all the cavalry music she had picked up from West Point and her friends in the squadron.
"We can't get 'em up!
We can't get 'em up!
We can't get 'em up
In the morning!"
she sang, calmly watching the progress of the battle, until Selwyn disengaged himself from the mêlée and sank breathlessly into a chair.
"All over," he said, declining further combat. "Play the 'Star-spangled Banner,' Miss Erroll."
"Boom!" crashed the chord for the sunset gun; then she played the anthem; Selwyn rose, and the children stood up at salute.
The party was over.
Selwyn and Miss Erroll, strolling together out of the nursery and down the stairs, fell unconsciously into the amiable exchange of badinage again; she taunting him with his undignified behaviour, he retorting in kind.
"Anyway that was a perfectly dreadful verse you taught Billy," she concluded.
"Not as dreadful as the chorus," he remarked, wincing.
"You're exactly like a bad small boy, Captain Selwyn; you look like one now—so sheepish! I've seen Gerald attempt to avoid admonition in exactly that fashion."
"How about a jolly brisk walk?" he inquired blandly; "unless you've something on. I suppose you have."
"Yes, I have; a tea at the Fanes, a function at the Grays. . . . Do you know Sudbury Gray? It's his mother."
They had strolled into the living room—a big, square, sunny place, in golden greens and browns, where a bay-window overlooked the Park.
Kneeling on the cushions of the deep window seat she flattened her delicate nose against the glass, peering out through the lace hangings.
"Everybody and his family are driving," she said over her shoulder. "The rich and great are cornering the fresh-air supply. It's interesting, isn't it, merely to sit here and count coteries! There is Mrs. Vendenning and Gladys Orchil of the Black Fells set; there is that pretty Mrs. Delmour-Carnes; Newport! Here come some Cedarhurst people—the Fleetwoods. It always surprises one to see them out of the saddle. There is Evelyn Cardwell; she came out when I did; and there comes Sandon Craig with a very old lady—there, in that old-fashioned coach—oh, it is Mrs. Jan Van Elten, senior. What a very, very quaint old lady! I have been presented at court," she added, with a little laugh, "and now all the law has been fulfilled."
For a while she kneeled there, silently intent on the passing pageant with all the unconscious curiosity of a child. Presently, without turning: "They speak of the younger set—but what is its limit? So many, so many people! The hunting crowd—the silly crowd—the wealthy sets—the dreadful yellow set—then all those others made out of metals—copper and coal and iron and—" She shrugged her youthful shoulders, still intent on the passing show.
"Then there are the intellectuals—the artistic, the illuminated, the musical sorts. I—I wish I knew more of them. They were my father's friends—some of them." She looked over her shoulder to see where Selwyn was, and whether he was listening; smiled at him, and turned, resting one hand on the window seat. "So many kinds of people," she said, with a shrug.
"Yes," said Selwyn lazily, "there are all kinds of kinds. You remember that beautiful nature-poem:
"'The sea-gull
And the eagul
And the dipper-dapper-duck
And the Jew-fish
And the blue-fish
And the turtle in the muck;
And the squir'l
And the girl
And the flippy floppy bat
Are differ-ent
As gent from gent.
So let it go at that!'"
"What hideous nonsense," she laughed, in open encouragement; but he could recall nothing more—or pretended he couldn't.
"You asked me," he said, "whether I know Sudbury Gray. I do, slightly. What about him?" And he waited, remembering Nina's suggestion as to that wealthy young man's eligibility.
"He's one of the nicest men I know," she replied frankly.
"Yes, but you don't know 'Boots' Lansing."
"The gentleman who was bucked out of his footwear? Is he attractive?"
"Rather. Shrieks rent the air when 'Boots' left Manila."
"Feminine shrieks?"
"Exclusively. The men were glad enough. He has three months' leave this winter, so you'll see him soon."
She thanked him mockingly for the promise, watching him from amused eyes. After a moment she said:
"I ought to arise and go forth with timbrels and with dances; but, do you know, I am not inclined to revels? There has been a little—just a very little bit too much festivity so far. . . . Not that I don't adore dinners and gossip and dances; not that I do not love to pervade bright and glittering places. Oh, no. Only—I—"
She looked shyly a moment at Selwyn: "I sometimes feel a curious desire for other things. I have been feeling it all day."
"What things?"
"I—don't know—exactly; substantial things. I'd like to learn about things. My father was the head of the American School of Archæology in Crete. My mother was his intellectual equal, I believe—"
Her voice had fallen as she spoke. "Do you wonder that physical pleasure palls a little at times? I inherit something besides a capacity for dancing."
He nodded, watching her with an interest and curiosity totally new.
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