“Don’t look as though it were any too healthy down to the place you’re visiting at, Dan. Plumbing all right?”

And the boy, flushing slightly, had said: “Don’t you fret, Josh, I’ll look after my health all right.”

“There’s nothing like the mountain air,” returned the Westerner. “These old fogs stick in my nostrils; feel as though I could smell London clean down to my feet!”

From the corner of the box Dan looked hard at the stage, at the fresh brilliant costumes and the lovely chorus girls.

“Gosh,” he thought to himself, “they are the prettiest ever! Dove-gray, eyes of Irish blue, mouths like roses!”

Leaning forward a little toward the duchess he whispered: “There isn’t one who isn’t a winner. I never struck such a box of dry goods!”

The duchess smiled on Dan with good humor. His naïve pleasure was delightful. It was like taking a child to a pantomime. She was wearing his flowers and displaying a jewel that he had found and bought for her, and which she had not hesitated to accept. She watched his eager face and his pleasure unaffected and keen. She could not believe that this young man was master of ten million pounds.

When Letty Lane appeared Blair heard a light rustle like rain through the auditorium, a murmur, and the house rose. There was a well-bred calling from the stalls, a call from the pit, and a generous applause – “Letty Lane – Letty Lane!” and as though she were royalty, there was a fluttering of handkerchiefs like flags. The young fellow with the others stood in the back of the box, his hands in his pockets, looking at the stage. There wasn’t a girl in the chorus as pretty as this prima donna! Letty Lane came on in Mandalay in the first act in the dress of a fashionable princess. She was modish and worldly. For the only time in the play she was modern and conventional, and whatever breeding she might have been able to claim, from whatever class she was born, as she stood there in her beautiful gown she was grace itself, and charm. She was distinctly a star, and showed her appreciation of her audience’s admiration.

At the end of the tenor solo the Princess Oltary runs into the pavilion and there changes her dress and appears once more to dance before the rajah and to prove herself the dancer he has known and loved in a café in Paris. Letty Lane’s dress in this dance was the classic ballet dancer’s, white as the leaves of a lily. She seemed to swim and float; actually to be breathed and exhaled from out her filmy gown; and the only ray of color in her costume was her own golden hair, surmounted by a small coral-colored cap, embroidered in pearls. The actress bowed to the right and left, ran to the right, ran to the left; glanced toward the Duchess of Breakwater’s box; acknowledged the burst of applause; began to dance and finished her pas seul, and with folded hands sang her song. Her beautiful voice came out clear as crystal water from a crystal rock, and her words were cradled like doves, like boats on the boundless seas…

“From India’s coral strand…”

But there was no hymn tune to this song of Letty Lane’s in Mandalay! To the boy in the box, however, the words, the tune, the droning of the flies on the window-pane, the strong odor of the hymn-books and panama fans, came back, and the clear sunlight of Montana seemed to steal into the Gaiety as Letty Lane sang.

The Duchess of Breakwater clapped with frank enthusiasm, and said: “She is a perfect wonder, isn’t she? Oh, she is too bewitching!”

And she turned for sympathy to her friend, who stood behind her, his face illumined. He was amazed; his blue eyes ablaze, his head bent forward, he was staring, staring at the Gaiety curtain, gone down on the first act.

He laughed softly, and the duchess heard him say:

“Good! Well, I should say she was! She’s a girl from our town!”

When the duchess tried to share her enthusiasm with Dan he had disappeared. He left the box and with no difficulty made his way as far as the first wing.

“Can you get me an entrance?” he asked a man he had met once at Osdene and who was evidently an habitué.

“I dare say. Rippin’ show, isn’t it?”

Dan put his hand on ducal shoulders and followed the nobleman through the labyrinth of flies.

“Which of ’em do you want to see, old man?”

Dan, without replying, went forward to a small cluster of lights in one of the wings. He went forward intuitively, and his companion caught his arm: “Oh, I say, for God’s sake, don’t go on like this!”

But without response Dan continued his direction. A call page stood before the door, and Dan, on a card over the entrance, read “Miss Lane.” The smell of calcium and paint and perfume and the auxiliaries hung heavy on the air. The other man saw Dan knock, knock again and then go in.

Unannounced Dan Blair opened the door of the dressing-room of the actress. Miss Lane’s dressing-rooms were worth displaying to her intimate friends. They were done with great taste in coral tint. She might have been said to be in a coral cave under the sea, as far as young Blair was concerned. As he came in he felt his ears deaden, and the smoke of cigarettes grew so thick that he looked as through a veil. The dancer was standing in the center of the room, one hand on her hip, and in the other hand a cigarette. Her short skirt stood out around her like a bell, and over the bell fell a rain of pinkish coral strands. She wore a thin silk slip, from which her neck and arms came shining out, and her woman knelt at her feet strapping on a little coral shoe.

Blair shut the door behind him, and began to realize how rude, how impertinent his entrance would be considered. But he came boldly forward and would have introduced himself as “Dan Blair from Blairtown,” but Miss Lane, who stared at the entrance through the smoke, burst into a laugh so bright, so delightful, that he was carried high up on the coral strands to the very beach. She crossed her white arms over her breast and leaned forward, as a saleswoman might lean forward over a counter, and with her beautifully trained voice, all sweetly she asked him:

“Hello, little boy, what will you take?”

Blair giggled, quick to catch her meaning, and answered: “Oh, chocolate, I guess!”

And Letty Lane laughed, put out her white hand, the one without the cigarette, and said: “Haven’t got that brand on board – so sorry! Will a cocktail do? All sorts in bottles. Higgins, fix Mr. Blair a Martini.”

As the dresser rose from her stooping position, the rest of Letty Lane’s dressing-room unfolded out of the mist and smoke. On a sofa covered with lace pillows Blair saw a man sitting, smoking as well. He was tall and had a dark mustache. It was Prince Poniotowsky, whom Dan had already met at the Galorey shoot.

“Prince Poniotowsky,” Miss Lane presented him, “Mr. Blair, of Blairtown, Montana. Say, Frederick, give me my cap, will you? It is over by your side. I’ve got to hustle.”

The man, without moving, picked up a small red cap with a single plume, from the sofa at his side. In another second Letty Lane had placed it on her head of yellow hair, real yellow hair and not a doubt of it, like sunshine – not the color one gets from inside bottles. Her arms, her hands flashed with rings, priceless flashes, and the little spears pricked Dan like sharp needles.

“It’s the nicest ever!” she was saying. “How on earth did you get in here, though? Have you bought the Gaiety Theater? I’m the most exclusive girl on the stage. Who let you in?”

Her accent was English, and even that put her from him. As he looked at her he couldn’t understand how he had ever recognized her. If he had waited for another act he wouldn’t have believed the likeness real. The girl he remembered had both softened and hardened; the round features were gone, but all the angles were gone as well. Her eyes were as gray as the seas; she was painted and her lids were darkened. Seen close, she was not so divine as on the stage, but there was still a more thrilling charm about the fact that she was real.

“To think of any one from Montana being here to-night! Staying very long, Mr. Blair?” Between each sentence she directed Higgins, who was getting her into her bodice. “And how do you like Mandalay? Isn’t it great?”

She addressed herself to Dan, but she smiled on both the men with extreme brilliance.

“You bet your life,” he responded. “I should think it was great.”

Poniotowsky rose indolently. He had not looked toward the new-comer, but had, on the other hand, followed every detail of Miss Lane’s dressing.

“Better take your scarf, Letty. Hand it to Miss Lane,” he directed Higgins. “It is so damned drafty in these beastly wings.”

He drew his watch out, gathered up his long coat, flung it over his arm and picked up his opera hat which lay folded on Letty Lane’s dressing-table.

The call page for the third time summoned “Miss La – ne, Miss La – ane,” and she took the scarf Higgins handed her and ran it through her hands, still beaming on Dan.

“Come in to see me at the Savoy on any day at two-thirty except on matinée days.”

“Put on your scarf.” Poniotowsky, taking it from her hands, laid it across her white shoulders, and she passed out between the two men, light as a bird, smiling, nodding, followed by the prince and the boy from Montana. The crowds began to fill the lately empty wings – dancers, chorus girls with their rustling gowns. Letty Lane said to Dan:

“Guess you’ll like my solo in this act all right – it’s the best thing in Mandalay. Now go along, and clap me hard.”

It gave him a new pleasure, for she had spoken to him in real American fashion with the swift mimicry that showed her talent. Dan went slowly back to his party. As he took his seat by the duchess she said to him:

“You went out to see Letty Lane. Do you know her?”

“Know her!” And as Dan answered, the sound of his own voice was queer to him, and his face flushed hotly. “Lord, yes. She used to be in the drug store in Blairtown. Sold soda-water to me when we were both kids. Whoever would have thought that she had that in her!” He nodded toward the stage, for Letty Lane had come on. “She sang in our church, too, but not for long.”

“Who was with her in her dressing-room?” the duchess asked. Blair didn’t answer. He was looking at Letty Lane. She had come to dance for the rajah and in her arms she held four white doves; each dove had a coral thread around its throat. It was a number that made her famous, The Dove Song. Set free, the birds flew about her, circling her blond head, surmounted by the small coral-colored cap. The doves settled on her shoulders, pecked at her lips.

“Was it Poniotowsky?” the duchess repeated.

And Dan told her a meaningless lie. “I didn’t meet any one there.” And with satisfaction the duchess said:

“Then she has thrown him over, too. He was the latest and the richest. She is horribly extravagant. No man is rich enough for her, they say. Poniotowsky isn’t a gold mine.”

The doves had flown away to the wings and been gathered up by the Indian servants. The actress on the stage began her Indian cradle song. She came, distinctly turning toward the box party. She had never sung like this in London before. There was a freshness in her voice, a quality in her gesture, a pathos and a sweetness that delighted her audience. They fairly clamored for her, waved and called and recalled. Dan stood motionless, his eyes fastened on her, his heart rocked by the song. He didn’t want any one to speak to him. He wished that none of them would breathe, and nearly as absorbed as was he, no one did speak.