Andrew watched them skulking off with the body of Bill Dozier held upright by a man on either side of the horse. He watched them draw off across the hills, still with that nervous, almost irresistible impulse to raise one wild, long cry and spur after them, shooting swift and straight over the head of the pinto. But he did not move, and now they dropped out of sight. And then, looking about him, Andrew Lanning felt how vast were those hills, how wide they stretched, and how small he stood among them. He was utterly alone. There was nothing but the hills and a sky growing pale with heat and the patches of olive-gray sagebrush in the distance.

A great melancholy dropped upon Andy. He felt a childish weakness; dropping his elbows upon the pommel of the saddle, he buried his face in his hands. In that moment he needed desperately something to which he could appeal for comfort.

The weakness passed slowly.

He dismounted and looked his horse over carefully. The pinto had many good points. He had ample girth of chest at the cinches, where lung capacity is best measured. He had rather short forelegs, which promised weight-carrying power and some endurance, and he had a fine pair of sloping shoulders. But his croup sloped down too much, and he had a short neck. Andy knew perfectly well that no horse with a short neck can run fast for any distance. He had chosen the pinto for endurance, and endurance he undoubtedly had; but he would need a horse which could put him out of short-shooting distance, and do it quickly.

There were no illusions in the mind of Andrew Lanning about what lay before him. Uncle Jasper had told him too many tales of his own experiences on the trail in enemy country.

"There's three things," the old man had often said, "that a man needs when he's in trouble: a gun that's smooth as silk, a hoss full of running, and a friend."

For the gun Andy had his Colt in the holster, and he knew it like his own mind. There were newer models and trickier weapons, but none which worked so smoothly under the touch of Andy. Thinking of this, he produced it from the holster with a flick of his fingers. The sight had been filed away. When he was a boy in short trousers he had learned from Uncle Jasper the two main articles of a gun fighter's creed—that a revolver must be fired by pointing, not sighting, and that there must be nothing about it liable to hang in the holster to delay the draw. The great idea was to get the gun on your man with lightning speed, and then fire from the hip with merely a sense of direction to guide the bullet.

He had a gun, therefore, and one necessity was his. Sorely he needed a horse of quality as few men needed one. And he needed still more a friend, a haven in time of crisis, an adviser in difficulties. And though Andy knew that it was death to go among men, he knew also that it was death to do without these two things.

He believed that there was one chance left to him, and that was to outdistance the news of the two killings by riding straight north. There he would stop at the first town, in some manner fill his pockets with money, and in some manner find both horse and friend.

Andrew Lanning was both simple and credulous; but it must be remembered that he had led a sheltered life, comparatively speaking; he had been brought up between a blacksmith shop on the one hand and Uncle Jasper on the other, and the gaps in his knowledge of men were many and huge. The prime necessity now was speed to the northward. So Andy flung himself into the saddle and drove his horse north at the jogging, rocking lope of the cattle pony.

He was in a shallow basin which luckily pointed in the right direction for him. The hills sloped down to it from either side in long fingers, with narrow gullies between, but as Andy passed the first of these pointing fingers a new thought came to him.

It might be—why not?—that the posse had made only a pretense of withdrawing at once with the body of the dead man. Perhaps they had only waited until they were out of sight and had then circled swiftly around, leaving one man with the body. They might be waiting now at the mouth of any of these gullies.

No sooner had the thought come to Andy than he whitened. The pinto had been worked hard that morning and all the night before, but now Andy sent the spurs home without mercy as he shot up the basin at full speed, with his revolver drawn, ready for a snap shot and a drop behind the far side of his horse.

For half an hour he rode in this fashion with his heart beating at his teeth. And each cañon as he passed was empty, and each had some shrub, like a crouching man, to startle him and upraise the revolver. At length, with the pinto wheezing from this new effort, he drew back to an easier gait. But still he had a companion ceaselessly following like the shadow of the horse he rode. It was fear, and it would never leave him.

CHAPTER 10

After that forced and early rising, the rest of the house had remained awake, but Anne Withero was gifted with an exceptionally strong set of nerves. She had gone back to bed and fallen promptly into a pleasant sleep. And when she wakened all that happened in the night was filmed over and had become dreamlike. No one disturbed her rest; but when she went down to a late breakfast she found Charles Merchant lingering in the room. He had questioned her closely, and after a moment of thought she told him exactly what had happened, because she was perfectly aware that he would not believe a word of it. And she was right. He had sat opposite her, drumming his fingers without noise on the table, with a smile now and then which was tinged, she thought, with insolence.

Yet he seemed oddly undisturbed. She had expected some jealous outburst, some keen questioning of the motives which had made her beg them not to pursue this man. But Charles Merchant was only interested in what the fellow had said and done when he talked with her. "He was just like a man out of a book," said the girl in conclusion, "and I'll wager that he's been raised on romances. He had the face for it, you know—and the wild look!"

"A blacksmith—in Martindale—raised on romances?" Charles had said as he fingered his throat, which was patched with black and blue.

"A blacksmith—in Martindale," she had repeated slowly. And it brought a new view of the affair home to her. Now that they knew from Bill Dozier that the victim in Martindale had been only injured, and not actually killed, the whole matter became rather a farce. It would be an amusing tale. But now, as Charles Merchant repeated the words, "blacksmith"—"Martindale," the new idea shocked her, the new idea of Andrew Lanning, for Charles had told her the name.

The new thought stayed with her when she went back to her room after breakfast, ostensibly to read, but really to think. Remembering Andrew Lanning, she got past the white face and the brilliant black eyes; she felt, looking back, that he had shown a restraint which was something more than boyish. When he took her in his arms just before he fled he had not kissed her, though, for that matter, she had been perfectly ready to let him do it.

That moment kept recurring to her—the beating on the door, the voices in the hall, the shouts, and the arms of Andrew Lanning around her, and his tense, desperate face close to hers. It became less dreamlike that moment. She began to understand that if she lived to be a hundred, she would never find that memory dimmer.

A half-sad, half-happy smile was touching the corners of her mouth, when Charles Merchant knocked at her door. She gave herself one moment in which to banish the queer pain of knowing that she would never see this wild Andrew again, and then she told Charles to come in.

In fact, he was already opening the door. He was calm of face, but she guessed an excitement beneath the surface.

"I've got something to show you," he said.

A great thought made her sit up in the chair; but she was afraid just then to stand up. "I know. The posse has reached that silly boy and brought him back. But I don't want to see him again. Handcuffed, and all that."

"The posse is here, at least," said Charles noncommittally. She was finding something new in him. The fact that he could think and hide his thoughts from her was indeed very new; for, when she first met him, he had seemed all surface, all clean young manhood without a stain.

"Do you want me to see the six brave men again?" she asked, smiling, but really she was prying at his mind to get a clew of the truth. "Well, I'll come down."

And she went down the stairs with Charles Merchant beside her; he kept looking straight ahead, biting his lips, and this made her wonder. She began to hum a gay little tune, and the first bar made the man start. So she kept on. She was bubbling with apparent good nature when Charles, all gravity, opened the door of the living room.

The shades were drawn. The quiet in that room was a deadly, living thing. And then she saw, on the sofa at one side of the place, a human form under a sheet.

"Charles!" whispered the girl. She put out her hand and touched his shoulder, but she could not take her eyes off that ghastly dead thing. "They—they—he's dead—Andrew Lanning! Why did you bring me here?"

"Take the cloth from his face," commanded Charles Merchant, and there was something so hard in his voice that she obeyed.

The sheet came away under her touch, and she was looking into the sallow face of Bill Dozier. She had remembered him because of the sad mustaches, that morning, and his big voice.

"That's what your romantic boy out of a book has done," said Charles Merchant. "Look at his work!"

But she dropped the sheet and whirled on him.

"And they left him—" she said.

"Anne," said he, "are you thinking about the safety of that murderer—now? He's safe, but they'll get him later on; he's as good as dead, if that's what you want to know."

"God help him!" said the girl.

And going back a pace, she stood in the thick shadow, leaning against the wall, with one hand across her lips. It reminded Charles of the picture he had seen when he broke into her room after Andrew Lanning had escaped. And she looked now, as, then, more beautiful, more wholly to be desired than he had ever known her before. Yet he could neither move nor speak. He saw her go out of the room. Then, without stopping to replace the sheet, he followed.

He had hoped to wipe the last thought of that vagabond blacksmith out of her mind with the shock of this horror. Instead, he knew now that he had done quite another thing. And in addition he had probably made her despise him for taking her to confront such a sight.

All in all, Charles Merchant was exceedingly thoughtful as he closed the door and stepped into the hall. He ran up the stairs to her room. The door was closed. There was no answer to his knock, and by trying the knob he found that she had locked herself in. And the next moment he could hear her sobbing. He stood for a moment more, listening, and wishing Andrew Lanning dead with all his heart.

Then he went down to the garage, climbed into his car, and burned up the road between his place and that of Hal Dozier. There was very little similarity between the two brothers. Bill had been tall and lean; Hal was compact and solid, and he had the fighting agility of a starved coyote. He had a smooth-shaven face as well, and a clear gray eye, which was known wherever men gathered in the mountain desert. There was no news to give him. A telephone message had already told him of the death of Bill Dozier.

"But," said Charles Merchant, "there's one thing I can do. I can set you free to run down this Lanning."

"How?"

"You're needed on your ranch, Hal; but I want you to let me stand the expenses of this trip. Take your time, make sure of him, and run him into the ground."

"My friend," said Hal Dozier, "you turn a pleasure into a real party."

And Charles Merchant left, knowing that he had signed the death warrant of young Lanning. In all the history of the mountain desert there was a tale of only one man who had escaped, once Hal Dozier took his trail, and that man had blown out his own brains.