Curtis would have been more profoundly impressed with the spaciousness of the hall and the dining-room had they been less like the interior of a hotel. The whole house, so far as its mural decoration went, had the over-stuffed quality of a Pullman car (with the exception of the pictures on the walls, which were exceedingly good), for Brisbane had successfully opposed all of Elsie's new-fangled notions with regard to interior decoration; he was of those who insist on being masters in their houses as well as in their business offices, and Elsie's manner was that of an obedient daughter deferring to a sire who had not ceased to consider her a child.

Seated at Elsie's right hand, with Mrs. Wilcox between himself and the head of the table, Curtis was fairly out of reach of Brisbane, who was dangerously eager to open a discussion concerning the bill for the removal of the Tetongs.

Elsie turned to him at once to say: "Do you know, Captain Curtis, I begin to long to return to the West. All my friends are enthusiastic over the studies I made last year, and I've decided to go back next spring. How early could one come out?"

"Any time after the first of May – in fact, that is the most beautiful month in the year; the grass is deliciously green then. I'm glad to know you think of returning. Jennie will also rejoice. It seems too good to be true. Will Mr. Lawson also return?"

"Oh yes. In fact, I go to complete his work – to do penance for neglecting him last summer." And in her tone, he fancied, lay a covert warning, as though she had said: "Do not mistake me; I am not coming out of interest in you."

He needed the word, for under the spell of her near presence and the charm of her smile, new to him, the soldier was beginning to glow again and to soften, in spite of his resolution to be very calm.

She went on: "I am genuinely remorseful, because Mr. Lawson has not been able to bring his paper out as he had planned."

"I will see that you have every possible aid," he replied, matter-of-factly. "The work must be done soon."

"How handsome he is!" the girl thought, as she studied his quiet face. "His profile is especially fine, and the line of his neck and shoulders – " an impulse seized her, and she said:

"Captain, I'd like to make a sketch of you. Could you find time to sit for me?"

"That's very flattering of you, but I'm afraid my stay in Washington is too short and too preoccupied."

Her face darkened. "I'm sorry. I know I could make a good thing of you."

"Thank you for the compliment, but it is out of the question at present. Next summer, if you come out, I will be very glad to give the time for it. And that reminds me, you promised to show me your pictures when I came, and your studio."

"Did I? Well, you shall see them, although they are not as good as I shall do next year. One has to learn to handle new material. Your Western atmosphere is so different from that of Giverney, in which we all paint in Paris; then, the feeling of the landscape is so different; everything is so firm and crisp in line – but I am going to get it! 'There is the mystery of light as well as of the dark,' Meunnot used to say to us, and if I can get that clear shimmer, and the vibration of the vivid color of the savage in the midst of it – "

She broke off as if in contemplation of the problem, rapt with question how to solve it.

"There speaks the artist in you, and it is fine. But I'd like you to see the humanitarian side of life, too," he replied.

"There is none," she instantly replied, with a curious blending of defiance and amusement. "I belong to the world of Light and Might – "

"And I to the world of Right – what about that?"

"Light and Might make right."

"Your team is wrongly harnessed – Light and Right are co-workers. Might fears both Light and Right."

Mrs. Wilcox, who had been listening, fairly clapped her hands. "I'm glad to have you refute her arguments, Captain. She is absolutely heartless in her theories – in practice she's a nice girl."

Elsie laughed. "What amuses me is that a soldier, the embodiment of Might, should dare to talk of Right."

Curtis grew grave. "If I did not think that my profession at bottom guarded the rights of both white men and red, I'd resign instantly. Our army is only an impartial instrument for preserving justice."

"That isn't the old-world notion," put in Lawson from across the table.

"It is our notion," stoutly replied Curtis. "Our little army to-day stands towards the whole nation as a police force relates itself to a city – a power that interferes only to prevent aggression of one interest on the rights of another."

Brisbane's big, flat voice took up the theme.

"That's a very pretty theory, but you'll find plenty to claim that the army is an instrument of oppression."

"I'll admit it is sometimes wrongly used," Curtis replied. "We who are in the field can't help that, however. We are under orders. Of course," he added, modestly, "I am only a young soldier. I have seen but ten years of service, and I have taken part in but one campaign – a war I considered unavoidable at that time."

"You would hold, then, that an officer of the army has a right to convictions?" queried Brisbane, in the tone of the lawyer.

"Most certainly. A man does not cease to think upon entering the army."

"That's dangerous doctrine."

"It's the American idea. What people would suffer by having its army intelligent?"

Lawson coughed significantly. "Bring forth the black-swathed axe – treason has upreared her head."

It was plain that Brisbane was lying in wait for him. Curtis whispered to Elsie:

"Rescue me! Your father is planning to quiz me, and I must not talk before I report to the department."

"I understand. We will go to my studio after dinner." And with Lawson's aid she turned the conversation into safe channels.

It was a very great pleasure to the young soldier to sit once more at such a board and in pleasant relation to Elsie. It was more than he had ever hoped for, and he surprised her by his ability to take on her interests. He grew younger in the glow of her own youth and beauty, and they finished their ices in such good-fellowship that Mrs. Wilcox was amazed.

"We will slip away now," Elsie said, in a low tone to Curtis, and they both rose. As they were about to leave the room Brisbane looked up in surprise. "Where are you going? Don't you smoke, Captain? Stay and have a cigar."

Elsie answered for him. "Captain Curtis can come back, but I want him to see my studio now, for I know if you get to talking politics he will miss the pictures altogether."

"She has a notion I'm growing garrulous," Brisbane retorted, "but I deny the charge. Well, let me see you later, Captain; there are some things I want to discuss with you."

"Grace, you are to come, too," Elsie said to her girl friend, and led the way out into the hall.

Miss Cooke stepped to Curtis's side. "You've been in Washington before?" she asked, with an inflection which he hated.

"Oh yes, many times. In fact, I lived here till I was sixteen. I was born in Maryland, not far from here."

"Indeed! Then you know the city thoroughly?"

"Certain sides of it. Exteriorly and officially I know it; socially, I am a stranger to it. My people were proud and poor. A good old family in a fine old house, and very little besides."

Elsie led the way slowly up the big staircase, secretly hoping Miss Cooke would find it too cool for her thin blood. She wished to be alone with Curtis, and this wish, obscure as it was, grew stronger as she set a chair for him and placed a frame on an easel.

"You really need daylight to see them properly."

"Am I to make remarks?"

"Certainly; tell me just what you think."

"Then let me preface my helpful criticisms by saying that I don't know an earthly thing about painting. We had drawing, of a certain kind, at the academy, and I used to visit the galleries in New York when occasion served. Now you know the top and the bottom of my art education."

"It's cold in here, Elsie," broke in Miss Cooke, whom they had quite forgotten. "Is the steam turned on?"

"Wrap my slumber-robe around you," Elsie carelessly replied. "Now here is my completed study of Little Peta. What do you think of that? Is it like her?"

"Very like her, indeed. I think it excellent," he said, with unaffected enthusiasm. "She was a quaint little thing. She is about to be married to young Two Horns – a white man's wedding."

Elsie's eyes glowed. "Oh, I wish I could see that! But don't let her wear white man's clothing. She'd be so cunning in her own way of dress. I wish she had not learned to chew gum."

"None of us quite live up to our best intentions," he replied, laughing. "Peta thinks she's gaining in grace. Most of the white ladies she knows chew gum."

The pictures were an old story to Miss Cooke, who shivered for a time in silence and at last withdrew. Elsie and Curtis were deep in discussion of the effect of white man's clothing on the Tetongs, but each was aware of a subtle change in the other as the third person was withdrawn. A delicious sense of danger, of inward impulse warring with outward restraint, added zest to their intercourse. He instantly recalled the last time he stood in her studio feeling her frank contempt of him. "I am on a different footing now," he thought, with a certain exultation. It was worth years of hardship and hunger and cold to stand side by side with a woman who had not merely beauty and wealth but talent, and a mysterious quality that was more alluring than beauty or intellect. What this was he could not tell, but it had already made life a new game to him.

She, on her part, exulted with a sudden sense of having him to herself for experiment, and every motion of his body, every tone of his voice she noted and admired.

He resumed: "Naturally, I can say nothing of the technique of these pictures. My praise of them must be on the score of their likeness to the people. They are all admirable portraits, exact and spirited, and yet – " He hesitated, with wrinkled brows.

"Don't spare me!" she cried out. "Cut me up if you can!"

"Well, then, they seem to me unsympathetic. For example, the best of them all is Peta, because you liked her, you comprehended her, partly, for she was a child, gentle and sweet. But you have painted old Crawling Elk as if he were a felonious mendicant. You've delineated his rags, his wrinkled skin, his knotted hands, but you've left the light out of his eyes. Let me tell you something about that old man. When I saw him first he was sitting on the high bank of the river, motionless as bronze, and as silent. He was mourning the loss of his little grandchild, and had been there two days and two nights wailing till his voice had sunk to a whisper. His rags were a sign of his utter despair. You didn't know that when you painted him, did you?"