Lotty shortly after took a draught from a bottle which the child reached out of a drawer for her, and lay pretty still till drowsiness came on. Ida undressed and crept to her side. They had a troubled night, and, when the daylight came again, Lotty was no better. Ida rose in anguish of spirit, torturing herself to find a way of telling what must be told. Yet she had another respite; her mother said that, as it was Saturday, she might as well stay away from school and be a little nurse. And the dull day wore through; the confession being still postponed.

But by the last post at night came Miss Rutherford's letter. Ida was still sitting up, and Lotty had fallen into a doze, when the landlady brought the letter upstairs. The child took it in, answered an inquiry about her mother in a whisper, and returned to the bedside. She knew the handwriting on the envelope. The dreaded moment had come.

She must have stood more than a quarter of an hour, motionless, gazing on her mother's face, conscious of nothing but an agonised expectation of seeing the sleeper's eyes open. They did open at length, and quickly saw the letter.

"It's from Miss Rutherford, mother," said Ida, her own voice sounding very strange to herself.

"Oh, is it?" said Lotty, in the hoarse whisper which was all she could command "I suppose she wants to know why you didn't go. Read it to me."

Ida read, and, in reading, suffered as she never did again throughout her life.

"DEAR MRS. STARR,—I am very sorry to have to say that Ida must not return to school. I had better leave the explanation to herself; she is truthful, and will tell you what has compelled me to take this step. I grieve to lose her, but have really no choice.—I am, yours truly,

H. RUTHERFORD."

No tears rose; her voice was as firm as though she had been reading in class; but she was pale and cold as death.

Lotty rose in bed and stared wildly.

"What have you done, child?—what ever have you done? Is—is it anything—about me."

"I hit Harriet Smales with a slate, and covered her all over with blood, and I thought I'd killed her."

She could not meet her mother's eyes; stood with head hung down, and her hands clasped behind her.

"What made you do it?" asked Lotty in amazement.

"I couldn't help it, mother; she—she said you were a bad woman."

Ida had raised her eyes with a look of love and proud confidence. Lotty shrank before her, clutched convulsively at the bed-clothes, then half raised herself and dashed her head with fearful violence against the wall by which the bed stood. She fell back, half stunned, and lay on the pillows, whilst the child, with outstretched hands, gazed horror-struck. But in a moment Ida had her arms around the distraught woman, pressing the dazed head against her breast. Lotty began to utter incoherent self-reproaches, unintelligible to her little comforter; her voice had become the merest whisper; she seemed to have quite exhausted herself. Just now there came a knock at the door, and Ida was relieved to see Mrs. Ledward, whose help she begged. In a few minutes Lotty had come to herself again, and whispered that she wished to speak to the landlady alone. The latter persuaded Ida to go downstairs for a while, and the child, whose tears had begun to flow, left the room, sobbing in anguish.

"Ain't you better then?" asked the woman, with an apparent effort to speak in a sympathetic tone which did not come easily to her.

"I'm very bad," whispered the other, drawing her breath as if in pain.

"Ay, you've got a bad cold, that's what it is. I'll make you some gruel presently, and put some rum in it. You don't take care of yourself: I told you how it 'ud be when you came in with those wringin' things on, on Thursday night."

"They've found out about me at the school," gasped Lotty, with a despairing look, "and Ida's got sent away."

"She has? Well, never mind, you can find another, I suppose. I can't see myself what she wants with so much schoolin', but I suppose you know best about your own affairs."

"Oh, I feel that bad! If I get over this, I'll give it up—God help me, I will! I'll get my living honest, if there's any way. I never felt so bad as I do now."

"Pooh!" exclaimed the woman. "Wait a bit till you get rid of your sore throat, and you'll think different. Poorly people gets all sorts o' fancies. Keep a bit quiet now, and don't put yourself out so."

"What are we to do? I've only got a few shillings—"

"Well, you'll have money again some time, I suppose. You don't suppose I'll turn you out in the streets? Write to Fred on Monday, and he'll send you something."

They talked till Lotty exhausted herself again, then Ida was allowed to re-enter the room. Mrs. Ledward kept coming and going till her own bed-time, giving what help and comfort she could in her hard, half-indifferent way. Another night passed, and in the morning Lotty seemed a little better. Her throat was not so painful, but she breathed with difficulty, and had a cough. Ida sat holding her mother's hand. It was a sunny morning, and the bells of neighbouring churches began to ring out clearly on the frosty air.

"Ida," said the sick woman, raising herself suddenly, "get me some note-paper and an envelope out of the box; and go and borrow pen and ink, there's a good child."

The materials were procured, and, with a great effort, Lotty managed to arrange herself so as to be able to write. She covered four pages with a sad scrawl, closed the envelope, and was about to direct it, but paused.

"The bells have stopped," she said, listening. "It's half-past eleven. Put on your things, Ida."

The child obeyed, wondering.

"Give me my purse out of the drawer. See, there's a shilling. Now, say this after me: Mr. Abra'm Woodstock, Number—, St. John Street Road."

Ida repeated the address.

"Now, listen, Ida. You put this letter in your pocket; you go down into the Mary'bone road; you ask for a 'bus to the Angel. When you get to the Angel, you ask your way to Number—, St. John Street Road; it isn't far off. Knock at the door, and ask if Mr. Abra'm Woodstock is in. If he is, say you want to see him, and then give him this letter,—into his own hands, and nobody else's. If he isn't in, ask when he will be, and, if it won't be long, wait."

Ida promised, and then, after a long gaze, her mother dropped back again on the pillow, and turned her face away. A cough shook her for a few moments. Ida waited.

"Well, ain't you gone?" asked Lotty faintly.

"Kiss me, mother."

They held each other in a passionate embrace, and then the child went away.

She reached Islington without difficulty, and among the bustling and loitering crowd which obstructs the corner at the Angel, found some one to direct her to the street she sought. She had to walk some distance down St. John Street Road, in the direction of the City, before discovering the house she desired to find. When she reached it, it proved to be a very dingy tenement, the ground-floor apparently used as offices; a much-worn plate on the door exhibited the name of the gentleman to whom her visit was, with his professional description added. Mr. Woodstock was an accountant.

She rang the bell, and a girl appeared. Yes, Mr. Woodstock was at home. Ida was told to enter the passage, and wait.

A door at her right hand as she entered was slightly ajar, and voices could be heard from the other side of it. One of these voices very shortly raised itself in a harsh and angry tone, and Ida could catch what was said.

"Well, Mr. What's-your-name, I suppose I know my own business rather better than you can teach me. It's pretty clear you've been doing your best for some time to set the people against me, and I'm damned if I'll have it! You go to the place on religious pretences, and what your real object may be I don't know; but I do know one thing, and that is, I won't have you hanging about any longer. I'll meet you there myself, and if it's a third-floor window you get pitched out of, well, it won't be my fault. Now I don't want any more talk with you. This is most folks' praying-time; I wonder you're not at it. It's my time for writing letters, and I'd rather have your room than your company. I'm a plain-spoken man, you see, a man of business, and I don't mince matters. To come and dictate to me about the state of my houses and of my tenants ain't a business-like proceeding, and you'll excuse me if I don't take it kindly. There's the door, and good morning to you!"

The door opened, and a young man, looking pale and dismayed, came out quickly, and at once left the house. Behind him came the last speaker. At the sight of the waiting child he stood still, and the expression of his face changed from sour annoyance to annoyed surprise.

"Eh? Well?" he exclaimed, looking closely at Ida, his eye-brows contracting.

"I have a letter for Mr. Abra'm Woodstock, sir."

"Well, give it here. Who's it from?"

"Mrs. Starr, sir."

"Who's Mrs. Starr? Come in here, will you?"

His short and somewhat angry tone was evidently in some degree the result of the interview that had just closed, but also pretty clearly an indication of his general manner to strangers. He let the child pass him, and followed her into the room with the letter in his hand. He did not seem able to remove his eyes from her face. Ida, on her side, did not dare to look up at him. He was a massively built, grey-headed man of something more than sixty. Everything about him expressed strength and determination, power alike of body and mind. His features were large and heavy, but the forehead would have become a man of strong intellect; the eyes were full of astonishing vital force, and the chin was a physiognomical study, so strikingly did its moulding express energy of character. He was clean-shaven, and scarcely a seam or wrinkle anywhere broke the hard, smooth surface of his visage, its complexion clear and rosy as that of a child.

Still regarding Ida, he tore open the envelope. At the sight of the writing he, not exactly started, but moved his head rather suddenly, and again turned his eyes upon the messenger.

"Sit down," he said, pointing to a chair. The room was an uncomfortable office, with no fire. He himself took a seat deliberately at a desk, whence he could watch Ida, and began to read. As he did so, his face remained unmoved, but he looked away occasionally, as if to reflect.

"What's your name?" he asked, when he had finished, beginning, at the same time, to tear the letter into very small pieces, which he threw into a waste-paper basket.

"Ida, sir,—Ida Starr."

"Starr, eh?" He looked at her very keenly, and, still looking, and still tearing up the letter, went on in a hard, unmodulated voice. "Well, Ida Starr, it seems your mother wants to put you in the way of earning your living." The child looked up in fear and astonishment. "You can carry a message? You'll say to your mother that I'll undertake to do what I can for you, on one condition, and that is that she puts you in my hands and never sees you again."

"Oh, I can't leave mother!" burst from the child's lips involuntarily, her horror overcoming her fear of the speaker.

"I didn't ask you if you could," remarked Mr. Woodstock, with something like a sneer, tapping the desk with the fingers of his right hand. "I asked whether you could carry a message. Can you, or not?"

"Yes, I can," stammered Ida.

"Then take that message, and tell your mother it's all I've got to say. Run away."

He rose and stood with his hands behind him, watching her. Ida made what haste she could to the door, and sped out into the street.