Chapter Five.
Back in Town – the Demon

Lady Maude Diphoos sat in her dressing-room in Portland Place with her long brown hair let down and spread all around her like some beautiful garment designed by nature to hide her soft white bust and arms, which were crossed before her as she gazed in the long dressing-glass draped with pink muslin.

For the time being that dressing-glass seemed to be a framed picture in which could be seen the sweet face of a beautiful woman, whose blue eyes were pensive and full of trouble. It was the picture of one greatly in deshabille; but then it was the lady’s dressing-room, and there was no one present but the maid.

The chamber was charmingly furnished, enough showing in the glass to make an effective background to the picture; and to add to the charm there was a delicious odour of blended scents that seemed to be exhaled by the principal flower in the room – she whose picture shone in the muslin-draped frame.

There is nothing very new, it may be presumed, for a handsome woman to be seated before her glass with her long hair down, gazing straight before her into the reflector; but this was an exceptional case, for Maude Diphoos was looking right into her mirror and could not see herself. Sometimes what she saw was Charley Melton, but at the present moment the face of Dolly Preen, her maid, as that body stood half behind her chair, brushing away at her mistress’ long tresses, which crackled and sparkled electrically, and dropping upon them certain moist pearls which she as rapidly brushed away.

Dolly Preen was a pretty, plump, dark girl, with a certain rustic beauty of her own such as was found sometimes in the sunny village by the Hurst, from which she had been taken to become young ladies’ maid, a sort of moral pincushion, into which Mademoiselle Justine Framboise, her ladyship’s attendant, stuck venomed verbal pins.

But Dolly did not look pretty in the glass just now, for her nose was very red, her eyes were swollen up, and as she sniffed, and choked, and uttered a low sob from time to time, she had more the air of a severely punished school-girl than a prim young ladies’ maid in an aristocratic family.

Dolly wept and dropped tears on the beautiful soft tangled hair at which Sir Grantley Wilters had often cast longing glances. Then she brushed them off again, and took out her handkerchief to blow her nose – a nose which took a great deal of blowing, as it was becoming overcharged with tears.

“Oh, Dolly, Dolly,” said her mistress at last, “this is very, very sad.”

At this moment through the open window, faintly heard, there floated, softened by distance, that delicious, now forgotten, but once popular strain – “I’m a young man from the country, but you don’t get over me.”

Dorothy Preen, Sussex yeoman’s daughter, was a young woman from the country, and was it because the air seemed apropos that the maiden suddenly uttered an ejaculation which sounded like Ow! and dropping the ivory-backed brush, plumped herself down upon the carpet, as if making a nursery cheese, and began to sob as if her heart would break? Was it the appropriate nature of the air? No; it was the air producer.

“Oh, Dolly, Dolly, I don’t know what to say,” said Lady Maude gently, as she gave her hair a whisk and sent it all flying to one side. “I don’t want to send you back home.”

“No, no, no, my lady, please don’t do that,” blubbered the girl.

“But her ladyship is thinking very seriously about it, Dolly, and you see you were found talking to him.”

“Ye – ye – yes, my lady.”

“But, you foolish girl, don’t you understand that he is little better than a beggar – an Italian mendicant?”

“Ye-ye-yes, my lady.”

“Then how can you be so foolish?”

“I – I – I don’t know, my lady.”

“You, a respectable farmer’s daughter, to think of taking up with a low man who goes about the streets turning the handle of an organ. Dolly, Dolly, my poor girl, what does it mean?”

“I – I – I don’t know, my lady. Ow! I am so miserable.”

“Of course you are, my good girl. There, promise me you’ll forget it all, and I’ll speak to her ladyship, and tell her you’ll be more sensible, and get her to let you stay.”

“I – I can’t, my lady.”

“Cannot what?”

“Forget him, my lady.”

“Why not?”

“Be-be-because he is so handsome.”

“Oh, Dolly, I’ve no patience with you.”

“N-n-no, my lady, because you – you ain’t – ain’t in love,” sobbed the girl with angry vehemence, as she covered her face with her hands and rocked herself to and fro.

“For shame, Dolly,” cried Maude, with her face flamingly red. “If a woman is in love that is no reason for her degrading herself. I’m shocked at you.”

“Ye-ye-yes, my lady, bu-bu-but you don’t know; you – you – you haven’t felt it yet. Wh-wh-when it comes over you some day, you – you – you’ll be as bad as I am. Ow! ow! ow! I’m a wretched, unhappy girl.”

“Then rouse yourself and think no more of this fellow. For shame of you!”

“I – I can’t, my lady. He – he – he’s so handsome, and I’ve tried ever so to give him up, but he takes hold of you like.”

“Takes hold of you, Dolly? Oh, for shame!”

“I – I d-d-d-don’t mean with his hands, my lady, b-b-but with his great dark eyes, miss, and – and he fixes you like; and once you’re like I am you’re always seeing them, and they’re looking right into you, and it makes you – you – you feel as if you must go where he tells you to, and – and I can’t help it, and I’m a wretched, unhappy girl.”

“You are indeed,” said Maude with spirit. “It is degrading in the extreme. An organ-grinder – pah!”

“It – it – it don’t matter what he is, my lady,” sobbed Dolly. “It’s the man does it. And – and some day wh-wh-when you feel as I do, miss, you’ll – ”

“Silence,” cried Lady Maude. “I’ll hear no more such nonsense. Get up, you foolish girl, and go on brushing my hair. You shall think no more of that wretched creature.”

Just at that moment, after a dead silence, an air from Trovatore rang out from the pavement below, and Dolly, who had picked up the brush, dropped it again, and stood gazing toward the window with so comical an expression of grief and despair upon her face that her mistress rose, and taking her arm gave her a sharp shake.

“You silly girl!” she cried.

“But – but he’s so handsome, my lady, I – I can’t help it. Do – do please send him away.”

“Why, the girl’s fascinated,” thought Maude, whose cheeks were flushed, and whose heart was increasing its speed as she eagerly twisted up her hair and confined it behind by a spring band.

“If – if you could send him away, my lady.”

“Send him away! Yes: it is disgraceful,” cried Maude, and as if moved by some strange influence she rapidly made herself presentable and looked angrily from the window.

There was an indignant look in her eyes, and her lips parted to speak, but at that moment the mechanical music ceased, and the bearer of the green baize draped “kist of whustles” looked up, removed his soft hat, smiled and displayed his teeth as he exclaimed in a rich, mellow voice —

“Ah, signora – ah, bella signora.”

Maude Diphoos’ head was withdrawn rapidly and her cheeks paled, flushed, and turned pale again, as she stood gazing at her maid, and wondering what had possessed her to attempt to do such a thing as dismiss this man.

“Ah, signora! Ah, bella signora!” came again from below; and this seemed to arouse Maude to action, for now she hastily closed the window and seated herself before the glass.

“Undo my hair and finish brushing it,” she said austerely; “and, Dolly, there is to be no more of this wicked folly.”

“No, my lady.”

“It is disgraceful. Mind, I desire that you never look out at this man, nor speak to him again.”

“No, my lady.”

“I shall ask her ladyship to look over your error, and mind that henceforth you are to be a very good girl.”

“Yes, my lady.”

“There: I need say no more; you are very sorry, are you not?”

“Ye-yes, my lady.”

“Then mind, I shall expect you to do credit to my interference, for her ladyship will be exceedingly angry if anything of this kind occurs again. Now, you will try?”

“Ye-yes, my lady,” sobbed poor Dolly, “I’ll try; but you don’t know, miss, how hard it is. Some day you may feel as I do, and then you’ll be sorry you scolded me so much.”

“Silence, Dolly; I have not scolded you so much. I have only interfered to save you from ruin and disgrace.”

“Ruin and disgrace, my lady?”

“Yes, you foolish girl. You could not marry such a man as that. There, now go downstairs – no, go to your own room and bathe your eyes before you go down. I feel quite ashamed of you.”

“Yes, my lady, so do I,” sobbed Dolly. “I’m afraid I’m a very wicked girl, and father will never forgive me; but I can’t help it, and – Ow – ow – ow!”

“Dolly! Dolly! Dolly! There, do go to your room,” cried Maude impatiently, and the poor girl went sobbing away, leaving her mistress to sit thinking pensively of what she had said.

Lady Maude Diphoos should have continued dressing, but she sat down by her mirror with her head resting upon her hand thinking very deeply of the weak, love-sick girl who had just left the room. Her thoughts were strange, and it seemed to her that so soon as she began to picture the bluff, manly, Saxon countenance of Charley Melton, the dark-eyed, black-bearded face of the Italian leered at her over his shoulder, and so surely as she made an effort to drive away the illusion, the face disappeared from one side to start out again upon the other.

So constant was this to the droning of the organ far below that Maude shivered, and at last started up, feeling more ready now to sympathise with the girl than to blame as she hurriedly dressed, and prepared to go downstairs to join her ladyship in her afternoon drive.

“Are you aware, Maude, that I have been waiting for you some time?”

“No, mamma. The carriage has not yet come.”

“That has nothing whatever to do with it,” said her ladyship. “You have kept me waiting. And by the way, Maude, I must request that you do not return Mr Melton’s very particular bows. I observed that you did yesterday in the Park, while directly afterwards, when Sir Grantley Wilters passed, you turned your head the other way.”

“Really, mamma, I – ”

“That will do, child, I am your mother.”

“The carriage is at the door, my lady,” said Robbins, entering the room; and soon afterwards the ladies descended to enter the barouche and enjoy the air, “gravel grinding,” in the regular slow procession by the side of the Serpentine, where it was not long before Maude caught sight of Charley Melton, with his ugly bull-dog by his legs.

He bowed, but Lady Barmouth cut him dead. He bowed again – this time to Maude, who cut him alive, for her piteous look cut him to the heart; and as the carriage passed on the remark the young man made concerning her ladyship was certainly neither refined nor in the best of taste.