I was born on the 27th of November, 1809, in Newman Street, Oxford Road, the third child of my parents, whose eldest, Philip, named after my uncle, died in infancy. The second, John Mitchell, lived to distinguish himself as a scholar, devoting his life to the study of his own language and the history of his country in their earliest period, and to the kindred subject of Northern Archæology.

Of Newman Street I have nothing to say, but regret to have heard that before we left our residence there my father was convicted, during an absence of my mother's from town, of having planted in my baby bosom the seeds of personal vanity, while indulging his own, by having an especially pretty and becoming lace cap at hand in the drawing-room, to be immediately substituted for some more homely daily adornment, when I was exhibited to his visitors. In consequence, perhaps, of which, I am a disgracefully dress-loving old woman of near seventy, one of whose minor miseries is that she can no longer find any lace cap whatever that is either pretty or becoming to her gray head. If my father had not been so foolish then, I should not be so foolish now—perhaps.

The famous French actress, Mlle. Clairon, recalled, for the pleasure of some foreign royal personage passing through Paris, for one night to the stage, which she had left many years before, was extremely anxious to recover the pattern of a certain cap which she had worn in her young days in "La Coquette corrigée," the part she was about to repeat. The cap, as she wore it, had been a Parisian rage; she declared that half her success in the part had been the cap. The milliner who had made it, and whose fortune it had made, had retired from business, grown old; luckily, however, she was not dead: she was hunted up and adjured to reproduce, if possible, this marvel of her art, and came to her former patroness, bringing with her the identical head-gear. Clairon seized upon it: "Ah oui, c'est bien cela! c'est bien là le bonnet!" It was on her head in an instant, and she before the glass, in vain trying to reproduce with it the well-remembered effect. She pished and pshawed, frowned and shrugged, pulled the pretty chiffon this way and that on her forehead; and while so doing, coming nearer and nearer to the terrible looking-glass, suddenly stopped, looked at herself for a moment in silence, and then, covering her aged and faded face with her hands, exclaimed, "Ah, c'est bien le bonnet! mais ce n'est plus la figure!"

Our next home, after Newman Street, was at a place called Westbourne Green, now absorbed into endless avenues of "palatial" residences, which scoff with regular-featured, lofty scorn at the rural simplicity implied by such a name. The site of our dwelling was not far from the Paddington Canal, and was then so far out of town that our nearest neighbors, people of the name of Cockrell, were the owners of a charming residence, in the middle of park-like grounds, of which I still have a faint, pleasurable remembrance. The young ladies, daughters of Mr. Cockrell, really made the first distinct mark I can detect on the tabula rasa of my memory, by giving me a charming pasteboard figure of a little girl, to whose serene and sweetly smiling countenance, and pretty person, a whole bookful of painted pasteboard petticoats, cloaks, and bonnets could be adapted; it was a lovely being, and stood artlessly by a stile, an image of rustic beauty and simplicity. I still bless the Miss Cockrells, if they are alive, but if not, their memory for it!

Of the curious effect of dressing in producing the sentiment of a countenance, no better illustration can be had than a series of caps, curls, wreaths, ribbons, etc., painted so as to be adaptable to one face; the totally different character imparted by a helmet, or a garland of roses, to the same set of features, is a "caution" to irregular beauties who console themselves with the fascinating variety of their expression.

At this period of my life, I have been informed, I began, after the manner of most clever children, to be exceedingly troublesome and unmanageable, my principal crime being a general audacious contempt for all authority, which, coupled with a sweet-tempered, cheerful indifference to all punishment, made it extremely difficult to know how to obtain of me the minimum quantity of obedience indispensable in the relations of a tailless monkey of four years and its elders. I never cried, I never sulked, I never resented, lamented, or repented either my ill-doings or their consequences, but accepted them alike with a philosophical buoyancy of spirit which was the despair of my poor bewildered trainers.

Being hideously decorated once with a fool's cap of vast dimensions, and advised to hide, not my "diminished head," but my horrible disgrace, from all beholders, I took the earliest opportunity of dancing down the carriage-drive to meet the postman, a great friend of mine, and attract his observation and admiration to my "helmet," which I called aloud upon all wayfarers also to contemplate, until removed from an elevated bank I had selected for this public exhibition of myself and my penal costume, which was beginning to attract a small group of passers-by.

My next malefactions were met with an infliction of bread and water, which I joyfully accepted, observing, "Now I am like those poor dear French prisoners that everybody pities so." Mrs. Siddons at that time lived next door to us; she came in one day when I had committed some of my daily offenses against manners or morals, and I was led, nothing daunted, into her awful presence, to be admonished by her.

Melpomene took me upon her lap, and, bending upon me her "controlling frown," discoursed to me of my evil ways in those accents which curdled the blood of the poor shopman, of whom she demanded if the printed calico she purchased of him "would wash." The tragic tones pausing, in the midst of the impressed and impressive silence of the assembled family, I tinkled forth, "What beautiful eyes you have!" all my small faculties having been absorbed in the steadfast upward gaze I fixed upon those magnificent orbs. Mrs. Siddons set me down with a smothered laugh, and I trotted off, apparently uninjured by my great-aunt's solemn moral suasion.

A dangerous appeal, of a higher order, being made to me by my aunt's most intimate friend, Mrs. F–, a not very judicious person, to the effect, "Fanny, why don't you pray to God to make you better?" immediately received the conclusive reply, "So I do, and he makes me worse and worse." Parents and guardians should be chary of handling the deep chords upon whose truth and strength the highest harmonies of the fully developed soul are to depend.

In short, I was as hopelessly philosophical a subject as Madame Roland, when, at six years old, receiving her penal bread and water with the comment, "Bon pour la digestion!" and the retributive stripes which this drew upon her, with the further observation, "Bon pour la circulation!" In spite of my "wickedness," as Topsy would say, I appear to have been not a little spoiled by my parents, and an especial pet and favorite of all their friends, among whom, though I do not remember him at this early period of our acquaintance, I know was Charles Young, that most kindly good man and pleasant gentleman, one of whose many amiable qualities was a genuine love for little children. He was an intimate friend of Mrs. Siddons and her brothers, and came frequently to our house; if the elders were not at home, he invariably made his way to the nursery, where, according to the amusing description he has often since given me of our early intercourse, one of his great diversions was to make me fold my little fat arms—not an easy performance for small muscles—and with a portentous frown, which puckered up my mouth even more than my eyebrows, receive from him certain awfully unintelligible passages from "Macbeth;" replying to them, with a lisp that must have greatly heightened the tragic effect of this terrible dialogue, "My handth are of oo tolor" (My hands are of your color). Years—how many!—after this first lesson in declamation, dear Charles Young was acting Macbeth for the last time in London, and I was his "wicked wife;" and while I stood at the side scenes, painting my hands and arms with the vile red stuff that confirmed the bloody-minded woman's words, he said to me with a smile, "Ah ha! My handth are of oo tolor."

Mr. Young's own theatrical career was a sort of curious contradiction between his physical and mental endowments. His very handsome and regular features of the Roman cast, and deep, melodious voice, were undoubtedly fine natural requisites for a tragic actor, and he succeeded my uncle in all his principal parts, if not with any thing like equal genius, with a dignity and decorum that were always highly acceptable. He had, however, no tragic mental element whatever with these very decided external qualifications for tragedy; but a perception of and passion for humor, which he indulged in private constantly, in the most entertaining and surprising manner. Ludicrous stories; personal mimicry; the most admirable imitation of national accent—Scotch, Irish, and French (he spoke the latter language to perfection, and Italian very well); a power of grimace that equaled Grimaldi, and the most irresistibly comical way of resuming, in the midst of the broadest buffoonery, the stately dignity of his own natural countenance, voice, and manner.

He was a cultivated musician, and sang French and Italian with taste and expression, and English ballads with a pathos and feeling only inferior to that of Moore and Mrs. Arkwright, with both which great masters of musical declamation he was on terms of friendly intimacy. Mr. Young was a universal favorite in the best London society, and an eagerly sought guest in pleasant country-houses, where his zeal for country sports, his knowledge of and fondness for horses, his capital equestrianism, and inexhaustible fund of humor, made him as popular with the men as his sweet, genial temper, good breeding, musical accomplishments, and infinite drollery did with the women.

Mr. Young once told Lord Dacre that he made about four thousand pounds sterling per annum by his profession; and as he was prudent and moderate in his mode of life, and, though elegant, not extravagant in his tastes, he had realized a handsome fortune when he left the stage.

Mr. Young passed the last years of his life at Brighton, and I never visited that place without going to see him, confined as he latterly was to his sofa with a complication of painful diseases and the weight of more than seventy years. The last time I saw him in his drawing-room he made me sit on a little stool by his sofa—it was not long after my father, his life-long friend and contemporary's death—and he kept stroking my hair, and saying to me, "You look so like a child—a good child." I saw him but once more after this; he was then confined to his bed. It was on Sunday; he lay propped with pillows in an ample flannel dressing-gown, with a dark-blue velvet skull-cap on his head, and I thought I had never seen his face look more strikingly noble and handsome; he was reading the church service and his Bible, and kept me by him for some time. I never saw him again.

As a proof of the little poetical imagination which Mr. Young brought to some of his tragic performances, I remember his saying of his dress in Cardinal Wolsey, "Well, I never could associate any ideas of grandeur with this old woman's red petticoat." It would be difficult to say what his best performances were, for he had never either fire, passion, or tenderness; but never wanted propriety, dignity, and a certain stately grace. Sir Pertinax McSycophant and Iago were the best things I ever saw him act, probably because the sardonic element in both of them gave partial scope to his humorous vein.

Not long after this we moved to another residence, still in the same neighborhood, but near the churchyard of Paddington church, which was a thoroughfare of gravel walks, cutting in various directions the green turf, where the flat tombstones formed frequent "play-tables" for us; upon these our nursery-maid, apparently not given to melancholy meditations among the tombs, used to allow us to manufacture whole delightful dinner sets of clay plates and dishes (I think I could make such now), out of which we used to have feasts, as we called them, of morsels of cake and fruit.

At this time I was about five years old, and it was determined that I should be sent to the care of my father's sister, Mrs. Twiss, who kept a school at Bath, and who was my godmother. On the occasion of my setting forth on my travels, my brother John presented me with a whole collection of children's books, which he had read and carefully preserved, and now commended to my use. There were at least a round dozen, and, having finished reading them, it occurred to me that to make a bonfire of them would be an additional pleasure to be derived from them; and so I added to the intellectual recreation they afforded me the more sensational excitement of what I called "a blaze;" a proceeding of which the dangerous sinfulness was severely demonstrated to me by my new care-takers.

Camden Place, Bath, was one of the lofty terraces built on the charming slopes that surround the site of the Aquæ Solis of the Romans, and here my aunt Twiss kept a girls' school, which participated in the favor which every thing belonging to, or even remotely associated with, Mrs. Siddons received from the public. It was a decidedly "fashionable establishment for the education of young ladies," managed by my aunt, her husband, and her three daughters. Mrs. Twiss was, like every member of my father's family, at one time on the stage, but left it very soon, to marry the grim-visaged, gaunt-figured, kind-hearted gentleman and profound scholar whose name she at this time bore, and who, I have heard it said, once nourished a hopeless passion for Mrs. Siddons. Mrs. Twiss bore a soft and mitigated likeness to her celebrated sister; she had great sweetness of voice and countenance, and a graceful, refined, feminine manner, that gave her great advantages in her intercourse with and influence over the young women whose training she undertook. Mr. Twiss was a very learned man, whose literary labors were, I believe, various, but whose "Concordance of Shakespeare" is the only one with which I am acquainted. He devoted himself, with extreme assiduity, to the education of his daughters, giving them the unusual advantage of a thorough classic training, and making of two of them learned women in the more restricted, as well as the more general, sense of the term. These ladies were what so few of their sex ever are, really well informed; they knew much, and they knew it all thoroughly; they were excellent Latin scholars and mathematicians, had read immensely and at the same time systematically, had prodigious memories stored with various and well-classed knowledge, and, above all, were mistresses of the English language, and spoke and wrote it with perfect purity—an accomplishment out of fashion now, it appears to me, but of the advantage of which I retain a delightful impression in my memory of subsequent intercourse with those excellent and capitally educated women. My relations with them, all but totally interrupted for upward of thirty years, were renewed late in the middle of my life and toward the end of theirs, when I visited them repeatedly at their pretty rural dwelling near Hereford, where they enjoyed in tranquil repose the easy independence they had earned by honorable toil. There, the lovely garden, every flower of which looked fit to take the first prize at a horticultural show, the incomparable white strawberries, famous throughout the neighborhood, and a magnificent Angola cat, were the delights of my out-of-door life; and perfect kindness and various conversation, fed by an inexhaustible fund of anecdote, an immense knowledge of books, and a long and interesting acquaintance with society, made the indoor hours passed with these quiet old lady governesses some of the most delightful I have ever known. The two younger sisters died first; the eldest, surviving them, felt the sad solitude of their once pleasant home at "The Laurels" intolerable, and removed her residence to Brighton, where, till the period of her death, I used to go and stay with her, and found her to the last one of the most agreeable companions I have ever known.

At the time of my first acquaintance with my cousins, however, neither their own studies nor those of their pupils so far engrossed them as to seclude them from society. Bath was then, at certain seasons, the gayest place of fashionable resort in England; and, little consonant as such a thing would appear at the present day with the prevailing ideas of the life of a teacher, balls, routs, plays, assemblies, the Pump Room, and all the fashionable dissipations of the place, were habitually resorted to by these very "stylish" school-mistresses, whose position at one time, oddly enough, was that of leaders of "the ton" in the pretty provincial capital of Somersetshire. It was, moreover, understood, as part of the system of the establishment, that such of the pupils as were of an age to be introduced into society could enjoy the advantage of the chaperonage of these ladies, and several did avail themselves of it.

What profit I made under these kind and affectionate kinsfolk I know not; little, I rather think, ostensibly; perhaps some beneath the surface, not very manifest either to them or myself at the time; but painstaking love sows more harvests than it wots of, wherever or whenever (or if never) it reaps them.

I did not become versed in any of my cousins' learned lore, or accomplished in the lighter labors of their leisure hours—to wit, the shoemaking, bread-seal manufacturing, and black and white Japan, table and screen painting, which produced such an indescribable medley of materials in their rooms, and were fashionable female idle industries of that day.