Who, or what is the Tartaro? “Oh! you mean the man with one eye in the middle of his forehead,” is the prompt and universal answer. The Tartaro is the Cyclops, the sun’s round eye, κύκλωψ. But the word Tartaro has apparently nothing to do with this. M. Cerquand, in his “Legendes et Récits Populaires du Pays Basque,” derives the word from Tartare, Tartar, in the same way as the French word Ogre is said to be derived from Hongrois, Ugri. The only objection to this highly probable derivation (made still more probable by a Souletin variation, Moiriak) is the comparatively late date (the 13th century) of the first appearance of the Tartars in Europe.9 It is besides perfectly true that in many tales the Tartaro replaces, and is identical with the giant or ogre; but this does not appear to us to be the original conception of this mythological monster, nor have we ever heard from an unlettered Basque such a description of him. To them he is simply a Cyclops—a huge man, with an eye in the centre of his forehead.
It is an interesting question—Is there any connection between the Basque Tartaro and the Cyclops of the Odyssey and of the classics? First, we must remark that the Cyclops legend is not peculiar either to the Greek and Latin writers, or even to the Aryan nations; e.g., in his communication of the Tartaro legends to the Société des Sciences de Bayonne, M. d’Abaddie relates how he heard the tale told in June, 1843, in Eastern Africa, in Lat. N. 9.2, E. Lon. 34.48, by a man who had never before quitted the country. It is then only the special form of the legend, and not the primary idea, that the Greeks may have borrowed from the Basques. But there is this to observe—that, with both Greeks and Latins, the Cyclops myth is an occidental and not an oriental one, and is more strictly localised than almost any other. This may be accounted for by saying that the sun’s great fiery eye is rather that of the setting than of the rising sun; that the red-hot stake is the ruddy mountain peak, or the tall fir-trunk, seen against the western horizon, and illumined by his descending rays. But in the stories of Theocritus and Ovid, where the sun-myth is not so apparent, the home of the Cyclops is still Sicily. Our first Tartaro legend reads very like a rough outline of Ovid’s story of “Acis and Galatea.” Now, W. Von Humboldt in his “Prüfung der Untersuchung über die Urbewohner Hispaniens vermittelst der Vaskischen Sprache” (Berlin, 1821), in cap. xlv., p. 167, and, again, con. vii., p. 178, arguing on quite different grounds, places Sicily as the most easterly habitation of the Basques within historic times.10 We leave it then to classical scholars to consider whether the Italic races in Magna Græcia and Sicily may not have come in contact with the Basques there, and from them have adopted their special form of the Cyclops legend.
As we said above, the Tartaro sometimes replaces the giant or the ogre; at other times we find him as Basa-Jaun, or even as an animal, substituted for Acheria, the fox. He is, in his proper form, a huge one-eyed giant, occasionally a cannibal, but not without a rough “bonhomie” when satiated with food and drink. Intellectually far below the feebler race of mankind, he is invariably beaten in his contests with them, notwithstanding his enormous strength; he loses all his wagers, and is generally lured on to commit involuntary suicide. In some aspects he reminds one of Milton’s “Lubbar Fiend,” and in his constant defeats and being constantly outwitted, recals one of the types of the Devil in mediæval story. At times he appears in gentler guise, as when he aids the young prince to his rights, and supplies Petit Yorge with the means of victory over the Heren-Suge. What the talking ring is which appears in so many of these stories we confess ourselves unable to interpret; it is found in the Keltic, but, as far as we are aware, not in the classic legends.
One peculiarity of the Basque, and especially of the Tartaro legends, is that the hero of them is so often a madman, an idiot, or a fool. If we can trust our memory, the case is the same in the Slavonic representatives of Odysseus.11 But the Basques seem to dwell upon and to repeat the idea in a peculiar way; they ring the changes on all states, from the wild madman, like the Scandinavian Berserker, through the idiot and fool, to the mere blockhead and ninny. Errua, Enuchenta, Ergela, Sosua, Tontua, are terms employed to designate the heroes who have sometimes, to our modern apprehension, little of the idiot or fool, except the name. Can it be that the power which put out the sun’s fiery eye was looked upon as a beneficent being in a burning tropic land, while, as the legend travelled northward, the act seemed more like that of madness, or of senseless stupidity?
One type of these Tartaro tales will at once recal Grimm’s “Valiant Little Tailor,” and some of the more modern versions of “Jack the Giant-Killer.” But though the incidents are identical, it is hardly possible that they can be thus borrowed. Several of our narrators were utterly ignorant of French, and learnt the tale as children from old people, who died a few years since at upwards of 80. The first translation of Grimm’s Tales into French was published in the year 1845.
Once upon a time there was the son of a king who for the punishment of some fault became a monster. He could become a man again only by marrying. One day he met a young girl who refused him, because she was so frightened at him. And the Tartaro wanted to give her a ring, which she would not accept. However, he sent it her by a young man. As soon as the ring was upon her finger it began to say, “Thou there, and I here.”12 It kept always crying out this, and the Tartaro pursued her continually; and, as the young girl had such a horror of him, she cut off her finger and the ring, and threw them into a large pond, and there the Tartaro drowned himself.
Estefanella Hirigarray,
of Ahetze.
Our next story was communicated by M. d’Abbadie to the Société des Sciences et des Arts de Bayonne. The narrator is M. l’Abbé Heguiagaray, the Parish Priest of Esquiule in La Soule:—
In my infancy I often heard from my mother the story of the Tartaro. He was a Colossus, with only one eye in the middle of his forehead. He was a shepherd and a hunter, but a hunter of men. Every day he ate a sheep; then, after a snooze, every one who had the misfortune to fall into his hands. His dwelling was a huge barn, with thick walls, a high roof, and a very strong door, which he alone knew how to open. His mother, an old witch, lived in one corner of the garden, in a hut constructed of turf.
One day a powerful young man was caught in the snares of the Tartaro, who carried him off to his house. This young man saw the Tartaro eat a whole sheep, and he knew that he was accustomed to take a snooze, and that after that his own turn would come. In his despair he said to himself that he must do something. Directly the Tartaro began to snore he put the spit into the fire, made it red-hot, and plunged it into the giant’s one eye. Immediately he leapt up, and began to run after the man who had injured him; but it was impossible to find him.
“You shall not escape. It is all very well to hide yourself,” said he; “but I alone know the secret how to open this door.”
The Tartaro opened the door half-way, and let the sheep out between his legs. The young man takes the big bell off the ram, and puts it round his neck, and throws over his body the skin of the sheep which the giant had just eaten, and walks on all fours to the door.
The Tartaro examines him by feeling him, perceives the trick, and clutches hold of the skin; but the young man slips off the skin, dives between his legs, and runs off.
Immediately the mother of the Tartaro meets him, and says to him:
“O, you lucky young fellow! You have escaped the cruel tyrant; take this ring as a remembrance of your escape.”
He accepts, puts the ring on his finger, and immediately the ring begins to cry out, “Heben nuk! Heben nuk!” (“Thou hast me here! Thou hast me here!”)
The Tartaro pursues, and is on the point of catching him, when the young man, maddened with fright, and not being able to pull off the ring, takes out his knife, and cuts off his own finger, and throws it away, and thus escapes the pursuit of the Tartaro.
In other versions the young man goes into the forest with some pigs, meets the Tartaro there, is carried by him home, blinds him with the red-hot spit, and escapes by letting himself down through a garret window. The Tartaro pursues, guided by his ring, which at last he throws to the young man to put on, when it cries out as above, and the young man cuts off his finger, and throws it down a precipice or into a bog, where the ring still cries out, and the Tartaro following, is dashed to pieces and drowned.
Like many others in the world, there was a man and woman who had a son. He was very wicked, and did nothing but mischief, and was of a thoroughly depraved disposition. The parents decided that they must send him away, and the lad was quite willing to set off.
He set out then, and goes far, far, far away. He comes to a city, and asks if they want a servant. They wanted one in a (certain) house. He goes there. They settle their terms at so much a month, and that the one who is not satisfied should strip the skin off the other’s back.13
The master sends his servant to the forest to get the most crooked pieces of wood that he can find. Near the forest there was a vineyard. What does the servant do but cut it all up, and carries it to the house. The master asks him where the wood is. He shows him the vine-wood cut up. The master said nothing to him, but he was not pleased.
Next day the master says to him, “Take the cows to such a field, and don’t break any hole in the fence.”
What does the lad do? He cuts all the cows into little pieces, and throws them bit by bit into the field. The master was still more angry; but he could not say anything, for fear of having his skin stripped off. So what does he do? He buys a herd of pigs, and sends his servant to the mountain with the herd.
The master knew quite well that there was a Tartaro in this mountain, but he sends him there all the same.
Our madman goes walking on, on, on. He arrives at a little hut. The Tartaro’s house was quite close to his. The pigs of the Tartaro and those of the madman used to go out together. The Tartaro said one day to him—
“Will you make a wager as to who will throw a stone farthest?”
He accepted the wager. That evening our madman was very sad. While he was at his prayers, an old woman appeared to him, and asks him—
“What is the matter with you? Why are you so sad?”
He tells her the wager that he has made with the Tartaro. The old woman says to him—
“If it is only that, it is nothing.”
And so she gives him a bird, and says to him—
“Instead of a stone, throw this bird.”
The madman was very glad at this. The next day he does as the old woman told him. The Tartaro’s stone went enormously far, but at last it fell; but the madman’s bird never came down at all.
The Tartaro was astonished that he had lost his wager, and they make another—which of the two should throw a bar of iron the farthest. The madman accepted again. He was in his little house sadly in prayer. The old woman appears again. She asks him—
“What’s the matter with you?”
“I have made a wager again, which of the two will throw the bar of iron the farthest, and I am very sorry.”
“If it is only that, it is nothing. When you take hold of the bar of iron, say, ‘Rise up, bar of iron, here and Salamanca.’” (Altchaala palenka, hemen eta Salamanka.)14
Next day the Tartaro takes his terrible bar of iron, and throws it fearfully far. The young man could hardly lift up one end, and he says—
“Rise up, bar of iron, here and Salamanca.”
When the Tartaro heard that (he cried out)—
“I give up the wager—you have won,” and he takes the bar of iron away from him. “My father and my mother live at Salamanca; don’t throw, I beg of you, I implore you—you will crush them.”
Our madman goes away very happy.
The Tartaro says to him again:
“I will pull up the biggest oak in the forest, and you pull up another.”
He says, “Yes.” And the later it grew in the day, the sadder he became. He was at his prayers. The old woman comes to him again, and says to him—
“What’s the matter with you?”
He tells her the wager he has made with the Tartaro, and how he will pull up an oak. The old woman gives him three balls of thread, and tells him to begin and tie them to all the oaks in the forest.15
Next day the Tartaro pulls up his oak, an enormously, enormously big one; and the madman begins to tie, and to tie, and to tie.
The Tartaro asks him:
“What are you doing that for?”
“You (pulled up) one, but I all these.”
The Tartaro replies,
“No! No! No! What shall I do to fatten my pigs with without acorns? You have won; you have won the wager.”
The Tartaro did not know what to think about it, and saw that he had found one cleverer than himself, and so he asks him if he will come and spend the night at his house.
The madman says, “Yes.”
He goes to bed then with the Tartaro. But he knew that there was a dead man under the bed. When the Tartaro was asleep what does the madman do? He places the dead man by the Tartaro’s side, and gets under the bed himself. In the middle of the night the Tartaro gets up, and takes his terrible bar of iron and showers blows upon blows, ping pan, ping pan, as long and as hard as he could give them.
The Tartaro gets up as usual, and goes to see his pigs, and the madman also comes out from under the bed; and he goes to see the pigs too. The Tartaro is quite astounded to see him coming, and does not know what to think of it. He says to himself that he has to do with a cleverer than he; but he asks him if he has slept well.
He answers, “Yes, very well; only I felt a few flea-bites.”
Their pigs had got mixed, and as they were fat, he had to separate them in order to go away with his. The Tartaro asked the madman what mark his pigs had.
The madman says to him, “Mine have some of them one mark, some of them two marks.”
They set to work to look at them, and they all had these same marks.
Our madman goes off then with all the hogs. He goes walking on, on, on, with all his pigs. He comes to a town where it was just market day, and sells them all except two, keeping, however, all the tails, which he put in his pockets. As you may think, he was always in fear of the Tartaro. He sees him coming down from the mountain. He kills one of his hogs, and puts the entrails in his own bosom under his waistcoat. There was a group of men near the road. As he passed them he took out his knife, and stabs it into his chest, and takes out the pig’s bowels, and our madman begins to run very much faster than before, with his pig in front of him.
When the Tartaro comes up to these men, he asks if they have seen such a man.
“Yes, yes, he was running fast, and in order to go faster just here he stabbed himself, and threw away his bowels, and still he went on all the faster.”
The Tartaro, too, in order to go faster, thrusts his knife into his body, and falls stark dead.16
The madman goes to his master’s. Near the house there was a marsh quite full of mud. He puts his live pig into it, and all the tails too. He enters the house, and says to the master that he is there with his pigs. The master is astounded to see him.
He asks him, “Where are the pigs, then?”
He says to him, “They have gone into the mud, they were so tired.”
Both go out, and begin to get the real pig out, and between the two they pull it out very well. They try to do the same thing with the others; but they kept pulling out nothing but tails.
The madman says, “You see how fat they are; that is why the tails come out alone.”
He sends the servant to fetch the spade and the hoe. Instead of bringing them he begins to beat the mistress, whack! whack! and he cries to the master, “One or both?”
The master says to him, “Both, both.”
And then he beats the servant maid almost to pieces. He goes then to the master, taking with him the spade and the hoe, and he sets to beating him with the spade and the hoe, until he can no longer defend himself, and then he thrashes the skin off his back, and takes his pig and goes off home to his father and mother; and as he lived well he died well too.
Pierre Bertrand
learnt it from his Grandmother, who died a few years since, aged 82.
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