Andrii had already noticed from a distance this house, unlike the others, and built apparently by some Italian architect. It was constructed of thin red bricks, and had two stories. The windows of the lower story were sheltered under lofty, projecting granite cornices. The upper story consisted entirely of small arches, forming a gallery; between the arches were iron gratings enriched with escutcheons; whilst upon the gables of the house more coats-of-arms were displayed. The broad external staircase, of tinted bricks, abutted on the square. At the foot of it sat guards, who with one hand held their halberds upright, and with the other supported their drooping heads, and in this attitude more resembled apparitions than living beings. They neither slept nor dreamed, but seemed quite insensible to everything; they even paid no attention to who went up the stairs. At the head of the stairs, they found a richly-dressed warrior, armed cap-a-pie, and holding a breviary in his hand. He turned his dim eyes upon them; but the Tatar spoke a word to him, and he dropped them again upon the open pages of his breviary. They entered the first chamber, a large one, serving either as a reception-room, or simply as an ante-room; it was filled with soldiers, servants, secretaries, huntsmen, cup-bearers, and the other servitors indispensable to the support of a Polish magnate’s estate, all seated along the walls. The reek of extinguished candles was perceptible; and two were still burning in two huge candlesticks, nearly as tall as a man, standing in the middle of the room, although morning had long since peeped through the wide grated window. Andrii wanted to go straight on to the large oaken door adorned with a coat-of-arms and a profusion of carved ornaments, but the Tatar pulled his sleeve and pointed to a small door in the side wall. Through this they gained a corridor, and then a room, which he began to examine attentively. The light which filtered through a crack in the shutter fell upon several objects—a crimson curtain, a gilded cornice, and a painting on the wall. Here the Tatar motioned to Andrii to wait, and opened the door into another room from which flashed the light of a fire. He heard a whispering, and a soft voice which made him quiver all over. Through the open door he saw flit rapidly past a tall female figure, with a long thick braid of hair falling over her uplifted hands. The Tatar returned and told him to go in.

He could never understand how he entered and how the door was shut behind him. Two candles burned in the room and a lamp glowed before the images: beneath the lamp stood a tall table with steps to kneel upon during prayer, after the Catholic fashion. But his eye did not seek this. He turned to the other side and perceived a woman, who appeared to have been frozen or turned to stone in the midst of some quick movement. It seemed as though her whole body had sought to spring towards him, and had suddenly paused. And he stood in like manner amazed before her. Not thus had he pictured to himself that he should find her. This was not the same being he had formerly known; nothing about her resembled her former self; but she was twice as beautiful, twice as enchanting, now than she had been then. Then there had been something unfinished, incomplete, about her; now here was a production to which the artist had given the finishing stroke of his brush. That was a charming, giddy girl; this was a woman in the full development of her charms. As she raised her eyes, they were full of feeling, not of mere hints of feeling. The tears were not yet dry in them, and framed them in a shining dew which penetrated the very soul. Her bosom, neck, and arms were moulded in the proportions which mark fully developed loveliness. Her hair, which had in former days waved in light ringlets about her face, had become a heavy, luxuriant mass, a part of which was caught up, while part fell in long, slender curls upon her arms and breast. It seemed as though her every feature had changed. In vain did he seek to discover in them a single one of those which were engraved in his memory—a single one. Even her great pallor did not lessen her wonderful beauty; on the contrary, it conferred upon it an irresistible, inexpressible charm. Andrii felt in his heart a noble timidity, and stood motionless before her. She, too, seemed surprised at the appearance of the Cossack, as he stood before her in all the beauty and might of his young manhood, and in the very immovability of his limbs personified the utmost freedom of movement. His eyes beamed with clear decision; his velvet brows curved in a bold arch; his sunburnt cheeks glowed with all the ardour of youthful fire; and his downy black moustache shone like silk.

“No, I have no power to thank you, noble sir,” she said, her silvery voice all in a tremble. “God alone can reward you, not I, a weak woman.” She dropped her eyes, her lids fell over them in beautiful, snowy semicircles, guarded by lashes long as arrows; her wondrous face bowed forward, and a delicate flush overspread it from within. Andrii knew not what to say; he wanted to say everything. He had in his mind to say it all ardently as it glowed in his heart—and could not. He felt something confining his mouth; voice and words were lacking; he felt that it was not for him, bred in the seminary and in the tumult of a roaming life, to reply fitly to such language, and was angry with his Cossack nature.

At that moment the Tatar entered the room. She had cut up the bread which the warrior had brought into small pieces on a golden plate, which she placed before her mistress. The lady glanced at her, at the bread, at her again, and then turned her eyes towards Andrii. There was a great deal in those eyes. That gentle glance, expressive of her weakness and her inability to give words to the feeling which overpowered her, was far more comprehensible to Andrii than any words. His heart suddenly grew light within him, all seemed made smooth. The mental emotions and the feelings which up to that moment he had restrained with a heavy curb, as it were, now felt themselves released, at liberty, and anxious to pour themselves out in a resistless torrent of words. Suddenly the lady turned to the Tatar, and said anxiously, “But my mother? you took her some?”

“She is asleep.”

“And my father?”

“I carried him some; he said that he would come to thank the young lord in person.”

She took the bread and raised it to her mouth. With inexpressible delight Andrii watched her break it with her shining fingers and eat it; but all at once he recalled the man mad with hunger, who had expired before his eyes on swallowing a morsel of bread. He turned pale and, seizing her hand, cried, “Enough! eat no more! you have not eaten for so long that too much bread will be poison to you now.” And she at once dropped her hand, laid her bread upon the plate, and gazed into his eyes like a submissive child. And if any words could express—But neither chisel, nor brush, nor mighty speech is capable of expressing what is sometimes seen in glances of maidens, nor the tender feeling which takes possession of him who receives such maiden glances.

“My queen!” exclaimed Andrii, his heart and soul filled with emotion, “what do you need? what do you wish? command me! Impose on me the most impossible task in all the world: I fly to fulfil it! Tell me to do that which it is beyond the power of man to do: I will fulfil it if I destroy myself. I will ruin myself. And I swear by the holy cross that ruin for your sake is as sweet—but no, it is impossible to say how sweet! I have three farms; half my father’s droves of horses are mine; all that my mother brought my father, and which she still conceals from him—all this is mine! Not one of the Cossacks owns such weapons as I; for the pommel of my sword alone they would give their best drove of horses and three thousand sheep. And I renounce all this, I discard it, I throw it aside, I will burn and drown it, if you will but say the word, or even move your delicate black brows! But I know that I am talking madly and wide of the mark; that all this is not fitting here; that it is not for me, who have passed my life in the seminary and among the Zaporozhtzi, to speak as they speak where kings, princes, and all the best of noble knighthood have been. I can see that you are a different being from the rest of us, and far above all other boyars’ wives and maiden daughters.”

With growing amazement the maiden listened, losing no single word, to the frank, sincere language in which, as in a mirror, the young, strong spirit reflected itself. Each simple word of this speech, uttered in a voice which penetrated straight to the depths of her heart, was clothed in power. She advanced her beautiful face, pushed back her troublesome hair, opened her mouth, and gazed long, with parted lips. Then she tried to say something and suddenly stopped, remembering that the warrior was known by a different name; that his father, brothers, country, lay beyond, grim avengers; that the Zaporozhtzi besieging the city were terrible, and that the cruel death awaited all who were within its walls, and her eyes suddenly filled with tears. She seized a silk embroidered handkerchief and threw it over her face. In a moment it was all wet; and she sat for some time with her beautiful head thrown back, and her snowy teeth set on her lovely under-lip, as though she suddenly felt the sting of a poisonous serpent, without removing the handkerchief from her face, lest he should see her shaken with grief.

“Speak but one word to me,” said Andrii, and he took her satin-skinned hand. A sparkling fire coursed through his veins at the touch, and he pressed the hand lying motionless in his.

But she still kept silence, never taking the kerchief from her face, and remaining motionless.

“Why are you so sad? Tell me, why are you so sad?”

She cast away the handkerchief, pushed aside the long hair which fell over her eyes, and poured out her heart in sad speech, in a quiet voice, like the breeze which, rising on a beautiful evening, blows through the thick growth of reeds beside the stream. They rustle, murmur, and give forth delicately mournful sounds, and the traveller, pausing in inexplicable sadness, hears them, and heeds not the fading light, nor the gay songs of the peasants which float in the air as they return from their labours in meadow and stubble-field, nor the distant rumble of the passing waggon.

“Am not I worthy of eternal pity? Is not the mother that bore me unhappy? Is it not a bitter lot which has befallen me? Art not thou a cruel executioner, fate? Thou has brought all to my feet—the highest nobles in the land, the richest gentlemen, counts, foreign barons, all the flower of our knighthood. All loved me, and any one of them would have counted my love the greatest boon. I had but to beckon, and the best of them, the handsomest, the first in beauty and birth would have become my husband. And to none of them didst thou incline my heart, O bitter fate; but thou didst turn it against the noblest heroes of our land, and towards a stranger, towards our enemy. O most holy mother of God! for what sin dost thou so pitilessly, mercilessly, persecute me? In abundance and superfluity of luxury my days were passed, the richest dishes and the sweetest wine were my food. And to what end was it all? What was it all for? In order that I might at last die a death more cruel than that of the meanest beggar in the kingdom? And it was not enough that I should be condemned to so horrible a fate; not enough that before my own end I should behold my father and mother perish in intolerable torment, when I would have willingly given my own life twenty times over to save them; all this was not enough, but before my own death I must hear words of love such as I had never before dreamed of. It was necessary that he should break my heart with his words; that my bitter lot should be rendered still more bitter; that my young life should be made yet more sad; that my death should seem even more terrible; and that, dying, I should reproach thee still more, O cruel fate! and thee—forgive my sin—O holy mother of God!”