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POEMS

HYMN TO SPIRITUAL DESIRE

I
 
  Mother of visions, with lineaments dulcet as numbers
  Breathed on the eyelids of Love by music that slumbers,
  Secretly, sweetly, O presence of fire and snow,
  Thou comest mysterious,
  In beauty imperious,
  Clad on with dreams and the light of no world that we know:
  Deep to my innermost soul am I shaken,
  Helplessly shaken and tossed,
  And of thy tyrannous yearnings so utterly taken,
  My lips, unsatisfied, thirst;
  Mine eyes are accurst
  With longings for visions that far in the night are forsaken;
  And mine ears, in listening lost,
  Yearn, waiting the note of a chord that will never awaken.
 
II
 
  Like palpable music thou comest, like moonlight; and far,—
  Resonant bar upon bar,—
  The vibrating lyre
  Of the spirit responds with melodious fire,
  As thy fluttering fingers now grasp it and ardently shake,
  With laughter and ache,
  The chords of existence, the instrument star-sprung,
  Whose frame is of clay, so wonderfully molded of mire.
 
III
 
  Vested with vanquishment, come, O Desire, Desire!
  Breathe in this harp of my soul the audible angel of Love!
  Make of my heart an Israfel burning above,
  A lute for the music of God, that lips, which are mortal, but stammer!
  Smite every rapturous wire
  With golden delirium, rebellion and silvery clamor,
  Crying—"Awake! awake!
  Too long hast thou slumbered! too far from the regions of glamour
  With its mountains of magic, its fountains of faery, the spar-sprung,
  Hast thou wandered away, O Heart!"
 
 
  Come, oh, come and partake
  Of necromance banquets of Beauty; and slake
  Thy thirst in the waters of Art,
  That are drawn from the streams
  Of love and of dreams.
 
IV
 
  "Come, oh, come!
  No longer shall language be dumb!
  Thy vision shall grasp—
  As one doth the glittering hasp
  Of a sword made splendid with gems and with gold—
  The wonder and richness of life, not anguish and hate of it merely.
  And out of the stark
  Eternity, awful and dark,
  Immensity silent and cold,—
  Universe-shaking as trumpets, or cymbaling metals,
  Imperious; yet pensive and pearly
  And soft as the rosy unfolding of petals,
  Or crumbling aroma of blossoms that wither too early,—
  The majestic music of God, where He plays
  On the organ, eternal and vast, of eons and days."
 

BEAUTIFUL-BOSOMED, O NIGHT

I
 
  Beautiful-bosomed, O Night, in thy noon
  Move with majesty onward! soaring, as lightly
  As a singer may soar the notes of an exquisite tune,
  The stars and the moon
  Through the clerestories high of the heaven, the firmament's halls:
  Under whose sapphirine walls,
  June, hesperian June,
  Robed in divinity wanders. Daily and nightly
  The turquoise touch of her robe, that the violets star,
  The silvery fall of her feet, that lilies are,
  Fill the land with languorous light and perfume.—
  Is it the melody mute of burgeoning leaf and of bloom?
  The music of Nature, that silently shapes in the gloom
  Immaterial hosts
  Of spirits that have the flowers and leaves in their keep,
  Whom I hear, whom I hear?
  With their sighs of silver and pearl?
  Invisible ghosts,—
  Each sigh a shadowy girl,—
 
 
  Who whisper in leaves and glimmer in blossoms and hover
  In color and fragrance and loveliness, breathed from the deep
  World-soul of the mother,
  Nature; who over and over,—
  Both sweetheart and lover,—
  Goes singing her songs from one sweet month to the other.
 
II
 
  Lo! 'tis her songs that appear, appear,
  In forest and field, on hill-land and lea,
  As visible harmony,
  Materialized melody,
  Crystallized beauty, that out of the atmosphere
  Utters itself, in wonder and mystery,
  Peopling with glimmering essence the hyaline far and the near….
 
III
 
  Behold how it sprouts from the grass and blossoms from flower and tree!
  In waves of diaphanous moonlight and mist,
  In fugue upon fugue of gold and of amethyst,
  Around me, above me it spirals; now slower, now faster,
  Like symphonies born of the thought of a musical master.—
  O music of Earth! O God, who the music inspired!
  Let me breathe of the life of thy breath!
  And so be fulfilled and attired
  In resurrection, triumphant o'er time and o'er death!
 

DISCOVERY

 
  What is it now that I shall seek
  Where woods dip downward, in the hills?—
  A mossy nook, a ferny creek,
  And May among the daffodils.
 
 
  Or in the valley's vistaed glow,
  Past rocks of terraced trumpet vines,
  Shall I behold her coming slow,
  Sweet May, among the columbines?
 
 
  With redbud cheeks and bluet eyes,
  Big eyes, the homes of happiness,
  To meet me with the old surprise,
  Her wild-rose hair all bonnetless.
 
 
  Who waits for me, where, note for note,
  The birds make glad the forest trees?—
  A dogwood blossom at her throat,
  My May among th' anemones.
 
 
  As sweetheart breezes kiss the blooms,
  And dews caress the moon's pale beams,
  My soul shall drink her lips' perfumes,
  And know the magic of her dreams.
 

O MAYTIME WOODS!

From the idyll "Wild Thorn and Lily"
 
  O Maytime woods! O Maytime lanes and hours!
  And stars, that knew how often there at night
  Beside the path, where woodbine odors blew
  Between the drowsy eyelids of the dusk,—
  When, like a great, white, pearly moth, the moon
  Hung silvering long windows of your room,—
  I stood among the shrubs! The dark house slept.
  I watched and waited for—I know not what!—
  Some tremor of your gown: a velvet leaf's
  Unfolding to caresses of the Spring:
  The rustle of your footsteps: or the dew
  Syllabling avowal on a tulip's lips
  Of odorous scarlet: or the whispered word
  Of something lovelier than new leaf or rose—
  The word young lips half murmur in a dream:
 
 
  Serene with sleep, light visions weigh her eyes:
       And underneath her window blooms a quince.
  The night is a sultana who doth rise
       In slippered caution, to admit a prince,
  Love, who her eunuchs and her lord defies.
 
 
  Are these her dreams? or is it that the breeze
       Pelts me with petals of the quince, and lifts
  The Balm-o'-Gilead buds? and seems to squeeze
       Aroma on aroma through sweet rifts
  Of Eden, dripping through the rainy trees.
 
 
  Along the path the buckeye trees begin
       To heap their hills of blossoms.—Oh, that they
  Were Romeo ladders, whereby I might win
       Her chamber's sanctity!—where dreams must pray
  About her soul!—That I might enter in!—
 
 
  A dream,—and see the balsam scent erase
       Its dim intrusion; and the starry night
  Conclude majestic pomp; the virgin grace
       Of every bud abashed before the white,
  Pure passion-flower of her sleeping face.
 

THE REDBIRD

From "Wild Thorn and Lily"
 
  Among the white haw-blossoms, where the creek
  Droned under drifts of dogwood and of haw,
  The redbird, like a crimson blossom blown
  Against the snow-white bosom of the Spring,
  The chaste confusion of her lawny breast,
  Sang on, prophetic of serener days,
  As confident as June's completer hours.
  And I stood listening like a hind, who hears
  A wood nymph breathing in a forest flute
  Among the beech-boles of myth-haunted ways:
  And when it ceased, the memory of the air
  Blew like a syrinx in my brain: I made
  A lyric of the notes that men might know:
 
 
    He flies with flirt and fluting—
        As flies a crimson star
    From flaming star-beds shooting—
        From where the roses are.
 
 
    Wings past and sings; and seven
        Notes, wild as fragrance is,—
    That turn to flame in heaven,—
        Float round him full of bliss.
 
 
    He sings; each burning feather
        Thrills, throbbing at his throat;
    A song of firefly weather,
        And of a glowworm boat:
 
 
    Of Elfland and a princess
        Who, born of a perfume,
    His music rocks,—where winces
        That rosebud's cradled bloom.
 
 
    No bird sings half so airy,
        No bird of dusk or dawn,
    Thou masking King of Faery!
        Thou red-crowned Oberon!
 

A NIËLLO

I
 
  It is not early spring and yet
  Of bloodroot blooms along the stream,
  And blotted banks of violet,
      My heart will dream.
 
 
  Is it because the windflower apes
  The beauty that was once her brow,
  That the white memory of it shapes
      The April now?
 
 
  Because the wild-rose wears the blush
  That once made sweet her maidenhood,
  Its thought makes June of barren bush
      And empty wood?
 
 
  And then I think how young she died—
  Straight, barren Death stalks down the trees,
  The hard-eyed Hours by his side,
      That kill and freeze.
 
II
 
  When orchards are in bloom again
  My heart will bound, my blood will beat,
  To hear the redbird so repeat,
      On boughs of rosy stain,
  His blithe, loud song,—like some far strain
  From out the past,—among the bloom,—
  (Where bee and wasp and hornet boom)—
      Fresh, redolent of rain.
 
 
  When orchards are in bloom once more,
  Invasions of lost dreams will draw
  My feet, like some insistent law,
      Through blossoms to her door:
  In dreams I'll ask her, as before,
  To let me help her at the well;
  And fill her pail; and long to tell
      My love as once of yore.
 
 
  I shall not speak until we quit
  The farm-gate, leading to the lane
  And orchard, all in bloom again,
      Mid which the bluebirds sit
  And sing; and through whose blossoms flit
  The catbirds crying while they fly:
  Then tenderly I'll speak, and try
      To tell her all of it.
 
 
  And in my dream again she'll place
  Her hand in mine, as oft before,—
  When orchards are in bloom once more,—
      With all her young-girl grace:
  And we shall tarry till a trace
  Of sunset dyes the heav'ns; and then—
  We'll part; and, parting, I again
      Shall bend and kiss her face.
 
 
  And homeward, singing, I shall go
  Along the cricket-chirring ways,
  While sunset, one long crimson blaze
      Of orchards, lingers low:
  And my dead youth again I'll know,
  And all her love, when spring is here—
  Whose memory holds me many a year,
      Whose love still haunts me so!
 
III
 
  I would not die when Springtime lifts
      The white world to her maiden mouth,
  And heaps its cradle with gay gifts,
      Breeze-blown from out the singing South:
  Too full of life and loves that cling;
      Too heedless of all mortal woe,
  The young, unsympathetic Spring,
      That Death should never know.
 
 
  I would not die when Summer shakes
      Her daisied locks below her hips,
  And naked as a star that takes
      A cloud, into the silence slips:
  Too rich is Summer; poor in needs;
      In egotism of loveliness
  Her pomp goes by, and never heeds
      One life the more or less.
 
 
  But I would die when Autumn goes,
      The dark rain dripping from her hair,
  Through forests where the wild wind blows
      Death and the red wreck everywhere:
  Sweet as love's last farewells and tears
      To fall asleep when skies are gray,
  In the old autumn of my years,
      Like a dead leaf borne far away.
 

IN MAY

I
 
  When you and I in the hills went Maying,
    You and I in the bright May weather,
    The birds, that sang on the boughs together,
  There in the green of the woods, kept saying
    All that my heart was saying low,
    "I love you! love you!" soft and low,—
      And did you know?
  When you and I in the hills went Maying.
 
II
 
  There where the brook on its rocks went winking,
    There by its banks where the May had led us,
    Flowers, that bloomed in the woods and meadows,
  Azure and gold at our feet, kept thinking
    All that my soul was thinking there,
    "I love you! love you!" softly there—
      And did you care?
  There where the brook on its rocks went winking.
 
III
 
  Whatever befalls through fate's compelling,
    Should our paths unite or our pathways sever,
    In the Mays to come I shall feel forever
  The wildflowers thinking, the wild birds telling,
      In words as soft as the falling dew,
      The love that I keep here still for you,
        Both deep and true,
  Whatever befalls through fate's compelling.
 

AUBADE

 
  Awake! the dawn is on the hills!
    Behold, at her cool throat a rose,
    Blue-eyed and beautiful she goes,
  Leaving her steps in daffodils.—
  Awake! arise! and let me see
    Thine eyes, whose deeps epitomize
  All dawns that were or are to be,
    O love, all Heaven in thine eyes!—
  Awake! arise! come down to me!
 
 
  Behold! the dawn is up: behold!
    How all the birds around her float,
    Wild rills of music, note on note,
  Spilling the air with mellow gold.—
  Arise! awake! and, drawing near,
    Let me but hear thee and rejoice!
  Thou, who keep'st captive, sweet and clear,
    All song, O love, within thy voice!
  Arise! awake! and let me hear!
 
 
  See, where she comes, with limbs of day,
    The dawn! with wild-rose hands and feet,
    Within whose veins the sunbeams beat,
  And laughters meet of wind and ray.
  Arise! come down! and, heart to heart,
    Love, let me clasp in thee all these—
  The sunbeam, of which thou art part,
    And all the rapture of the breeze!—
  Arise! come down! loved that thou art!
 

APOCALYPSE

 
  Before I found her I had found
    Within my heart, as in a brook,
  Reflections of her: now a sound
    Of imaged beauty; now a look.
 
 
  So when I found her, gazing in
    Those Bibles of her eyes, above
  All earth, I read no word of sin;
    Their holy chapters all were love.
 
 
  I read them through. I read and saw
    The soul impatient of the sod—
  Her soul, that through her eyes did draw
    Mine—to the higher love of God.
 

PENETRALIA

 
  I am a part of all you see
  In Nature; part of all you feel:
  I am the impact of the bee
  Upon the blossom; in the tree
  I am the sap,—that shall reveal
  The leaf, the bloom,—that flows and flutes
  Up from the darkness through its roots.
 
 
  I am the vermeil of the rose,
  The perfume breathing in its veins;
  The gold within the mist that glows
  Along the west and overflows
  With light the heaven; the dew that rains
  Its freshness down and strings with spheres
  Of wet the webs and oaten ears.
 
 
  I am the egg that folds the bird;
  The song that beaks and breaks its shell;
  The laughter and the wandering word
  The water says; and, dimly heard,
  The music of the blossom's bell
  When soft winds swing it; and the sound
  Of grass slow-creeping o'er the ground.
 
 
  I am the warmth, the honey-scent
  That throats with spice each lily-bud
  That opens, white with wonderment,
  Beneath the moon; or, downward bent,
  Sleeps with a moth beneath its hood:
  I am the dream that haunts it too,
  That crystallizes into dew.
 
 
  I am the seed within the pod;
  The worm within its closed cocoon:
  The wings within the circling clod,
  The germ, that gropes through soil and sod
  To beauty, radiant in the noon:
  I am all these, behold! and more—
  I am the love at the world-heart's core.
 

ELUSION

I
 
  My soul goes out to her who says,
  "Come, follow me and cast off care!"
  Then tosses back her sun-bright hair,
  And like a flower before me sways
  Between the green leaves and my gaze:
  This creature like a girl, who smiles
  Into my eyes and softly lays
  Her hand in mine and leads me miles,
  Long miles of haunted forest ways.
 
II
 
  Sometimes she seems a faint perfume,
  A fragrance that a flower exhaled
  And God gave form to; now, unveiled,
  A sunbeam making gold the gloom
  Of vines that roof some woodland room
  Of boughs; and now the silvery sound
  Of streams her presence doth assume—
  Music, from which, in dreaming drowned,
  A crystal shape she seems to bloom.
 
III
 
  Sometimes she seems the light that lies
  On foam of waters where the fern
  Shimmers and drips; now, at some turn
  Of woodland, bright against the skies,
  She seems the rainbowed mist that flies;
  And now the mossy fire that breaks
  Beneath the feet in azure eyes
  Of flowers; now the wind that shakes
  Pale petals from the bough that sighs.
 
IV
 
  Sometimes she lures me with a song;
  Sometimes she guides me with a laugh;
  Her white hand is a magic staff,
  Her look a spell to lead me long:
  Though she be weak and I be strong,
  She needs but shake her happy hair,
  But glance her eyes, and, right or wrong,
  My soul must follow—anywhere
  She wills—far from the world's loud throng.
 
V
 
  Sometimes I think that she must be
  No part of earth, but merely this—
  The fair, elusive thing we miss
  In Nature, that we dream we see
  Yet never see: that goldenly
  Beckons; that, limbed with rose and pearl,
  The Greek made a divinity:—
  A nymph, a god, a glimmering girl,
  That haunts the forest's mystery.
 

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