HIS MAJESTY THE KING OF ROME

At nine o'clock on the morning of March 20, 1811, the boom of a cannon sounded through Paris. Peace reigned throughout France, yet the roar of the gun had a magical effect on the hurrying passers-by. Every man, woman, and child, whatever might be their business, stopped where they stood, as if a fairy had waved her wand over them. No one moved; no one spoke; not only did their feet seem enchanted, but their tongues too. Silently they all remained in their places while the thunder of the cannon still went on, but their faces wore a strained, intense look as if they were counting something. Nineteen! twenty! twenty-one! one and all they held their breath. Twenty-two! and a cry as of one man rung out. The spell was broken, handkerchiefs were waved, hats flew into the air, old soldiers embraced each other with tears in their eyes. The King of Rome was born.

And who was this King of Rome, the only bearer of a noble name, and why was his birth so dear to the citizens of Paris? He was the son of Napoleon and the Archduchess Marie Louise, destined, so it was hoped, to carry on the work of his father and to bear the eagles triumphant through many a field of battle. And yet, if they could have looked forward twenty-one years, they would have seen a youth dying of consumption far from the country which he loved, after one of the saddest lives that perhaps any child ever knew.

But now, on the day of his birth, nobody dreamed of the doom that lay on him! Instead, he seemed the most fortunate baby in the whole world! He had a lady-in-waiting in charge of him and his numerous nurses, and chief attendant, the Comtesse de Montesquiou, 'Maman Quiou' as he called her in after-days; his room was hung with soft green silk curtains, with palm trees and golden lizards embroidered on them. He slept all night long, and part of the day too, in a cot shaped like a boat, with a gilded prow, and the green, myrtle broidered curtains that shaded him from the light were caught together by a wreath of golden laurels. In the room there was another cradle, more beautiful, given him by the City of Paris, which was to go with him by-and-by into exile, and can still be seen at the Palace of Schönbrunn. This cot had been the work of famous artists; Prud'hon had drawn the designs, and the most skilful sculptors and goldsmiths had carried them out. The curtains at his head were of lace, sprinkled with golden stars, and an eaglet, with outstretched wings, hovered over his feet.

When His Majesty the King of Rome was a month old, he was driven out to the palace of St. Cloud, where he lived with Madame de Montesquiou in rooms opening straight on to the gardens. Here, in the green and quiet, he grew strong, and able to bear the fatigues of his christening, which was celebrated in the Cathedral of Nôtre Dame, on June 9, with all the pomp suitable to the occasion. Once again the bells rang out, and all along the way troops took up their places. At five o'clock the Tuileries gardens were filled with carriages, and the procession began to form. The escort of troops rode first, and were followed by the gay-coated heralds and the officers of State, these last in carriages drawn by four horses. The Emperor's brothers and sisters came next, and after them was a pause, till the Imperial carriage, drawn by eight horses, hove in sight, containing Madame de Montesquiou, holding on her knees the King of Rome. His long robe was of white satin covered with lace; a little lace cap was on his head, and across his breast lay the red ribbon of the Legion of Honour. 'Long live Napoleon Francis Charles Joseph, King of Rome!' cried the heralds when the baptismal ceremony was over, and the Emperor, snatching the child from the arms of its mother, held him out to the crowd who thronged the church. 'Long live the King of Rome!' it cried in answer: then the procession re-formed, and returned to the Tuileries in the same order.

Marie Louise does not seem to have had the boy much with her, though Isabey, the famous artist, was constantly ordered to paint his picture, and it was his father whom he first learned to know. Napoleon had always been fond of playing with children; and before the birth of his own son, his nephews and nieces were constantly about him. Best of all, he had loved the little Napoleon Charles, son of his brother Louis, King of Holland, and Hortense Beauharnais, and Charles was never happier than when trotting about at 'Nanon's' side. Nanon was the pet name of Napoleon. Together they would go and feed the gazelles with tobacco – which (if strong) was very bad for the gazelles, and made them ill for a whole day after – or the Emperor would take him to parade, and Charles would cry, 'Long live Nanon the soldier!' And how proud Nanon was one day when Charles, who had been lost at a review held at Boulogne, was found wandering between the line of fire of the two armies, not a bit afraid of the guns.

Charles was a very nice little boy, and had been taught good manners by Queen Hortense. When he went into Nanon's dressing-room he did not pull about the things that were lying on the dressing-table, but sat still while he chattered to his uncle, or repeated some fable of La Fontaine's which he had learned the day before. He was a generous little fellow, and would readily give away his toys or sweets, and only laughed when Napoleon pulled his ears, instead of getting angry like his cousins, the little Murats. Every day he did his lessons, and was allowed sometimes, as a great treat, to copy out the 'Wolf and the Lamb,' or the 'Lion and the Mouse,' or the 'Goose with the Golden Eggs,' to show to Nanon. But by-and-by he had to say good-bye to Nanon and go back to his father and mother in Holland, where he fell ill and died, at the age of four and a half, in May 1807.

After Charles's death Napoleon made a pet of the dead child's younger brother, Napoleon Louis, though he never took the elder child's place in his uncle's heart. Still, the Emperor liked to have Louis about him, and swung him on to his knee at breakfast, and gave him bits of omelette or cutlet on his fork. Louis, of course, wanted to do everything his uncle did, and one day insisted on sipping his coffee, but he did not like it, and made a face. 'Oh, Louis!' cried the Emperor, 'your education is certainly not finished, as you have not learned how to hide your feelings.' The boy stared and grew rather cross, for he felt he was being laughed at, though he did not understand why. His temper was never as good as his brother's, and he often flew into a rage when Napoleon teased him, as he was very fond of doing. One morning, when Louis was three years old, he was breakfasting with the Emperor, and was just going to eat an egg, when Napoleon caught it up, and held it out of his reach. 'Give me my egg, or I will kill you,' said Louis, picking up a knife. 'Would you really kill your uncle?' asked Napoleon.

'Give me my egg, or I will kill you,' repeated Louis, louder than before; and Napoleon laughed and gave it back to him, and patted his head, saying, 'Ah, some day you will be a fine fellow!'

But now that he had a son of his own, who would by-and-by inherit the Empire he had created and tread in his footsteps, Napoleon could not make enough of him. He, too, came to breakfast, and, much to Madame de Montesquiou's disgust, the Emperor would dip his fingers in the red wine he was drinking, and give it to the baby to suck. The King of Rome would shrink away in terror from the bunch of nodding plumes on his mother's bonnet, but he smiled and crowed when his father lifted him in the air. Sometimes, however, the play got too rough, and the child would screw up the corners of his mouth and begin to cry. Then the Emperor would stop and look at him gravely, and say to him:

'What, Sire! are you crying? A king, and yet you cry! Oh, that is very bad! Kings don't cry!' and he would begin to make faces, which the baby loved, and it would break into smiles directly. The boy grew quickly, and at eight months old he was already trying to walk, but, on the other hand, he was very backward in talking. As he got older, he would often manage to escape from the nursery, and, running along the passage, knock with his fists on the door of the Emperor's study.

'Open! I want papa,' he would say to the sentry, who always answered:

'Sire, I must not let in your Majesty.'

'Why not? I am the little king.'

'But your Majesty is alone!' replied the sentry, who had been ordered not to admit the boy unless Madame de Montesquiou was with him. The child's eyes filled with tears, but hearing 'Maman Quiou's' voice behind him, he took hold of her hand and looked at the man, saying:

'Now open it. The little king desires it.'

'His Majesty the King of Rome,' announced the usher, and the little fellow ran straight up to his father, sure of his welcome. No matter how occupied the Emperor might be, the child was never sent away. His father would hold him on his knee while he signed State papers, or walk up and down the room with the boy on his back as he dictated despatches to his secretaries, or, greatest joy of all, he would allow his son to play with the little wooden soldiers that he kept on the table when planning his campaigns. In face the little king grew daily more like an Austrian, though his father tried in vain to see some resemblance to himself. But in many ways he showed his Corsican blood, and chiefly in the sudden bursts of temper to which he was liable. These were always stopped at once by his governess, who never spoilt him herself or suffered anyone else to do so. One day, when something had displeased him, he stormed and raged till Madame de Montesquiou feared he would fall into convulsions, as his cousin, Achille Murat, had done only the week before. Finding that the child would listen to nothing, she ordered an attendant to close all the shutters. The boy, astonished at the sudden darkness, ceased crying at once, and asked why the sun was shut out.

'So that nobody might hear you, Sire. The people would never want you for their king if they knew how naughty you could be!'

'Did I scream very loud?' he inquired in rather a small voice.

'Very,' replied the governess.

'Do you think they heard?'

'I am afraid so.'

At this answer his tears began to fall again, but quite silently. He made a violent effort to check them, and when he could speak, he stretched up his arms to his governess, and whispered, 'I'll never do it again, Maman Quiou. I am very sorry.'

By the time he was two years old the little king had a whole roomful of toys of every sort: there was a drum, mounted in silver, that Napoleon had given him on his first birthday, before the ill-fated army started for Russia; there was a top in an ivory frame, and a Polish lancer who could move his legs; there was a wonderful pearl and enamel box, with a locket inside, and out of the locket a bird jumped and sang. The King of Rome cherished them all; but best he loved a woolly sheep with a velvet collar and golden bells. He would play with this sheep for hours together, pretending it was the lamb that the wicked wolf was trying to catch, as told in his favourite story. When he went out, he had two real white sheep to draw him, in a beautiful little carriage given him on his birthday by his aunt, Caroline Murat, and in this he drove along the riverside terrace of the Tuileries, dressed in white muslin and lace, with the red ribbon of the Legion of Honour peeping out of the folds. And the Parisians were always delighted to see him, and at the bidding of his governess he smiled and waved his hand, for the Emperor was most particular about his manners. He was also anxious that the child should grow up as strong and hardy as he himself had done, so every day, whatever the weather, the little prince drove out in his carriage, with a merino pelisse over his muslin frock, and a pink or blue loose coat on top. The Empress thought it a pity, and feared her son might catch cold, but in this matter Napoleon had his way.

Long before this the château at Meudon had been prepared as a sort of school for the Imperial children; if indeed the King of Rome should have any brothers or sisters. It was a rest for Napoleon to turn from the thoughts of war, and to plan every detail of the education that was to be given to his son. He collected a library of 6,000 volumes, which it would be years before the boy could read or understand. After the fashion of the day he ordered a dinner-service to be made at the manufactory at Sèvres, and each of the seventy plates contained a lesson. Eleven of them were painted with scenes from Roman history, thirty-two with famous victories of the French; while the rest were covered with pictures of sun, moon, and stars, or birds, beasts, and fishes. His rooms were hung with blue velvet, and the backs of the chairs and sofas, as well as the walls, were covered with drawings of the most celebrated Roman buildings. It was in the same spirit that Madame de Genlis desired to teach Roman history to her two pupils, Louis Philippe and his sister, only she wished to have the events woven into tapestries, which would have taken even longer to make than the dinner-set and have been still more costly.

So the little prince was sent, with his governesses and his nurses and his own staff of servants, to Meudon, and Madame de Montesquiou wrote constant reports of him to his parents at the Tuileries. At fourteen months he had for dinner soup, beef, chicken, and pudding; at least these things appeared on his table, though most likely he was not allowed to eat them all. Directly the dinner was ready, the dishes were placed in a large box, which was carefully locked by the head cook, who gave it to a footman, and by him it was carried to the prince's apartments, where the box was unlocked by Madame de Montesquiou with a second key. These precautions dated back from many centuries, when poison, or rather the fear of it, played so large a part in the life of Courts. Certainly nobody wanted to poison the poor little King of Rome, and if they had, they would hardly have liked to face the consequences! Instead, he was adored by all his attendants, as a good-tempered, healthy baby generally is. They loved to stand and peep through the door, when 'Maman Quiou' was not looking, and watch him staggering and tumbling about on the mattresses, three feet thick, that were spread in his rooms, so that he might learn to walk without hurting himself; and they would wait behind the curtains to see him start for his drive, with his two white sheep beautifully combed and curled, the golden bells of their collars tinkling as they went.