They held different views about the way to teach geography. Bouvard thought it more logical to begin with the commune, Pécuchet with the entire world.
With a watering-pot and some sand he sought to demonstrate what was meant by a river, an island, a gulf, and even sacrificed three flower-beds to explain three continents; but the cardinal points could not be got into Victor’s head.
On a night in January Pécuchet carried him off in the open country. While they walked along he held forth on astronomy: mariners find it useful on their voyages; without it Christopher Columbus would not have made his discovery. We owe a debt of gratitude to Copernicus, to Galileo, and to Newton.
It was freezing hard, and in the dark blue sky countless stars were scintillating. Pécuchet raised his eyes.
“What! No Ursa Major!”
The last time he had seen it, it was turned to the other side. At length he recognised it, then pointed out the polar star, which is always turned towards the north, and by means of which travellers can find out their exact situation.
Next day he placed an armchair in the middle of the room and began to waltz round it.
“Imagine that this armchair is the sun and that I am the earth; it moves like this.”
Victor stared at him, filled with astonishment.
After this he took an orange, passed through it a piece of stick to indicate the poles, then drew a circle across it with charcoal to mark the equator. He next moved the orange round a wax candle, drawing attention to the fact that the various points on the surface were not illuminated at the same time – which causes the difference of climates; and for that of the seasons he sloped the orange, inasmuch as the earth does not stand up straight – which brings about the equinoxes and the solstices.
Victor did not understand a bit of it. He believed that the earth turns around in a long needle, and that the equator is a ring pressing its circumference.
By means of an atlas Pécuchet exhibited Europe to him; but, dazzled by so many lines and colours, he could no longer distinguish the names of different places. The bays and the mountains did not harmonise with the respective nations; the political order confused the physical order. All this, perhaps, might be cleared up by studying history.
It would have been more practical to begin with the village, and go on next to the arrondissement, the department, and the province; but, as Chavignolles had no annals, it was absolutely necessary to stick to universal history. It was rendered embarrassing by such a variety of details that one ought only to select its beautiful features. For Greek history there are: “We shall fight in the shade,” the banishment of Aristides by the envious, and the confidence of Alexander in his physician. For Roman, the geese of the Capitol, the tripod of Scævola, the barrel of Regulus. The bed of roses of Guatimozin is noteworthy for America. As for France, it supplies the vase of Soissons, the oak of St. Louis, the death of Joan of Arc, the boiled hen of Bearnais – you have only too extensive a field to select from, not to speak of À moi d’Auvergne! and the shipwreck of the Vengeur.
Victor confused the men, the centuries, and the countries. Pécuchet, however, was not going to plunge him into subtle considerations, and the mass of facts is a veritable labyrinth. He confined himself to the names of the kings of France. Victor forgot them through not knowing the dates. But, if Dumouchel’s system of mnemonics had been insufficient for themselves, what would it be for him! Conclusion: history can be learned only by reading a great deal. He would do this.
Drawing is useful where there are numerous details; and Pécuchet was courageous enough to try to learn it himself from Nature by working at the landscape forthwith. A bookseller at Bayeux sent him paper, india-rubber, pasteboard, pencils, and fixtures, with a view to the works, which, framed and glazed, would adorn the museum.
Out of bed at dawn, they started each with a piece of bread in his pocket, and much time was lost in finding a suitable scene. Pécuchet wished to reproduce what he found under his feet, the extreme horizon, and the clouds, all at the same time; but the backgrounds always got the better of the foregrounds; the river tumbled down from the sky; the shepherd walked over his flock; and a dog asleep looked as if he were hunting. For his part, he gave it up, remembering that he had read this definition:
“Drawing is composed of three things: line, grain, and fine graining, and, furthermore, the powerful touch. But it is only the master who can give the powerful touch.”
He rectified the line, assisted in the graining process, watched over the fine graining, and waited for the opportunity of giving the powerful touch. It never arrived, so incomprehensible was the pupil’s landscape.
Victorine, who was very lazy, used to yawn over the multiplication table. Mademoiselle Reine showed her how to stitch, and when she was marking linen she lifted her fingers so nicely that Bouvard afterwards had not the heart to torment her with his lesson in ciphering. One of these days they would resume it. No doubt arithmetic and sewing are necessary in a household; but it is cruel, Pécuchet urged, to bring up girls merely with an eye to the husbands they might marry. Not all of them are destined for wedlock; if we wish them later to do without men, we ought to teach them many things.
The sciences can be taught in connection with the commonest objects; for instance, by telling what wine is made of; and when the explanation was given, Victor and Victorine had to repeat it. It was the same with groceries, furniture, illumination; but for them light meant the lamp, and it had nothing in common with the spark of a flint, the flame of a candle, the radiance of the moon.
One day Victorine asked, “How is it that wood burns?” Her masters looked at each other in confusion. The theory of combustion was beyond them.
Another time Bouvard, from the soup to the cheese, kept talking of nutritious elements, and dazed the two youngsters with fibrine, caseine, fat and gluten.
After this, Pécuchet desired to explain to them how the blood is renewed, and he became puzzled over the explanation of circulation.
The dilemma is not an easy one; if you start with facts, the simplest require proofs that are too involved, and by laying down principles first, you begin with the absolute – faith.
How is it to be solved? By combining the two methods of teaching, the rational and the empirical; but a double means towards a single end is the reverse of method. Ah! so much the worse, then.
To initiate them in natural history, they tried some scientific excursions.
“You see,” said they, pointing towards an ass, a horse, an ox, “beasts with four feet – they are called quadrupeds. As a rule, birds have feathers, reptiles scales, and butterflies belong to the insect class.”
They had a net to catch them with, and Pécuchet, holding the insect up daintily, made them take notice of the four wings, the six claws, the two feelers, and of its bony proboscis, which drinks in the nectar of flowers.
He gathered herbs behind the ditches, mentioned their names, and, when he did not know them, invented them, in order to keep up his prestige. Besides, nomenclature is the least important thing in botany.
He wrote this axiom on the blackboard: “Every plant has leaves, a calyx, and a corolla enclosing an ovary or pericarp, which contains the seed.” Then he ordered his pupils to go looking for plants through the fields, and to collect the first that came to hand.
Victor brought him buttercups; Victorine a bunch of strawberries. He searched vainly for the pericarp.
Bouvard, who distrusted his own knowledge, rummaged in the library, and discovered in Le Redouté des Dames a sketch of an iris in which the ovaries were not situated in the corolla, but beneath the petals in the stem. In their garden were some scratchweeds and lilies-of-the-valley in flower. These rubiaceæ had no calyx; therefore the principle laid down on the blackboard was false.
“It is an exception,” said Pécuchet.
But chance led to the discovery of a field-madder in the grass, and it had a calyx.
“Goodness gracious! If the exceptions themselves are not true, what are we to put any reliance on?”
One day, in one of these excursions, they heard the cries of peacocks, glanced over the wall, and at first did not recognise their own farm. The barn had a slate roof; the railings were new; the pathways had been metalled.
Père Gouy made his appearance.
“ ’Tisn’t possible! Is it you?”
How many sad stories he had to tell of the past three years, amongst others the death of his wife! As for himself, he had always been as strong as an oak.
“Come in a minute.”
It was early in April, and in the three fruit-gardens rows of apple trees in full blossom showed their white and red clusters; the sky, which was like blue satin, was perfectly cloudless. Table-cloths, sheets, and napkins hung down, vertically attached to tightly-drawn ropes by wooden pins. Père Gouy lifted them as they passed; and suddenly they came face to face with Madame Bordin, bareheaded, in a dressing-gown, and Marianne offering her armfuls of linen.
“Your servant, gentlemen. Make yourselves at home. As for me, I shall sit down; I am worn out.”
The farmer offered to get some refreshment for the entire party.
“Not now,” said she; “I am too hot.”
Pécuchet consented, and disappeared into the cellar with Père Gouy, Marianne and Victor.
Bouvard sat down on the grass beside Madame Bordin.
He received the annual payment punctually; he had nothing to complain of; and he wished for nothing more.
The bright sunshine lighted up her profile. One of her black head-bands had come loose, and the little curls behind her neck clung to her brown skin, moistened with perspiration. With each breath her bosom heaved. The smell of the grass mingled with the odour of her solid flesh, and Bouvard felt a revival of his attachment, which filled him with joy. Then he complimented her about her property.
She was greatly charmed with it; and she told him about her plans. In order to enlarge the farmyard, she intended to take down the upper bank.
Victorine was at that moment climbing up the slopes, and gathering primroses, hyacinths, and violets, without being afraid of an old horse that was browsing on the grass at her feet.
“Isn’t she pretty?” said Bouvard.
“Yes, she is pretty, for a little girl.”
And the widow heaved a sigh, which seemed charged with life-long regret.
“You might have had one yourself.”
She hung down her head.
“That depended on you.”
“How?”
He gave her such a look that she grew purple, as if at the sensation of a rough caress; but, immediately fanning herself with her pocket-handkerchief:
“You have let the opportunity slip, my dear.”
“I don’t quite understand.” And without rising he drew closer to her.
She remained looking down at him for some time; then smiling, with moist eyes:
“It is your fault.”
The sheets, hanging around them, hemmed them in, like the curtains of a bed.
He leaned forward on his elbow, so that his face touched her knees.
“Why? – eh? – why?”
And as she remained silent, while he was in a condition in which words cost nothing, he tried to justify himself; accused himself of folly, of pride.
“Forgive me! Let everything be as it was before. Do you wish it?” And he caught her hand, which she allowed to remain in his.
A sudden gust of wind blew up the sheets, and they saw two peacocks, a male and a female. The female stood motionless, with her tail in the air. The male marched around her, erected his tail into a fan and bridled up, making a clucking noise.
Bouvard was clasping the hand of Madame Bordin. She very quickly loosed herself. Before them, open-mouthed and, as it were, petrified, was young Victor staring at them; a short distance away Victorine, stretched on her back, in the full light of day, was inhaling all the flowers which she had gathered.
The old horse, frightened by the peacocks, broke one of the lines with a kick, got his legs entangled in it, and, galloping through the farmyard, dragged the washed linen after him.
At Madame Bordin’s wild screams Marianne rushed up. Pére Gouy abused his horse: “Fool of a beast! Old bag of bones! Infernal thief of a horse!” – kicked him in the belly, and lashed his ears with the handle of a whip.
Bouvard was shocked at seeing the animal maltreated.
The countryman, in answer to his protest, said:
“I’ve a right to do it; he’s my own.”
This was no justification. And Pécuchet, coming on the scene, added that animals too have their rights, for they have souls like ourselves – if indeed ours have any existence.
“You are an impious man!” exclaimed Madame Bordin.
Three things excited her anger: the necessity for beginning the washing over again, the outrage on her faith, and the fear of having been seen just now in a compromising attitude.
“I thought you were more liberal,” said Bouvard.
She replied, in a magisterial manner, “I don’t like scamps.”
And Gouy laid the blame on them for having injured his horse, whose nostrils were bleeding. He growled in a smothered voice:
“Damned unlucky people! I was going to put him away when they turned up.”
The two worthies took themselves off, shrugging their shoulders.
Victor asked them why they had been vexed with Gouy.
“He abuses his strength, which is wrong.”
“Why is it wrong?”
Could it be that the children had no idea of justice? Perhaps so.
And the same evening, Pécuchet, with Bouvard sitting at his right, and facing the two pupils with some notes in his hand, began a course of lectures on morality.
“This science teaches us to exercise control over our actions.
“They have two motives – pleasure and interest, and a third, more imperious – duty.
“Duties are divided into two classes: first, duties towards ourselves, which consist in taking care of our bodies, protecting ourselves against all injury.” (They understood this perfectly.) “Secondly, duties towards others; that is to say, to be always loyal, good-natured, and even fraternal, the human race being only one single family. A thing often pleases us which is injurious to our fellows; interest is a different thing from good, for good is in itself irreducible.” (The children did not comprehend.) He put off the sanction of duties until the next occasion.
In the entire lecture, according to Bouvard, he had not defined “good.”
“Why do you wish to define it? We feel it.”
So, then, the lessons of morality would suit only moral people – and Pécuchet’s course did not go further.
They made their pupils read little tales tending to inspire them with the love of virtue. They plagued Victor to death.
In order to strike his imagination, Pécuchet suspended from the walls of his apartment representations of the lives of the good person and the bad person respectively. The first, Adolphe, embraced his mother, studied German, assisted a blind man, and was admitted into the Polytechnic School. The bad person, Eugène, began by disobeying his father, had a quarrel in a café, beat his wife, fell down dead drunk, smashed a cupboard – and a final picture represented him in jail, where a gentleman, accompanied by a young lad, pointed him out, saying, “You see, my son, the dangers of misconduct.”
But for the children, the future had no existence. In vain were their minds saturated with the maxim that “work is honourable,” and that “the rich are sometimes unhappy.” They had known workmen in no way honoured, and had recollections of the château, where life seemed good. The pangs of remorse were depicted for them with so much exaggeration that they smelled humbug, and after that became distrustful. Attempts were then made to govern their conduct by a sense of honour, the idea of public opinion, and the sentiment of glory, by holding up to their admiration great men; above all, men who made themselves useful, like Belzunce, Franklin, and Jacquard. Victor displayed no longing to resemble them.
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