SAXO AS A WRITER

Saxo's countrymen have praised without stint his remarkable style, for he has a style. It is often very bad; but he writes, he is not in vain called Grammaticus, the man of letters. His style is not merely remarkable considering its author's difficulties; it is capable at need of pungency and of high expressiveness. His Latin is not that of the Golden Age, but neither is it the common Latin of the Middle Ages. There are traces of his having read Virgil and Cicero. But two writers in particular left their mark on him. The first and most influential is Valerius Maximus, the mannered author of the "Memorabilia", who lived in the first half of the first century, and was much relished in the Middle Ages. From him Saxo borrowed a multitude of phrases, sometimes apt but often crabbed and deformed, as well as an exemplary and homiletic turn of narrative. Other idioms, and perhaps the practice of interspersing verses amid prose (though this also was a twelfth century Icelandic practice), Saxo found in a fifth-century writer, Martianus Capella, the pedantic author of the "De Nuptiis Philologiae et Mercurii" Such models may have saved him from a base mediaeval vocabulary; but they were not worthy of him, and they must answer for some of his falsities of style. These are apparent. His accumulation of empty and motley phrase, like a garish bunch of coloured bladders; his joy in platitude and pomposity, his proneness to say a little thing in great words, are only too easy to translate. We shall be well content if our version also gives some inkling of his qualities; not only of what Erasmus called his "wonderful vocabulary, his many pithy sayings, and the excellent variety of his images"; but also of his feeling for grouping, his barbaric sense of colour, and his stateliness. For he moves with resource and strength both in prose and verse, and is often only hindered by his own wealth. With no kind of critical tradition to chasten him, his force is often misguided and his work shapeless; but he stumbles into many splendours.

FOLK LORE INDEX

The mass of archaic incidents, beliefs, and practices recorded by the 12th-century writer seemed to need some other classification than a bare alphabetic index. The present plan, a subject-index practically, has been adopted with a view to the needs of the anthropologist and folk-lorist. Its details have been largely determined by the bulk and character of the entries themselves. No attempt has been made to supply full parallels from any save the more striking and obvious old Scandinavian sources, the end being to classify material rather than to point out its significance of geographic distribution. With regard to the first three heads, the reader who wishes to see how Saxo compares with the Old Northern poems may be referred to the Grimm Centenary papers, Oxford, 1886, and the Corpus Poeticurn Boreale, Oxford, 1883.

POLITICAL INSTITUTIONS

King—As portrayed by Saxo, the ideal king should be (as in "Beowulf's Lay") generous, brave and just. He should be a man of accomplishments, of unblemished body, presumably of royal kin (peasant-birth is considered a bar to the kingship), usually a son or a nephew, or brother of his foregoer (though no strict rule of succession seems to appear in Saxo), and duly chosen and acknowledged at the proper place of election. In Denmark this was at a stone circle, and the stability of these stones was taken as an omen for the king's reign. There are exceptional instances noted, as the serf-king Eormenric (cf. Guthred-Canute of Northumberland), whose noble birth washed out this blot of his captivity, and there is a curious tradition of a conqueror setting his hound as king over a conquered province in mockery.

The king was of age at twelve. A king of seven years of age has twelve Regents chosen in the Moot, in one case by lot, to bring him up and rule for him till his majority. Regents are all appointed in Denmark, in one case for lack of royal blood, one to Scania, one to Zealand, one to Funen, two to Jutland. Underkings and Earls are appointed by kings, and though the Earl's office is distinctly official, succession is sometimes given to the sons of faithful fathers. The absence of a settled succession law leads (as in Muslim States) to rebellions and plots.

Kings sometimes abdicated, giving up the crown perforce to a rival, or in high age to a kinsman. In heathen times, kings, as Thiodwulf tells us in the case of Domwald and Yngwere, were sometimes sacrificed for better seasons (African fashion), and Wicar of Norway perishes, like Iphigeneia, to procure fair winds. Kings having to lead in war, and sometimes being willing to fight wagers of battle, are short-lived as a rule, and assassination is a continual peril, whether by fire at a time of feast, of which there are numerous examples, besides the classic one on which Biarea-mal is founded and the not less famous one of Hamlet's vengeance, or whether by steel, as with Hiartuar, or by trick, as in Wicar's case above cited. The reward for slaying a king is in one case 120 gold lbs.; 19 "talents" of gold from each ringleader, 1 oz. of gold from each commoner, in the story of Godfred, known as Ref's gild, "i.e., Fox tax". In the case of a great king, Frode, his death is concealed for three years to avoid disturbance within and danger from without. Captive kings were not as a rule well treated. A Slavonic king, Daxo, offers Ragnar's son Whitesark his daughter and half his realm, or death, and the captive strangely desires death by fire. A captive king is exposed, chained to wild beasts, thrown into a serpent-pit, wherein Ragnar is given the fate of the elder Gunnar in the Eddic Lays, Atlakvida. The king is treated with great respect by his people, he is finely clad, and his commands are carried out, however abhorrent or absurd, as long as they do not upset customary or statute law. The king has slaves in his household, men and women, besides his guard of housecarles and his bearsark champions. A king's daughter has thirty slaves with her, and the footmaiden existed exactly as in the stories of the Wicked Waiting Maid. He is not to be awakened in his slumbers (cf. St. Olaf's Life, where the naming of King Magnus is the result of adherence to this etiquette). A champion weds the king's leman.

His thanes are created by the delivery of a sword, which the king bolds by the blade and the thane takes by the hilt. (English earls were created by the girding with a sword. "Taking treasure, and weapons and horses, and feasting in a hall with the king" is synonymous with thane-hood or gesith-ship in "Beowulf's Lay"). A king's thanes must avenge him if he falls, and owe him allegiance. (This was paid in the old English monarchies by kneeling and laying the head down at the lord's knee.)

The trick by which the Mock-king, or King of the Beggars (parallel to our Boy-bishop, and perhaps to that enigmatic churls' King of the "O. E. Chronicle", s.a. 1017, Eadwiceorla-kyning) gets allegiance paid to him, and so secures himself in his attack on the real king, is cleverly devised. The king, besides being a counsel giver himself, and speaking the law, has "counsellors", old and wise men, "sapientes" (like the 0. E. Thyle). The aged warrior counsellor, as Starcad here and Master Hildebrand in the "Nibelungenlied", is one type of these persons, another is the false counsellor, as Woden in guise of Bruni, another the braggart, as Hunferth in "Beowulf's Lay". At "moots" where laws are made, kings and regents chosen, cases judged, resolutions taken of national importance, there are discussions, as in that armed most the host.

The king has, beside his estates up and down the country, sometimes (like Hrothgar with his palace Heorot in "Beowulf's Lay") a great fort and treasure house, as Eormenric, whose palace may well have really existed. There is often a primitive and negroid character about dwellings of formidable personages, heads placed on stakes adorn their exterior, or shields are ranged round the walls.

The provinces are ruled by removable earls appointed by the king, often his own kinsmen, sometimes the heads of old ruling families. The "hundreds" make up the province or subkingdom. They may be granted to king's thanes, who became "hundred-elders". Twelve hundreds are in one case bestowed upon a man.

The "yeoman's" estate is not only honourable but useful, as Starcad generously and truly acknowledges. Agriculture should be fostered and protected by the king, even at the cost of his life.

But gentle birth and birth royal place certain families above the common body of freemen (landed or not); and for a commoner to pretend to a king's daughter is an act of presumption, and generally rigorously resented.

The "smith" was the object of a curious prejudice, probably akin to that expressed in St. Patrick's "Lorica", and derived from the smith's having inherited the functions of the savage weapon-maker with his poisons and charms. The curious attempt to distinguish smiths into good and useful swordsmiths and base and bad goldsmiths seems a merely modern explanation: Weland could both forge swords and make ornaments of metal. Starcad's loathing for a smith recalls the mockery with which the Homeric gods treat Hephaistos.

Slavery.—As noble birth is manifest by fine eyes and personal beauty, courage and endurance, and delicate behaviour, so the slave nature is manifested by cowardice, treachery, unbridled lust, bad manners, falsehood, and low physical traits. Slaves had, of course, no right either of honour, or life, or limb. Captive ladies are sent to a brothel; captive kings cruelly put to death. Born slaves were naturally still less considered, they were flogged; it was disgraceful to kill them with honourable steel; to accept a slight service from a slave-woman was beneath old Starcad's dignity. A man who loved another man's slave-woman, and did base service to her master to obtain her as his consort, was looked down on. Slaves frequently ran away to escape punishment for carelessness, or fault, or to gain liberty.