I
THE HONBLE MRS. WINSTON (NÉE MOLLY RANDOLPH) TO HER FRIEND, THE COUNTESS OF LANE

On Board SS. Evangeline,

March 15th.

Dearest Mercédes:

It will be days, also nights (worse luck, for my cabin chirps like a cricket, sings like a canary, and does a separate realistic imitation of each animal in the Zoo!), before we get to New York. But I have crochet cramp and worsted wrist from finishing a million scarfs since we sailed, so I feel it will ease the strain to begin a letter to you. I dare say, anyhow, I shan't close it till the last minute, with a P. S. to say we're arriving safely —if we do! One never knows nowadays. And we have on board a man who's been torpedoed twice. I hope he isn't the kind to whom everything happens in threes. By the way, he's the Ship's Mystery, and this letter can't be a complete record of the voyage unless I tell you about him. Place aux dames, however. There's a girl I want to tell you about first. Or had I better polish off our own family history and make a clean sweep of ourselves before beginning on anybody else? On second thoughts, I will!

Jack's getting better splendidly. I can't say he's getting well, for that will take a long time yet, I'm sorry to – but no, to be an Honest Injun, I'm not sorry. I'm glad —glad! He's done his "bit" – quite a large bit – for his country, and if his bones and muscles were knitting as rapidly as I knit socks for soldiers, he would insist on rushing back to do another bit. Of course he wouldn't have consented to come over here, even for the three months I've made him (figuratively speaking) "sign on for," if the doctors hadn't all said he'd be a crock for months. Even he has to admit that he may as well crock in America as anywhere else; and I've persuaded him that I can't possibly decide what to do with the place Cousin John Randolph Payton left me on Long Island without his expert advice. It may be the first time I was ever unable to decide a thing by myself, but there must be a first time, you know. And I'm simply purring with joy to have Jack at my mercy like this, after all I went through with him at the front. We shall celebrate a wedding day presently. Ten years married, and I adore Jack just ten times more than I did the day I exchanged a Lightning Conductor for a husband.

He does look too interesting since he was wounded! All the girls gaze at him as if he were a matinee idol or a moving-picture star, and naturally they don't think I'm worthy of him in the least – an opinion in which I agree. Luckily, he doesn't. I believe he admires me as much as I do him. And really, I'm not so bad to look at, I notice, now I've begun to live again and don't need to worry over Jack every instant. I had feared it might be necessary to own up to twenty-nine, only two years short of my real age, which would be so wasteful. But thank goodness, I see now I can safely retreat in good order back to twenty-five, and stay there for some time to come. I always did feel that if girl or woman found a nice, suitable age, she ought to stick to it!

That's all about us, I think. So, speaking of girls, I'll tell you about the one I mentioned. I want to tell you, because Jack and I are both passionately interested and perhaps a little curious. Consequently I expect her fate and ours, as the palmists say, will be mixed together while we live on Long Island. In that case, she's sure to be served up to you toasted, iced, sugared, and spiced, in future letters, so she may as well be introduced to you now: "The Countess of Lane – Miss Patricia Moore." Nice name, isn't it? Almost as nice as yours before you were married to Monty. She has informed me, however, that she hates the Patricia part because it sounds as if she turned up her nose in pride of birth, whereas God turned it up when He made her – or else her nurse let her lie on it when she was asleep. Anyhow, it's tilted just right, to make her look like one of those wonderful girls on American magazine covers, with darling little profiles that show the long curve of lashes on their off, as well as their near, eyelid. You know that engaging effect?

I have been invited to call her "Patty," or "Pat," both of which names were in use at the French convent school she has lately left. But I think she will have to be "Patsey" for me, as to my mind it's more endearing. And "endearing" is a particularly suitable adjective for her. Constantly, when looking at the creature, I find myself wanting to hum, "Believe me, if all those endearing young charms," etc. There are simply crowds of them – charms, I mean. Big blue eyes under those eyelashes, and above them, too, for the under lashes are a special feature; clouds of black wavy hair; and milky-white skin such as true Irish beauties have in poems, where it's not so difficult as in real life. This girl is American, not Irish, but she's certainly the Beauty of the ship.

She is the happiest thing you ever saw: and apparently she's coming home (she calls it "home," though she hasn't seen America since she was ten) as a conquering hero comes marching into a blaze of glory. All the same, I'm sorry for her. I have a sort of impression – but why be a croaking raven? I really don't see why! Every prospect pleases, and there's no reason man should be particularly vile. When I allude thus flippantly to "man," I refer to Papa Moore. I suppose when one comes to analyze that "sort of an impression" the danger-note is sounded to my heart by the girl's description of her father.

Not that she calls him "father," or even "papa," or "dad." She calls him "Larry," his name being Laurence. She worships the ground he walks on, she says, which is sweet of her, as very little of it has been walked on in her neighbourhood for the last nine years.

It seems that Mamma and Larry made a runaway match, when he was twenty and a half and Mamma seventeen and a quarter. He ran from college and she ran from boarding-school. Mamma was an heiress; Larry was poor. However, he had a lovely old house on Long Island (or rather his people had it) and he came into it later when the others had kindly died: a very historic old house, according to Miss Pat. She's intensely proud of her parents' romance, and the fact that Larry is at this present time only forty-one. "Of course forty-one is old," she explained to Jack and me, "but not for the father of a grown-up girl, is it? It couldn't be done younger! And when you meet him, you'll see – why, you'll see that I look old enough to be his mother!"

(She had her nineteenth birthday with a present of a motor car to celebrate it, just before leaving France, and she looks sixteen. So naturally Jack and I are curious to behold Larry. If her description fits, he must be rather like the father in Anstey's "Vice Versa.")

When Pat was ten, Mamma twenty-eight, and Father thirty-one, the trio went to Europe, which I think mostly meant Paris. Mamma was taken with pneumonia after an Embassy ball, at which she was the prettiest woman, and died of her triumph. Larry didn't know what to do with the child. But some sympathetic soul who wanted to save the dear boy trouble advised him to plant his little flower in the soil of France, where he could come once in a while to see how she grew. He took the advice, and Patty was planted in a convent school, where she has stayed till now, as he never seemed ready to dig her up.

Just what Larry has done with himself meanwhile is not explained in this first chapter of the romance, which is as far as we have got. All Patty knows is that he left "important business" to dash over twice and see her: once when she was thirteen, once again three years later. He was "too handsome for words," and "the girls were all wild about him." Since then, nothing doing – except letters and cheques. Apparently Larry was under the impression that once a schoolgirl, always a schoolgirl. Anyhow, he put off indefinitely the happy day when he could take his fair young daughter to reign over his home. The Mother Superior wrote when Pat was going to be eighteen, and Larry said he would come, but didn't. Patty is sure he couldn't, because "he adores her just as she adores him," and is dying for the time when they can be together. At last, owing to the war, all the older girls were leaving the school except Patricia Moore; so Larry's memory had to be jogged, and this time he opened his heart and sent for Pat. Dreadfully sorry he couldn't fetch her himself, but gave carte blanche for everything a girl could possibly want in travelling, except a father.

I told you about the high-powered French motor car. Well, there's an even higher powered French maid. She's the kind that you could describe as "and suite," without the slightest snobbishness or exaggeration, when registering your name in the visitors' book at a hotel. The car, which Larry told Pat to buy for herself as a birthday present from him, is forty horsepower, I believe; whereas I'm much mistaken if Angéle isn't about a hundred demon-power. She's geared terribly high, can "crank" herself I should imagine, and has the smartest new type of body, all glittering paint and varnish. Isn't it nice that her name should be Angéle? It wasn't the Mother Superior who engaged this guardian angel for Miss Moore, but the dear old Paris friend of Larry's who advised the convent in the first place. Angéle was her maid, taken over from a princess – an Albanian one, or something Balkanic or volcanic. The old friend is a Marquise, and my opinion is that her genius lies in finding safe harbours for incubuses (is there such a word, or should it be "incubi?"). Heaven knows what explosive thing may happen if the high-powered Angéle doesn't fancy her new garage and petrol.

Besides the car and the maid, Mademoiselle Patsey is bringing with her to America a regular trousseau for her début, which is to take place in the grand manner. She won't let me see Larry's photograph because it doesn't do him justice, and because she wants him to burst upon me as a brilliant surprise; but she has shown me as much of the trousseau as her stateroom and Angéle's can contain. The rest's in the hold, and forms quite a respectable cargo. If everything comes off as Patsey expects it to do (and after all, as I said, why shouldn't it?) I do think that she and her charm and her clothes are likely to dazzle New York. Nothing prettier can have happened there or anywhere for a long time.

By the way, did you ever hear of a Laurence Moore of Long Island, whose place is called Kidd's Pines? There may be half a directory bursting with Laurence Moores, but there can be only one with an address like Kidd's Pines. It's named after a clump of pines supposed to be a kind of landmark for treasure buried by Captain Kidd. Either the treasure is buried under the trees, somewhere between their roots and China, or the pines point to it. Can pines point? I don't see how they can, any more than a pumpkin can point; but perhaps nobody else being able to see is the reason why the treasure's never been found.

We haven't many young men on board. Most of the young men who travel are going the other way just now; and that makes our Ship's Mystery more conspicuous. One reason he's so conspicuous is because he's travelling third class. (We used to call it steerage!) Maybe you'll say that travelling third class doesn't usually make people mysterious: it makes them smell of disinfectants. Also it puts them Beyond the Pale. Not that I or any other nice woman can tell precisely what a Pale is. But anyhow, if you go third class you have to show your tongue if the least important person demands a sight of it. And if that doesn't put you beyond Pales and everything else, I don't know what does.

That's why this man deserves such extraordinary credit for being interesting and mysterious. Even if caught in the act of displaying his tongue to the doctor, I believe you'd say, should you see a snapshot: "Who is that man?"

Now, haven't I worked up to him well? Don't you want to hear the rest? Well, so do we. For we don't know anything at all, except that if we go and gaze over the rail of the first-class part of this old-fashioned tub of a ship, into the third-class part, we can generally observe a young man who looks like an Italian prince (I mean, the way an Italian prince ought to look) telling the steerage children stories or teaching them games. I'm not sure if he's exactly handsome, but there must be something remarkable about him, or all the first-class passengers wouldn't have begun asking each other or the ship's officers or even the deck stewards on the first day out, the question I suggested: "Who is that man?"

I believe, by the by, it was a deck steward I asked. I've always found that they know everything. Or what they don't know they cook up more excitingly than if bound to dull facts.

I added to the question aforesaid – "Who is that man?" – another: "And how does he come to be in the steerage?"

It was the second question which got answered first. "I suppose, my lady" – (Whiffitts will anticipate the far future by calling me "my lady") – "that all his money was torpedoed."

This explanation raised such a weird picture (can't you see the thing happening?) that Whiffitts was obliged to begin at the beginning, and not stop till he came to the end, my eager look a prophesied mine of half-crowns.

Whiffitts simply loved telling me. It is nice knowing something somebody else doesn't know and is dying to! The name of the Ship's Mystery is supposed to be Storm, Peter Storm. I say "supposed," advisedly. Because it may be anything. They don't worry with passenger lists for third-class people; they're just a seething, nameless mass, apparently. But anything remarkable bubbles up to the top, as in the case of the alleged Peter Storm. Naturally, his fellow-passengers have nicknamed him "The Stormy Petrel."

What is he really? we wonder. A jewel shines more brightly at night, and perhaps it's the contrast between the Stormy Petrel and those "fellow-passengers" of his which makes him look so very great a gentleman, despite the fact that his clothes might have been bought at a second hand – no, a fourth or fifth hand – shop. The creature wears flannel shirts (he seems, thank heaven, to have several to change with, of different colours) and they have low, turn-over collars. Apparently all his neckties were torpedoed with his money, for he never sports one. Instead, he ties himself up in red or black silk handkerchiefs, very ancient and faded; and if you will believe me, my dear girl, the effect is most distinguished!

I told you that he looks as an Italian prince ought to look and seldom does; but he claims American citizenship. He sailed from New York in the Lusitania, and was among those saved. Far from advertising this adventure, the hero of it would apparently have kept silence if he could; but it leaked out somehow in Ireland, Whiffits doesn't quite know how. In any case, at the time of taking passage on the Arabic back to America, months later, paragraphs about the man's Lusitania