EDITOR’S NOTE

By A. J. Grieve

A French student of English letters (M. Paul Oursel) has written the following lines:

“Depuis deux siècles les Essais forment une branche importante de la littérature anglaise; pour designer un écrivain de cette classe, nos voisins emploient un mot qui n’a pas d’équivalent en francais; ils disent: un essayiste. Quo’est-ce qu’un essayiste? L’essayiste se distingue du moraliste, de l’historien, du critique littéraire, du biographe, de l’écrivain politique; et pourtant il emprunte quelque trait a chacun d’eux; il ressemble tour a tour a l’un ou a l’autre; il est aussi philosophe, il est satirique, humoriste a ses heures; il remit en sa personne des qualités multiples; il offre dans ses écrits un spécimen de tous les genres. On voit qu’il n’est pas facile de définir l’essayiste; mais l’exemple suppléera a la définition. On connaîtra exactement le sens du mot quand on aura étudie l’écrivain qui, d’après le jugement de ces compatriotes, est l’essayiste par excellence, ou, comme on disait dans les anciens cours de littérature, le Prince des essayistes.”

Macaulay is indeed the prince of essayists, and his reign is unchallenged. “I still think—says Professor Saintsbury (Corrected Impressions, p. 89 f.)—that on any subject which Macaulay has touched, his survey is unsurpassable for giving a first bird’s-eye view, and for creating interest in the matter.... And he certainly has not his equal anywhere for covering his subject in the pointing-stick fashion. You need not—you had much better not—pin your faith on his details, but his Pisgah sights are admirable. Hole after hole has been picked in the “Clive” and the “Hastings,” the “Johnson” and the “Addison,” the “Frederick” and the “Horace Walpole,” yet every one of these papers contains sketches, summaries, precis, which have not been made obsolete or valueless by all the work of correction in detail.

Two other appreciations from among the mass of critical literature that has accumulated round Macaulay’s work may be fitly cited, This from Mr. Frederic Harrison:—

“How many men has Macaulay succeeded in reaching, to whom all other history and criticism is a sealed book, or a book in an unknown tongue! If he were a sciolist or a wrongheaded fanatic, this would be a serious evil. But, as he is substantially right in his judgments, brimful of saying common-sense and generous feeling, and profoundly well read in his own periods and his favourite literature, Macaulay has conferred most memorable services on the readers of English throughout the world. He stands between philosophic historians and the public very much as journals and periodicals stand between the masses and great libraries. Macaulay is a glorified journalist and reviewer, who brings the matured results of scholars to the man in the street in a form that he can remember and enjoy, when he could not make use of a merely learned book. He performs the office of the ballad-maker or story-teller in an age before books were known or were common. And it is largely due to his influence that the best journals and periodicals of our day are written in a style so clear, so direct, so resonant.”

And this from Mr. Cotter Morison

“Macaulay did for the historical essay what Haydn did for the sonata, and Watt for the steam engine; he found it rudimentary and unimportant, and left it complete and a thing of power.... To take a bright period or personage of history, to frame it in a firm outline, to conceive it at once in article-size, and then to fill in this limited canvas with sparkling anecdote, telling bits of colour, and facts, all fused together by a real genius for narrative, was the sort of genre-painting which Macaulay applied to history.... And to this day his essays remain the best of their class, not only in England, but in Europe.... The best would adorn any literature, and even the less successful have a picturesque animation, and convey an impression of power that will not easily be matched. And, again, we need to bear in mind that they were the productions of a writer immersed in business, written in his scanty moments of leisure, when most men would have rested or sought recreation. Macaulay himself was most modest in his estimate of their value.... It was the public that insisted on their re-issue, and few would be bold enough to deny that the public was right.”

It is to Mr. Morison that the plan followed in the present edition of the Essays is due. In his monograph on Macaulay (English Men of Letters series) he devotes a chapter to the Essays and “with the object of giving as much unity as possible to a subject necessarily wanting it,” classifies the Essays into four groups, (1)English history, (2)Foreign history, (3)Controversial, (4)Critical and Miscellaneous. The articles in the first group are equal in bulk to those of the three other groups put together, and are contained in the first volume of this issue. They form a fairly complete survey of English history from the time of Elizabeth to the later years of the reign of George III, and are fitly introduced by the Essay on Hallam’s History, which forms a kind of summary or microcosm of the whole period.

The scheme might be made still more complete by including certain articles (and especially the exquisite biographies contributed by Macaulay to the Encyclopaedia Britannica) which are published in the volume of “Miscellaneous Writings and Speeches.” Exigencies of space have, however, compelled the limitation of the present edition to the “Essays” usually so-called. These have also been reprinted in the chronological arrangement ordinarily followed (see below) in The Temple Classics (5 vols. 1900), where an exhaustive bibliography, etc., has been appended to each Essay.

Chief dates in the life of Thomas Babington Macaulay, afterwards Baron Macaulay:—

1800 (Oct. 25). Birth at Rothley Temple, Leicestershire. 1818-1825. Life at Cambridge (Fellow of Trinity, 1824). 1825. Essay on Milton contributed to Edinburgh Review. 1826. Joined the Northern Circuit. 1830 M.P. for Calne (gift of the Marquis of Lansdowne). 1833. M.P. for Leeds. 1834-38. Legal Adviser to the Supreme Council of India. Work at the Indian Penal Code. 1839. M.P. for Edinburgh, and Secretary at War In Melbourne’s Cabinet. 1842. Lays of Ancient Rome. 1843. Collected edition of the Essays. 1847. Rejected at the Election of M.P. for Edinburgh. 1848. England from the Accession of James II. vols. i. and ii. 1852. M.P. for Edinburgh; serious illness. 1855. History of England, vols. iii. and iv. 1857. Raised to the peerage. 1859 (Dec. 28). Death at Holly Lodge, Kensington. (Buried in Westminster Abbey, 9th January 1860.)

The following are the works of Thomas Babington Macaulay:

Pompeii (Prize poem), 1819; Evening (prize poem), 1821; Lays of Ancient Rome (1842); Ivry and the Armada (Quarterly Magazine), added to Edition of 1848; Critical and Historical Essays (Edinburgh Review), 1843.

The Essays originally appeared as follows:

Milton, August 1825; Machiavelli, March 1827; Hallam’s “Constitutional History,” September 1828; Southey’s “Colloquies,” January 1830; R. Montgomery’s Poems, April 1830; Civil Disabilities of Jews, January 1831; Byron, June 1831; Croker’s “Boswell,” September 1831; Pilgrim’s Progress, December 1831; Hampden, December 1831; Burleigh, April 1832; War of Succession in Spain, January 1833; Horace Walpole, October 1833; Lord Chatham, January 1834; Mackintosh’s “History of Revolution,” July 1835; Bacon, July 1837; Sir William Temple, October 1838; “Gladstone on Church and State,” April 1839; Clive, January 1840; Ranke’s “History of the Popes,” October 1840; Comic Dramatists, January 1841; Lord Holland, July 1841; Warren Hastings, October 1841; Frederick the Great, April 1842; Madame D’Arblay, January 1843; Addison, July 1843; Lord Chatham (2nd Art.), October 1844.

History of England, vols. i. and ii., 1848; vols. iii. and iv., 1855; vol. v., Ed. Lady Trevelyan, 1861; Ed. 8 vols., 1858-62 (Life by Dean Milman); Ed. 4 vols., People’s Edition, with Life by Dean Milman, 1863-4; Inaugural Address (Glasgow), 1849; Speeches corrected by himself, 1854 (unauthorized version, 1853, by Vizetelly); Miscellaneous Writings, 2 vols. 1860 (Ed. T. F. Ellis). These include poems, lives (Encyclo. Britt. 8th ed.), and contributions to Quarterly Magazine, and the following from Edinburgh Review:

Dryden, January 1828; History, May 1828; Mill on Government, March 1829; Westminster Reviewer’s Defence of Mill, June 1829; Utilitarian Theory of Government, October 1829; Sadler’s “Law of Population,” July 1830; Sadler’s “Refutation Refuted,” January 1831 Mirabeau, July 1832; Barere, April 1844.

Complete Works (Ed. Lady Trevelyan), 8 vols., 1866.

BOOKS OF REFERENCE

Sir G.O. Trevelyan: The Life and Letters Of Lord Macaulay (2 vols. 8vo., 1876, 2nd ed. with additions, 1877, subsequent editions 1878 and 1881).

J. Cotter Morison: Macaulay [English Men of Letters], (1882).

Mark Pattison: Art. “Macaulay” in Encyclopaedia Britannica.

Leslie Stephen: Hours in a Library [new ed. 1892], ii. 243-376. Art. “Macaulay” in Dictionary of National Biography.

Frederic Harrison: Macaulay’s Place in Literature (1894). Studies in Early Victorian Literature, chap. iii. (1895).

G. Saintsbury: Corrected Impressions, chaps. ix. x. (189,5). A History of Nineteenth Century Literature, pp. 224-232 (1896).

P. Oursel: Les Essais de Lord Macaulay (1882).

D.H. Macgregor: Lord Macaulay (1901).

Sir R.C. Jebb: Macaulay (1900).

F.C. Montague. Macaulay’s Essays (3 vols. 1901).

A. J. G. August 1907.

HALLAM

(September 1828) The Constitutional History of England, from the Accession of Henry VII. to the Death of George II. By HENRY HALLAM. In 2 vols. 1827

HISTORY, at least in its state of ideal perfection, is a compound of poetry and philosophy. It impresses general truths on the mind by a vivid representation of particular characters and incidents. But, in fact, the two hostile elements of which it consists have never been known to form a perfect amalgamation; and at length, in our own time, they have been completely and professedly separated. Good histories, in the proper sense of the word, we have not. But we have good historical romances, and good historical essays. The imagination and the reason, if we may use a legal metaphor, have made partition of a province of literature of which they were formerly seized per my et per tout; and now they hold their respective portions in severalty, instead of holding the whole in common.

To make the past present, to bring the distant near, to place us in the society of a great man or on the eminence which overlooks the field of a mighty battle, to invest with the reality of human flesh and blood beings whom we are too much inclined to consider as personified qualities in an allegory, to call up our ancestors before us with all their peculiarities of language, manners, and garb, to show us over their houses, to seat us at their tables, to rummage their old-fashioned ward-robes, to explain the uses of their ponderous furniture, these parts of the duty which properly belongs to the historian have been appropriated by the historical novelist. On the other hand, to extract the philosophy of history, to direct on judgment of events and men, to trace the connection of cause and effects, and to draw from the occurrences of former time general lessons of moral and political wisdom, has become the business of a distinct class of writers.

Of the two kinds of composition into which history has been thus divided, the one may be compared to a map, the other to a painted landscape. The picture, though it places the country before us, does not enable us to ascertain with accuracy the dimensions, the distances, and the angles. The map is not a work of imitative art. It presents no scene to the imagination; but it gives us exact information as to the bearings of the various points, and is a more useful companion to the traveller or the general than the painted landscape could be, though it were the grandest that ever Rosa peopled with outlaws, or the sweetest over which Claude ever poured the mellow effulgence of a setting sun.

It is remarkable that the practice of separating the two ingredients of which history is composed has become prevalent on the Continent as well as in this country. Italy has already produced a historical novel, of high merit and of still higher promise. In France, the practice has been carried to a length somewhat whimsical. M. Sismondi publishes a grave and stately history of the Merovingian Kings, very valuable, and a little tedious. He then sends forth as a companion to it a novel, in which he attempts to give a lively representation of characters and manners. This course, as it seems to us, has all the disadvantages of a division of labour, and none of its advantages. We understand the expediency of keeping the functions of cook and coachman distinct. The dinner will be better dressed, and the horses better managed. But where the two situations are united, as in the Maitre Jacques of Moliere, we do not see that the matter is much mended by the solemn form with which the pluralist passes from one of his employments to the other.

We manage these things better in England. Sir Walter Scott gives us a novel; Mr. Hallam a critical and argumentative history. Both are occupied with the same matter. But the former looks at it with the eye of a sculptor. His intention is to give an express and lively image of its external form. The latter is an anatomist. His task is to dissect the subject to its inmost recesses, and to lay bare before us all the springs of motion and all the causes of decay.

Mr. Hallam is, on the whole, far better qualified than any other writer of our time for the office which he has undertaken. He has great industry and great acuteness. His knowledge is extensive, various, and profound. His mind is equally distinguished by the amplitude of its grasp, and by the delicacy of its tact. His speculations have none of that vagueness which is the common fault of political philosophy. On the contrary, they are strikingly practical, and teach us not only the general rule, but the mode of applying it to solve particular cases. In this respect they often remind us of the Discourses of Machiavelli.

The style is sometimes open to the charge of harshness. We have also here and there remarked a little of that unpleasant trick, which Gibbon brought into fashion, the trick, we mean, of telling a story by implication and allusion. Mr. Hallam however, has an excuse which Gibbon had not. His work is designed for readers who are already acquainted with the ordinary books on English history, and who can therefore unriddle these little enigmas without difficulty. The manner of the book is, on the whole, not unworthy of the matter. The language, even where most faulty, is weighty and massive, and indicates strong sense in every line. It often rises to an eloquence, not florid or impassioned, but high, grave, and sober; such as would become a state paper, or a judgment delivered by a great magistrate, a Somers or a D’Aguesseau.

In this respect the character of Mr. Hallam’s mind corresponds strikingly with that of his style. His work is eminently judicial. Its whole spirit is that of the bench, not that of the bar. He sums up with a calm, steady impartiality, turning neither to the right nor to the left, glossing over nothing, exaggerating nothing, while the advocates on both sides are alternately biting their lips to hear their conflicting misstatements and sophisms exposed. On a general survey, we do not scruple to pronounce the Constitutional History the most impartial book that we ever read. We think it the more incumbent on us to bear this testimony strongly at first setting out, because, in the course of our remarks, we shall think it right to dwell principally on those parts of it from which we dissent.