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George Gibbs
The Yellow Dove

PRELUDE

Rifts of sullen gray in the dirty veil of vapor beyond the reaches of dunes, where the sea in long lines of white, like the ghostly hosts of lost regiments, clamored along the sand....

A soughing wind, a shrieking of sea-birds, audible in pauses between the faraway crackle of rifle-fire and the deep reverberations of artillery—familiar music to ears trained by long listening. A shrill scream of flying shrapnel, a distant crash and then a tense hush....

Silence—nearly, but not quite. A sound so small as to be almost lost in the echoes of the clamor, an impact upon the air like the tapping of the wings of an insect against one’s ear-drum, a persistent staccato note which no other noise could still, borne with curious distinctness upon some aërial current of the fog bank.

And yet this tiny sound had a strange effect upon the desolate scene, for in a moment, as if they had been sown with dragon’s teeth, the sand dunes suddenly vomited forth armed men who ran hither and thither, their hands to their ears, peering aloft as though trying to pierce the mystery of the skies.

“The blighter! It’s ’im agayn.”

’Im! ’Oo’s ’im, I’d like to arsk?”

“Stow yer jaw, cawn’t yer ’ear? Ole Yaller-belly, agayn.”

The sounds were now clearly audible and to the south a series of rapid detonations shivered the air.

“There goes ‘Johnny look in the air.’ Cawn’t get ’im, though. ’Strewth! ’E’s a cool one—’e is!”

A hoarse order rang out from the trenches behind them—and the men ran for cover. The fog lifted a little and a shaft of light touched the leaden gray of the sea like the sheen on a dirty gun-barrel. The nearer high-angle guns were speaking now—fruitlessly, for the sounds seemed to come from directly overhead. The fog lifted again and a shaft of pale sunlight shot across the line of entrenchments.

“There ’e is, not wastin’ no time—’e ayn’t.”

“Yus. But they’re arfter ’im. There comes hyviashun. O ’ell!”

The expletive in a final tone of disgust for the fog had fallen again, completely obliterating the air-craft and its pursuers.

’Oo’s Yaller-belly?” asked a smooth-faced youth who still wore the sallow of London under his coat of windburn.

“You’re one of the new lot, ayn’t yer? You’ll know b–y soon ’oo Yaller-belly is, won’t ’e, Bill? Pow! That’s ’im—them sharp ones.”

“Garn!” said the one called Bill. “’E never ’its anythink but the dirt an’ ’e cawn’t ’elp that.”

“’Tayn’t ’cos ’e don’t try. ’Ear ’em? Nice droppin’s fer a dove, ayn’t they?”

“Dove?” said the newcomer.

“Yus. Tubs the swine calls ’em–”

“Tawb, yer blighter.”

“Tub, I says. Whenever troops is moving’, ’e’s always abaht—jus’ drops dahn hinformal-like, out o’ nowhere–”

“And cawn’t they catch ’im?”

“Catch ’im—? Bly me—not they! A thousand ’orse-power, they say ’e ’as—flies circles round hour hair squad like they was a lot o’ bloomink captivatin’ balloons.”

“But the ’igh-hangles–?”

“Moves too fast—’ere an’ gone agayn, afore you can fill yer cutty. They do say ’as ’ow when Yaller-belly comes, there’s sure to be big doin’s along the front.”

“Aye,” said Bill. “When we was dahn at Copenhagen–”

“Compayn, gran’pop–”

“Aw! Wot’s the hodds? Dahn at Copenhagen, ’e flew abaht same as ’e’s doin’ now.”

Bill paused.

“And what happened?”

“You’ll ’ave to arsk Sir John abaht that, me son,” finished the other dryly.

“We was drillin’ rear-guard actions, wasn’t we, Bill?”

“Aye. We was drilled, right, left, an’ a bit in the middle.” Bill rose and spat down the wind. “Tyke it from me,” he finished, with a glance aloft through the mist, “there’ll be somethin’ happen between ’ere an’ Wipers afore the week is hout–”

“Aye—the ’earse, Bill.”

“Wot ’earse?” asked the newcomer again.

“The larst time ’e kyme—down Wipers-way. There was a lull in the firin’ an’ ’tween the lines o’ trenches where the dead Dutchies was, comes a ’earse—a real ’earse with black ’orses, plumes an’ all. We thought ’twas some general they’d come to fetch and hup we stands hout o’ the trenches, comp’ny after comp’ny, caps off, all respec’ful-like. This ’ere ’earse comes along slow an’ mournful, black curt’ins an’ all flappin’ in the wind an’ six of the blighters a-marchin’ heads down behind it. They wheels up abreast of our comp’ny near a mound o’ earth and stops, an’ while we was lookin’—the front side of that there b–y vee-Hicle drops out an’ a machine-gun begins slippin’ it into us pretty as you please. ’Earse—that’s wot it was—a ’earse! an’ it jolly well made a funeral out o’ B Company.”

“Gawd!” said the newcomer. “And Yaller-belly–?”

“I ayn’t sayin’ nothin’ abaht ’im. You wait, that’s all.”

The sounds of firing rose and fell again. The fog thickened and the last crashes of the high-angle guns echoed out to sea, but the rush of the flying planes continued. Three machines there were by the sound of them, but one grew ever more distinct until the sounds of the three were merged into one. Closer it came, until like the blast of a storm down a mountainside, a huge shadow fell across the dunes and was gone amid a scattering of futile shots into the fog which might as well have been aimed at the moon.

Bill, the prescient, straightened and peered through the fog toward the flying plane.

“A ’earse,” he muttered. “That’s wot it was—a ’earse.”

CHAPTER I
SHELTERED PEOPLE

Lady Betty Heathcote had a reputation in which she took pride for giving successful dinners in a neighborhood where successful dinners were a rule rather than an exception. Her prescription was simple and consisted solely in compounding her social elements by strenuous mixing. She had a faculty for discovering cubs with incipient manes and saw them safely grown without mishap. At her house in Park Lane, politics, art, literature, and science rubbed elbows. Here pictures had been born, plays had had their real premières, novels had been devised, and poems without number, not a few of which were indited to My Lady Betty’s eyebrow, here first saw the light of day.

For all her dynamic energy in a variety of causes, most of them wise, all of them altruistic, Lady Betty had the rare faculty of knowing when to be restful. Tired Cabinet ministers, overworked lords of the Admiralty, leaders in all parties, knew that in Park Lane there would be no questions asked which it would not be possible to answer, that there was always an excellent dinner to be had without frills, a lounge in a quiet room, or, indeed, a pair of pyjamas and a bed if necessary.

But since the desperate character of the war with Germany had been driven home into the hearts of the people of London, a change had taken place in the complexion of many private entertainments and the same serious air which was to be noted in the mien of well-informed people of all classes upon the street was reflected in the faces of her guests. Her scientists were engrossed with utilitarian problems. Her literary men were sending vivid word-pictures of ruined Rheims and Louvain to their brothers across the Atlantic, and her Cabinet ministers conversed less than usual, addressing themselves with a greater particularity to her roasts or her spare bedrooms. Torn between many duties, as patroness to bazaars, as head of a variety of sewing guilds, as president of the new association for the training and equipment of nurses, Lady Heathcote herself showed signs of the wear and tear of an extraordinary situation, but she managed to meet it squarely by using every ounce of her abundant energy and every faculty of her resourceful mind.

Many secrets were hers, both political and departmental, but she kept them nobly, aware that she lived in parlous times, when an unconsidered word might do a damage irreparable. Agents of the enemy, she knew, had been discovered in every walk of life, and while she lived in London’s innermost circle, she knew that even her own house might not have been immune from visitors whose secret motives were open to question. It was, therefore, with the desire to reassure herself as to the unadulterated loyalty of her intimates that she had carefully scrutinized her dinner lists, eliminating all uncertain quantities through whom or by whom the unreserved character of the conversation across her board might in any way be jeopardized. So it was that tonight’s dinner-table had something of the complexion of a family party, in which John Rizzio, the bright particular star in London’s firmament of Art, was to lend his effulgence. John Rizzio, dean of collectors, whose wonderful house in Berkeley Square rivaled the British Museum and the Wallace Collection combined, an Italian by birth, an Englishman by adoption, who because of his public benefactions had been offered a knighthood and had refused it; John Rizzio, who had been an intimate of King Edward, a friend of Cabinet ministers, who knew as much about the inner workings of the Government as majesty itself. Long a member of Lady Heathcote’s circle, it had been her custom to give him a dinner on the anniversary of the day of the acquisition of the most famous picture in his collection, “The Conningsby Venus,” which had, before the death of the old Earl, been the aim of collectors throughout the world.

As usual the selection of her guests had been left to Rizzio, whose variety of taste in friendships could have been no better shown than in the company which now graced Lady Heathcote’s table. The Earl and Countess of Kipshaven, the one artistic, the other literary; their daughter the Honorable Jacqueline Morley; Captain Byfield, a retired cavalry officer now on special duty at the War Office; Lady Joyliffe, who had lost her Earl at Mons, an interesting widow, the bud of whose new affections was already emerging from her weeds; John Sandys, under-secretary for foreign affairs, the object of those affections; Miss Doris Mather, daughter of the American cotton king, who was known for doing unusual things, not the least of which was her recent refusal of the hand of John Rizzio, one of London’s catches, and the acceptance of that of the Honorable Cyril Hammersley, the last to be mentioned member of this distinguished company, gentleman sportsman and man about town, who as everybody knew would never set the world afire.

No one knew how this miracle had happened, for Doris Mather’s brains were above the ordinary; she had a discriminating taste in books and a knowledge of pictures, and just before dinner, upstairs in a burst of confidence she had given her surprised hostess an idea of what a man should be.

“He should be clever, Betty,” she sighed, “a worker, a dreamer of great dreams, a firebrand in every good cause, a patriot willing to fight to the last drop of his blood–”

Lady Betty’s laughter disconcerted her and she paused.

“And that is why you chose the Honorable Cyril?”

Miss Mather compressed her lips and frowned at her image in the mirror.

“Don’t be nasty, Betty. I couldn’t marry a man as old as John Rizzio.”

Lady Betty only laughed again.

“Forgive me, dear, but it really is most curious. I wouldn’t laugh if you hadn’t been so careful to describe to me all the virtues that Cyril—hasn’t.”

Doris powdered the end of her nose thoughtfully.

“I suppose they’re all a myth—men like that. They simply don’t exist—that’s all.”

Lady Betty pinned a final jewel on her bodice.

“I’m sure John Rizzio is flattered at your choice. Cyril is an old dear. But to marry! I’d as soon take the automatic chess player. Why are you going to marry Cyril, Doris?” she asked.

A long pause and more powder.

“I’m not sure that I am. I don’t even know why I thought him possible. I think it’s the feeling of the potter for his clay. Something might be made of him. He seems so helpless somehow. Men of his sort always are. I’d like to mother him. Besides”—and she flashed around on her hostess brightly—“he does sit a horse like a centaur.”

“He’s also an excellent shot, a good chauffeur, a tolerable dancer and the best bat in England, all agreeable talents in a gentleman of fashion but—er—hardly–” Lady Betty burst into laughter. “Good Lord, Doris! Cyril a firebrand!”

Doris Mather eyed her hostess reproachfully and moved toward the door into the hallway.

 




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На этой странице вы можете прочитать онлайн книгу «The Yellow Dove», автора George Gibbs. Данная книга имеет возрастное ограничение 12+, относится к жанрам: «Зарубежная классика», «Зарубежная старинная литература».. Книга «The Yellow Dove» была издана в 2018 году. Приятного чтения!