In Bombay

Late in the evening of the sixteenth of February, 1879, after a rough voyage which lasted thirty-two days, joyful exclamations were heard everywhere on deck. "Have you seen the lighthouse?" "There it is at last, the Bombay lighthouse."

Cards, books, music, everything was forgotten. Everyone rushed on deck. The moon had not risen as yet, and, in spite of the starry tropical sky, it was quite dark. The stars were so bright that, at first, it seemed hardly possible to distinguish, far away amongst them, a small fiery point lit by earthly hands. The stars winked at us like so many huge eyes in the black sky, on one side of which shone the Southern Cross. At last we distinguished the lighthouse on the distant horizon. It was nothing but a tiny fiery point diving in the phosphorescent waves. The tired travellers greeted it warmly. The rejoicing was general.

What a glorious daybreak followed this dark night! The sea no longer tossed our ship. Under the skilled guidance of the pilot, who had just arrived, and whose bronze form was so sharply defined against the pale sky, our steamer, breathing heavily with its broken machinery, slipped over the quiet, transparent waters of the Indian Ocean straight to the harbour. We were only four miles from Bombay, and, to us, who had trembled with cold only a few weeks ago in the Bay of Biscay, which has been so glorified by many poets and so heartily cursed by all sailors, our surroundings simply seemed a magical dream.

After the tropical nights of the Red Sea and the scorching hot days that had tortured us since Aden, we, people of the distant North, now experienced something strange and unwonted, as if the very fresh soft air had cast its spell over us. There was not a cloud in the sky, thickly strewn with dying stars. Even the moonlight, which till then had covered the sky with its silvery garb, was gradually vanishing; and the brighter grew the rosiness of dawn over the small island that lay before us in the East, the paler in the West grew the scattered rays of the moon that sprinkled with bright flakes of light the dark wake our ship left behind her, as if the glory of the West was bidding good-bye to us, while the light of the East welcomed the newcomers from far-off lands. Brighter and bluer grew the sky, swiftly absorbing the remaining pale stars one after the other, and we felt something touching in the sweet dignity with which the Queen of Night resigned her rights to the powerful usurper. At last, descending lower and lower, she disappeared completely.

And suddenly, almost without interval between darkness and light, the red-hot globe, emerging on the opposite side from under the cape, leant his golden chin on the lower rocks of the island and seemed to stop for a while, as if examining us. Then, with one powerful effort, the torch of day rose high over the sea and gloriously proceeded on its path, including in one mighty fiery embrace the blue waters of the bay, the shore and the islands with their rocks and cocoanut forests. His golden rays fell upon a crowd of Parsees, his rightful worshippers, who stood on shore raising their arms towards the mighty "Eye of Ormuzd." The sight was so impressive that everyone on deck became silent for a moment, even a red-nosed old sailor, who was busy quite close to us over the cable, stopped working, and, clearing his throat, nodded at the sun.

Moving slowly and cautiously along the charming but treacherous bay, we had plenty of time to admire the picture around us. On the right was a group of islands with Gharipuri or Elephanta, with its ancient temple, at their head. Gharipuri translated means "the town of caves" according to the Orientalists, and "the town of purification" according to the native Sanskrit scholars. This temple, cut out by an unknown hand in the very heart of a rock resembling porphyry, is a true apple of discord amongst the archaeologists, of whom none can as yet fix, even approximately, its antiquity. Elephanta raises high its rocky brow, all overgrown with secular cactus, and right under it, at the foot of the rock, are hollowed out the chief temple and the two lateral ones. Like the serpent of our Russian fairy tales, it seems to be opening its fierce black mouth to swallow the daring mortal who comes to take possession of the secret mystery of Titan. Its two remaining teeth, dark with time, are formed by two huge pillars t the entrance, sustaining the palate of the monster.

How many generations of Hindus, how many races, have knelt in the dust before the Trimurti, your threefold deity, O Elephanta? How many centuries were spent by weak man in digging out in your stone bosom this town of temples and carving your gigantic idols? Who can say? Many years have elapsed since I saw you last, ancient, mysterious temple, and still the same restless thoughts, the same recurrent questions vex me snow as they did then, and still remain unanswered. In a few days we shall see each other again. Once more I shall gaze upon your stern image, upon your three huge granite faces, and shall feel as hopeless as ever of piercing the mystery of your being. This secret fell into safe hands three centuries before ours. It is not in vain that the old Portuguese historian Don Diego de Cuta boasts that "the big square stone fastened over the arch of the pagoda with a distinct inscription, having been torn out and sent as a present to the King Dom Juan III, disappeared mysteriously in the course of time....," and adds, further, "Close to this big pagoda there stood another, and farther on even a third one, the most wonderful of all in beauty, incredible size, and richness of material. All those pagodas and caves have been built by the Kings of Kanada, (?) the most important of whom was Bonazur, and these buildings of Satan our (Portuguese) soldiers attacked with such vehemence that in a few years one stone was not left upon another...." And, worst of all, they left no inscriptions that might have given a clue to so much. Thanks to the fanaticism of Portuguese soldiers, the chronology of the Indian cave temples must remain for ever an enigma to the archaeological world, beginning with the Brah-mans, who say Elephanta is 374,000 years old, and ending with Fergusson, who tries to prove that it was carved only in the twelfth century of our era. Whenever one turns one's eyes to history, there is nothing to be found but hypotheses and darkness. And yet Gharipuri is mentioned in the epic Mahabharata, which was written, according to Colebrooke and Wilson, a good while before the reign of Cyrus. In another ancient legend it is said that the temple of Trimurti was built on Elephanta by the sons of Pandu, who took part in the war between the dynasties of the Sun and the Moon, and, belonging to the latter, were expelled at the end of the war. The Rajputs, who are the descendants of the first, still sing of this victory; but even in their popular songs there is nothing positive. Centuries have passed and will pass, and the ancient secret will die in the rocky bosom of the cave still unrecorded.

On the left side of the bay, exactly opposite Elephanta, and as if in contrast with all its antiquity and greatness, spreads the Malabar Hill, the residence of the modern Europeans and rich natives. Their brightly painted bungalows are bathed in the greenery of banyan, Indian fig, and various other trees, and the tall and straight trunks of cocoanut palms cover with the fringe of their leaves the whole ridge of the hilly headland. There, on the south-western end of the rock, you see the almost transparent, lace-like Government House surrounded on three sides by the ocean. This is the coolest and the most comfortable part of Bombay, fanned by three different sea breezes.

The island of Bombay, designated by the natives "Mambai," received its name from the goddess Mamba, in Mahrati Mahima, or Amba, Mama, and Amma, according to the dialect, a word meaning, literally, the Great Mother. Hardly one hundred years ago, on the site of the modern esplanade, there stood a temple consecrated to Mamba-Devi. With great difficulty and expense they carried it nearer to the shore, close to the fort, and erected it in front of Baleshwara the "Lord of the Innocent"—one of the names of the god Shiva. Bombay is part of a considerable group of islands, the most remarkable of which are Salsetta, joined to Bombay by a mole, Elephanta, so named by the Portuguese because of a huge rock cut in the shape of an elephant thirty-five feet long, and Trombay, whose lovely rock rises nine hundred feet above the surface of the sea. Bombay looks, on the maps, like an enormous crayfish, and is at the head of the rest of the islands. Spreading far out into the sea its two claws, Bombay island stands like a sleepless guardian watching over his younger brothers. Between it and the Continent there is a narrow arm of a river, which gets gradually broader and then again narrower, deeply indenting the sides of both shores, and so forming a haven that has no equal in the world. It was not without reason that the Portuguese, expelled in the course of time by the English, used to call it "Buona Bahia."

In a fit of tourist exaltation some travellers have compared it to the Bay of Naples; but, as a matter of fact, the one is as much like the other as a lazzaroni is like a Kuli. The whole resemblance between the former consists in the fact that there is water in both. In Bombay, as well as in its harbour, everything is original and does not in the least remind one of Southern Europe. Look at those coasting vessels and native boats; both are built in the likeness of the sea bird "sat," a kind of kingfisher. When in motion these boats are the personi-fication of grace, with their long prows and rounded poops. They look as if they were gliding backwards, and one might mistake for wings the strangely shaped, long lateen sails, their narrow angles fastened upwards to a yard. Filling these two wings with the wind, and careening, so as almost to touch the surface of the water, these boats will fly along with astonishing swiftness. Unlike our European boats, they do not cut the waves, but glide over them like a sea-gull.

The surroundings of the bay transported us to some fairy land of the Arabian Nights. The ridge of the Western Ghats, cut through here and there by some separate hills almost as high as themselves, stretched all along the Eastern shore. From the base to their fantastic, rocky tops, they are all overgrown with impenetrable forests and jungles inhabited by wild animals. Every rock has been enriched by the popular imagination with an independent legend. All over the slope of the mountain are scattered the pagodas, mosques, and temples of numberless sects. Here and there the hot rays of the sun strike upon an old fortress, once dreadful and inaccessible, now half ruined and covered with prickly cactus. At every step some memorial of sanctity. Here a deep vihara, a cave cell of a Buddhist bhikshu saint, there a rock protected by the symbol of Shiva, further on a Jaina temple, or a holy tank, all covered with sedge and filled with water, once blessed by a Brahman and able to purify every sin, all indispensable attribute of all pagodas. All the surroundings are covered with symbols of gods and goddesses. Each of the three hundred and thirty millions of deities of the Hindu Pantheon has its representative in something consecrated to it, a stone, a flower, a tree, or a bird. On the West side of the Malabar Hill peeps through the trees Valakeshvara, the temple of the "Lord of Sand." A long stream of Hindus moves towards this celebrated temple; men and women, shining with rings on their fingers and toes, with bracelets from their wrists up to their elbows, clad in bright turbans and snow white muslins, with foreheads freshly painted with red, yellow, and white, holy sectarian signs.

The legend says that Rama spent here a night on his way from Ayodhya (Oudh) to Lanka (Ceylon) to fetch his wife Sita who had been stolen by the wicked King Ravana. Rama's brother Lakshman, whose duty it was to send him daily a new lingam from Benares, was late in doing so one evening. Losing patience, Rama erected for himself a lingam of sand. When, at last, the symbol arrived from Benares, it was put in a temple, and the lingam erected by Rama was left on the shore. There it stayed during long centuries, but, at the arrival of the Portuguese, the "Lord of Sand" felt so disgusted with the feringhi (foreigners) that he jumped into the sea never to return. A little farther on there is a charming tank, called Vanattirtha, or the "point of the arrow." Here Rama, the much worshipped hero of the Hindus, felt thirsty and, not finding any water, shot an arrow and immediately there was created a pond. Its crystal waters were surrounded by a high wall, steps were built leading down to it, and a circle of white marble dwellings was filled with dwija (twice born) Brahmans.

India is the land of legends and of mysterious nooks and corners. There is not a ruin, not a monument, not a thicket, that has no story attached to it. Yet, however they may be entangled in the cobweb of popular imagination, which becomes thicker with every generation, it is difficult to point out a single one that is not founded on fact. With patience and, still more, with the help of the learned Brahmans you can always get at the truth, when once you have secured their trust and friendship.

The same road leads to the temple of the Parsee fire-worshippers. At its altar burns an unquenchable fire, which daily consumes hundredweights of sandal wood and aromatic herbs. Lit three hundred years ago, the sacred fire has never been extinguished, notwithstanding many disorders, sectarian discords, and even wars. The Parsees are very proud of this temple of Zaratushta, as they call Zoroaster. Compared with it the Hindu pagodas look like brightly painted Easter eggs. Generally they are consecrated to Hanuman, the monkey-god and the faithful ally of Rama, or to the elephant headed Ganesha, the god of the occult wisdom, or to one of the Devis. You meet with these temples in every street. Before each there is a row of pipals (Ficus religiosa) centuries old, which no temple can dispense with, because these trees are the abode of the elementals and the sinful souls.

All this is entangled, mixed, and scattered, appearing to one's eyes like a picture in a dream. Thirty centuries have left their traces here. The innate laziness and the strong conservative tendencies of the Hindus, even before the European invasion, preserved all kinds of monuments from the ruinous vengeance of the fanatics, whether those memorials were Buddhist, or belonged to some other unpopular sect. The Hindus are not naturally given to senseless vandalism, and a phrenologist would vainly look for a bump of destructiveness on their skulls. If you meet with antiquities that, having been spared by time, are, nowadays, either destroyed or disfigured, it is not they who are to blame, but either Mussulmans, or the Portuguese under the guidance of the Jesuits.

At last we were anchored and, in a moment, were besieged, ourselves as well as our luggage, by numbers of naked skeleton-like Hindus, Parsees, Moguls, and various other tribes. All this crowd emerged, as if from the bottom of the sea, and began to shout, to chatter, and to yell, as only the tribes of Asia can. To get rid of this Babel confusion of tongues as soon as possible, we took refuge in the first bunder boat and made for the shore.

Once settled in the bungalow awaiting us, the first thing we were struck with in Bombay was the millions of crows and vultures. The first are, so to speak, the County Council of the town, whose duty it is to clean the streets, and to kill one of them is not only forbidden by the police, but would be very dangerous. By killing one you would rouse the vengeance of every Hindu, who is always ready to offer his own life in exchange for a crow's. The souls of the sinful forefathers transmigrate into crows and to kill one is to interfere with the law of Karma and to expose the poor ancestor to something still worse. Such is the firm belief, not only of Hindus, but of Parsees, even the most enlightened amongst them. The strange behaviour of the Indian crows explains, to a certain extent, this superstition. The vultures are, in a way, the grave-diggers of the Parsees and are under the personal protection of the Farvardania, the angel of death, who soars over the Tower of Silence, watching the occupations of the feathered workmen.