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The Mirror of Literature, Amusement, and Instruction / Volume 20, No. 567, September 22, 1832

Public Buildings of Manchester

PUBLIC BUILDINGS OF MANCHESTER

The annexed Engravings are important illustrations of the statement in a recent Edinburgh Review:1—that Lancashire from being amongst the most backward parts of England, has worked its way into the front rank. They are, however, not only characteristic of the public spirit which animates the whole county; but they are monuments of commercial wealth, active benevolence, and intellectual superiority, of which the Manchesterians have ample cause to be proud. It will be seen from their details, that the structures have been built within the last half century, at an expense of more than one hundred thousand pounds; while their association with the fame and fortunes of men illustrious in science2 will render the subjoined Engravings of no common interest. The details which follow have been abridged from Lewis's Topographical Dictionary, 4to. 1831.

THE TOWN-HALL

Is a noble and elegant edifice, erected under the superintendance and from a design of Mr. Francis Goodwin, of London, in the Grecian style, after the temple of Erectheus at Athens, with a beautiful tower and dome in the centre, resembling the tower of Andronicus, called "The Temple of the Winds." The principal entrance is by a magnificent colonnade, with a rich entablature, in front of which are sculptured representations of the town of Manchester, and emblems of trade and commerce. In the wings are niches for statues of Solon and Alfred; in the medallions of the attic are busts in alto relievo of Pythagoras, Lycurgus, Hale, and Locke. The building contains various apartments for conducting the public business of the town: on the principal floor is a splendid room, 132 feet long, 43 ft. 8 in. wide, and 51-1/2 feet in height to the centre of the principal dome. The room is divided into three parts by two ranges of eight elegant Ionic pillars, so disposed that each may form a separate apartment; the central part being lighted by a superb dome, supported on 16 dwarf columns of scagliola marble, corresponding with the exterior design of the tower. The style of the whole room is that of chaste and classic beauty: the light is tastefully introduced into the extreme sections of the great room by concealed skylights, and through stained glass in the panels of the ceiling and the dome, decorated to correspond with those that are not pierced for that purpose. Three staircases lead to this splendid room, with the interior of which the principal staircase is made to harmonize. The foundation-stone of the building was laid August 19, 1822, by James Brierley, Esq. Boroughreeve; and its expense is stated at 40,000l.

THE INFIRMARY

Was established in 1752, by Joseph Bancroft, Esq., in conjunction with Charles White, Esq., M.D.; and in 1755, a building for the purpose was erected by subscription. It has been liberally supported, and since it was first opened for the reception of patients, has afforded medical relief to more than half a million of the labouring class. The buildings, which have been progressively enlarged, and to which other establishments have been attached, contain 180 beds for the accommodation of in-patients, with apartments for the officers and attendants, and a surgery, library of medical books, committee-rooms, and other offices; also a complete set of baths for the use of the patients. The grounds are tastefully laid out in gravel-walks, lawns, and parterres, and form a public promenade, to which a fine pool in front of the buildings adds considerable beauty. A complete set of hot, cold, vapour, and medicated baths has been fitted up here, with every accommodation for the public use, the profits arising from which are appropriated to the support of the institution. A Lunatic Asylum and Hospital was founded in 1765, and the building was opened for the reception of patients in the following year. The Dispensary was established in 1792, and an edifice for its use erected by subscription adjoining the Infirmary. In 1830, his Majesty, on the solicitation of the chairman and committee, graciously became the patron of this institution, which is now styled "The Manchester Royal Infirmary, Dispensary, Lunatic Hospital, and Asylum." The buildings for these several uses being previously contiguous, an uniformity of design has been given to them by facing the front and the north side with stone. The plan comprehends a principal and a side front, of which the elevation is strikingly elegant and imposing. (See the Engraving.) The principal front has in the centre a lofty and boldly projecting portico of four fluted Ionic columns, 38 feet high, supporting a pediment, of which the frieze and cornice are carried round the building, the angles of which are ornamented with antae of appropriate character: the side-front is of similar design, differing only in the slighter projection of the portico, which has but two columns in the centre, with engaged antae at the angles. The whole building is three stories high above the basement, and the lower story is channelled in horizontal lines.

THE ROYAL INSTITUTION

Embracing a variety of objects connected with the pursuits of literature and science, and the cultivation of the fine arts, originated with a few public-spirited individuals, in the year 1823, and was soon honoured with the public, and finally, with royal, patronage, The building, which has been erected from a design by Mr. Barry, of London, and is of a durable and richly-coloured stone, from the vicinity of Colne, forms a splendid addition to the architectural ornaments of the town. It is in the Grecian style. The principal elevation, (seen in the Engraving) towards Mosley-street, has a noble portico of six lofty columns of the Ionic order, supporting a rich entablature and pediment in the centre, on each side of which are columns and pilasters connecting it with the wings. Above the doors and windows are panels for bas-reliefs symbolical of the design of the Institution: the attic story of the hall has been recently, or is to be, surmounted by a finely-sculptured figure of Minerva. The area round the building is enclosed with a handsome iron palisade on a lofty plinth of masonry, with pedestals at the angles of the steps leading to the portico and side entrances. The centre comprises the Hall and the Theatre; one of the wings is appropriated as an Academy of the Fine Arts, with exhibition rooms, and the other as a Museum of Natural History. The Hall which is wholly lighted from the attic story, is 40 feet square, and 60 feet high; it contains a grand staircase of stone, consisting of central and lateral nights, with pedestals for sculptures, leading to a gallery on three sides of the hall, supported on Doric pillars; and to the theatre, which is of a semicircular form. On the gallery are entrances on each side leading through corridors flanked with columns, into the exhibition-rooms in each wing of the building; the ceiling of the Hall is richly-paneled in deeply-recessed compartments, and beneath the attic windows is a rich frieze for bas-reliefs. The Theatre will hold 600 persons, has a gallery supported on columns of bronze, and the walls are decorated with engaged columns, and with isolated columns in the angles: the ceiling is richly paneled, and the theatre is lighted by a lantern, which, by machinery, may be darkened instantaneously, at the will of the lecturer. There are three exhibition rooms in each wing, which may be thrown into one. There are also various rooms for the use of officers and others connected with the Institution, to which access is obtained from the hall and other parts of the building. The whole cost of this elegant pile is stated at about 50,000l. The Institution is under the direction of a President, twelve vice-presidents, and a committee, chosen from a body of nearly 700 hereditary and life governors, of whom the former are contributors of forty, and the latter of twenty-five guineas each.

These Views are from well-executed engravings, by Fothergill, of Manchester, which we recommend to the notice of tourists, for memoranda of their visit, as well as of the due rank of Manchester among the provincial towns of the United Kingdom.

Among the other public buildings of Manchester, are the Exchange, a handsome Grecian structure; the Hall of the Literary and Philosophical Society, universally known by its excellent published memoirs; the Portico, and other public libraries; theatres, hospitals, churches, bridges, &c.

PRAYER.—A FRAGMENT
 
Prayer is an arrow wing'd with love,
And urg'd by mercy on
Which by "the arm of Faith" is driv'n
Up through the starry vault of heav'n,
And scales "the Eternal's throne."
On seraph's wings the spirit flies,
Ev'n in that arrow's flight,
Soars through its vista in the skies
And gains the realms of light.
 
N.C.

BREVITIES

Poverty will often lead to great intellectual pursuits; but the resources of fortune will frequently suppress the most cogent ideas.

Never subdue a feeling arising from principle; for the mockery of conscience will contend against the hostile powers of a nation.

Never wantonly offend any man however feeble his situation: you know not how soon his personal interest may be acceptable.

In choosing a wife, a good disposition will be found the most staple commodity. Most other virtues will flourish in so luxuriant a soil.

It should be the study of every individual to become rather a useful than a rich member of society.

Weak opponents are universally great calumniators.

To adduce an opinion without some argumentative reason to support it, shows great precipitancy of idea. It is like raising a sumptuous pile for the mere gratification of witnessing its destruction.

It is not the enormity, but the certainty, of punishment that deters mankind from evil. Hope will always gain the ascendancy.

Precept and example are great opposites. The one is generally too extravagantly lavished: the other abridges more personal comfort than most people like to sacrifice.

Few individuals are patriotic enough to participate in the correction of a public abuse, until the corruption produces personal inconvenience.

Flattery will ever, more or less, accompany the first overtures to friendship. It may not be deemed impolitic if it be found to recede as the intimacy matures.

W.H.

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