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Sex in the Cities. Volume 3. Paris

Sex in the Cities. Volume 3. Paris
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Conveying six centuries of gallantry, serving as the world capital of fashion and love, Paris is the very symbol of eroticism and of joyful sexuality. Offenbach, in La Vie Parisienne, had already created a hymn dedicated to the pleasure of senses.

The author, with complete freedom, follows André Malraux’s approach by building an imaginary museum, in a Paris where time no longer exists, space is never-ending, and desire is always present.

The iconography is exceptional, coming from unpublished private collections and covering five centuries of Paris’ erotic story. It is accompanied by an academic text which allows the reader to discover this world, never vulgar and always subtle, from when the first man looked at the first woman: eroticism.

Оглавление
  • Introduction
  • Paris: The City of Love?
  • The Parisienne – a Chimera?
  • History: Middle Ages, Renaissance
  • Paris: Europe’s First Metropolis
  • François Villon
  • The Court in the 16th Century
  • The Golden Age of Eroticism
  • The Duke of Orléans’ “fêtes d’Adam”
  • Duke of Richelieu’s “Petite Maison”
  • Deer Park
  • The Palais Royal
  • Madame Gourdan’s Brothel
  • 18th Century Literature and Art
  • Romanticism
  • Triumph of the “Bourse” and Romantic Interior
  • Charles Fourier and the “New Order of Love”
  • Streets and Boulevards
  • The Belle Époque and Montmartre
  • Montmartre
  • 20th Century – Modern Paris
  • The Myth of Montparnasse
  • Jules Pascin
  • Marcel Vertès
  • André Breton and Surrealism
  • Hans Bellmer
  • On the etching Souterrain Baroque by Bellmer
  • André Masson
  • 1-2-2
  • Paris: The Imaginary Museum of Eroticism?
  • Bibliography
  • Index